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  1. Twilight, A Symphony

    Michael Joyce's Twilight, A Symphony is a courageous and innovative exploration of home, family, and the nostalgia that can't ever quite replace them. At the heart of Twilight is erstwhile reporter Hugh Colin Enright. Estranged from his wife, on the run, and sequestered with his infant son on the shores of Pleasant Lake, Hugh is befriended by an eccentric Polish politcal refugee and his wife, Magda. Years later, Hugh and the ailing Magda are together again, on a macabre odyssey in search of the Twilight doctor, the only person who might be willing to help Magda end her life. In its fearless exploration of death and desire, Twilight, A Symphonytakes an unflinching yet deeply compassionate look at the fears and longings that haunt us all.Michael Joyce's Twilight, A Symphony is a courageous and innovative exploration of home, family, and the nostalgia that can't ever quite replace them. At the heart of Twilight is erstwhile reporter Hugh Colin Enright.

    Jill Walker Rettberg - 13.01.2011 - 00:02

  2. Zeit für die Bombe

    "Zeit für die Bombe" ist eine multilineare Erzählung, die ich 1997 fürs World Wide Web schrieb. Schon damals träumte ich davon, sie einmal in einem digitalen Buch zu lesen. Als die Erzählung beim Internet-Literaturpreis "Pegasus" der Wochenzeitschrift "DIE ZEIT" den 1. Preis gewann, rieten mir viele Leute dazu, die Quatschidee mit dem digitalen Buch schnell wieder aufzugeben und stattdessen ein vernünftiges, also gedrucktes Buch zu schreiben. Grund: Der Hypertext sei tot, und das schon länger. Ob ich denn das noch nicht bemerkt hätte? Womöglich aus purer Sturheit schrieb und programmierte ich trotzdem weiter Hypertexte ( "Hilfe!" und "Die Schwimmmeisterin"), bis das Nachrichtenmagazin "Der Spiegel" mir 2002 den zweifelhaften Ehrentitel "Veteranin der schwindsüchtigen Szene" verlieh. Immerhin erkannte ich, dass das Magazin damit so falsch nicht lag. Denn multilineare Erzählungen im Internet zu veröffentlichen, hatte unübersehbare Nachteile. Der größte davon war, dass die Leser diese gar nicht lasen, sondern vor allem darin herumklickten, und zwar so schnell, dass sie gar nichts lesen konnten.

    Eric Dean Rasmussen - 07.02.2011 - 13:50

  3. The Raw Shark Texts

    The Raw Shark Texts

    Eric Dean Rasmussen - 17.02.2011 - 16:37

  4. Reagan Library

    Reagan Library is an odd mixture of stories and images, voices and places, crimes and punishments, connections and disruptions, signals on, noises off, failures of memory, and acts of reconstruction. It goes into some places not customary for "writing." I think of it as a space probe. I have no idea what you'll think.

    (Source: Author's description from Electronic Literature Collection, Volume 1)

     ***

     The piece seems to become more and more confusing as the writing continues. Demonstrates certain aspects of the writings becoming more incoherent, showing older graphic pictures of areas that seem lost, and bizarre, regarding the context of Reagan Library. The texts describe certain scenarios as well such as the Doctor asking what appears to be a patient to perform tasks involving one of the graphics, the piece goes on from the doctor's narration of the person's ability to perform the given tasks involving the image.

    ***

    Eric Dean Rasmussen - 23.03.2011 - 13:49

  5. The Glass Snail: a Pre-Christmas Tale

    A hypertext fiction using the Word Circuits Connection Muse. The story includes two alternate beginning chapters and two alternate ends.

    Scott Rettberg - 25.03.2011 - 12:57

  6. Charmin' Cleary

    Charmin' Cleary

    Scott Rettberg - 25.03.2011 - 23:32

  7. Planting Trees Out of the Grief: In Memoriam Robert Creeley

    "Planting Trees out of the Grief" is a lyrical essay, or work of creative non-fiction about mourning. "Planting Trees out of the Grief. In Memoriam Robert Creeley" is a ficticious story that mirrors the psychological processes of coping with mourning described in the essay.

    The hypertext will lead you through both texts as same as one goes through the process of mourning. You will go further and sometimes you realize you just stepped backwards finding yourself at the same point you were once before.

    Being at the same point (textpassage) you were once before you'll have the choice to follow new paths - or you have to go through the same until a new path (link) reveals. Sometimes people forget they were in grief and then, suddenly, they face their loss again. Therefore, I am dealing with intendend moments of recurrence. By this, you are forced to find new paths and follow other links.

    Mark Marino - 27.03.2011 - 17:52

  8. Penumbra

    Penumbra is a hybrid, re-imagining of the E-book. Crafted for mobile tablets, it carefully integrates gesture, video, interaction design and text. Increasingly, the tablet represents a readership that is poised for rich interactive worlds: new stories for new screens. Authoring with, in and through the tablet platform has the potential to create future literature that redefines our reading practice beyond simple existing emulations of print on screen or “touch and click” reading. In Penumbra, the digital and physical work together to bring the reader into the mind of the main protagonist. A series of P.O.V. interactive elements allow the reader to explore the language, senses, and visuals of the protagonist’s increasingly muddled thoughts. Through this engagement with a new type of book, the cultural expectations of what it means to “read” are interrogated and rethought. When encountered as an installation, Penumbra is an evocative standalone app. that can be read by interacting with the touch-based screen of an iPad. The aim is to create a strong fictional world where the interactions required to traverse it are non-trivial, compelling and content rich.

    Scott Rettberg - 20.05.2011 - 23:26

  9. I Have Said Nothing

    This hypertext narrative includes two fatal car crashes. The plot of this story motivates its readers to navigate their way through the story of loss, death, and media. This chilling story also encourages the readers to a chaotic retrospective thinking and reflection.
    With the use of hypertext links, the plot only progresses by the help from its readers through active participation and the choices they make with the point-and-click system

    Jill Walker Rettberg - 28.07.2011 - 14:42

  10. Le Nœud

    Le Nœud

    Eric Dean Rasmussen - 17.08.2011 - 16:04

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