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  1. Seattle Drift

    “Seattle Drift” leads us to think about different poetic “scenes” and how a text can enter and exit these poetic traditions through the deceptively simple mechanism of “drifting.”

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Eric Dean Rasmussen - 26.01.2012 - 10:40

  2. Fotomo Blues

    Fotomo Blues is a work of hyperpoetry and images. It's been available online since 1997 [at www.ellipsis.net/fotomo/].

    It was made for fun in the pioneering days of the web - in 1997- in order to explore new narrative possibilities offered by online publication and a screen-based environment.

    Fotomo Blues offers a satire on urban grunge and media-obsession. It's an interactive visual-verbal rap on a world of electrified air, digital melancholia, meet-them-in-the-flesh nostalgia, sound bites fights, soap star charisma, geek-speak freaks, feelgood factors contractors, hairsplitting graffiti, tabloid tyranny, toxic tranquillity, revved-up redundancy, sex, lies and a whole lot more.

    When it first appeared it was described as "a timely zeit through the urban geist."
     

    Eric Dean Rasmussen - 05.02.2012 - 11:08

  3. The Click Poems

    These are among David Knoebel's earliest e-poems, going back to 1997, but they're important because their conceptual compression and technical simplicity set the tone for Knoebel's subsequent poetry. Inspired by the haiku, they consist of three words or short phrases: a first line (which serves as a title) linking to the second line (which loads as an HTML page) and a third line which plays as an audio recording as soon as the sound file loads-- which is almost simultaneously.

    These crisp little poems are built out of layering in virtual and computational space and time. As you read them, notice how just as your brain is making the conceptual connection between the first two lines it gets hit by the third, transforming your thought process. Between the three, Knoebel maps out little experiences that resonate with humor, wit, curiosity, and delight. The relationship between the lines vary as well: completing phrases, commenting on the previous pair of lines, or making a connection to nature (in good haiku tradition).

    Leonardo Flores - 13.03.2012 - 11:54