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A Dialogue Between Two Eyeballs
This kinetic poem is takes the ancient rhetorical and poetic device of the dialogue to investigate the virtual, conceptual, and perceptual spaces of programmable media. Inspired by theoretical writings by John Cayley and Jean-François Lyotard, this poem explores binaries between past and present, old and new, letter and word, simple and complex writing surfaces, and the right and left eye— each of which has a distinct voice and perspective on the topic. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 13:14
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NobodyHere
A creative website that contains more than can be easily labelled as poetry, art, or narrative, though it certainly contains that and more. Launched in 1998, the site incorporates multiple Web technologies in very coherent fashion to create a hypertext of musings, anxieties, joys, searches for companionship, yearnings, and more navigable through interfaces populated by a variety of insects. Each page in this hypertext is a discovery: a thoughtful exploration of an idea through art, language, and metaphor. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 20:07
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Prepare
Prepare
Dan Kvilhaug - 03.03.2013 - 13:47
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tExtra.Tour (tExtra.Touren)
tExtra.Touren is a collection of experimental literary works gassners oliver. Besides the known projects for the internet that use textual and visual elements, the hyper-literary edition including recent mail and copy-art projects as well as audio recordings of lectures. tExtra.Touren share consists of the "paper-copy mail.art ---. txt ---. --- sound. html". there go the early work seamlessly into the network since 1983 literary work on since 1996. all work gassners, whether on paper, as a copy, fax, mail or digital network literature, provide a kind of media-hacking: using simple means, the medium broken, to bring its procedures have revealed. gassner initiated a new poetics of writing, under network conditions, which can break the language use. [taken from http://www.cyberfiction.ch/textratouren.html ]
Dan Kvilhaug - 04.03.2013 - 16:33
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Spätwinterhitze
Der erste interaktive Krimi. Ein Roman im Stil des film noir mit stimmungsvollen Animationen und Sounds auf CD-ROM. Frank Klötgen sprengt die Grenzen zwischen Buch, Comic und Computerspiel und verbindet Leseerlebnis und literarische Qualität eines atmosphärischen Krimis mit den multimedialen Möglichkeiten des Computerzeitalters. Der Leser schlüpft in die Rolle des Ich-Erzählers und steuert sich als Mitarbeiter einer Headhunter-Agentur durch den Roman. Dabei kommt er hinter die Machenschaften eines Weltkonzerns, der zuhause Politiker schmiert, Mitwisser unschädlich macht und im Ausland unter dem Schutzschild von Diktaturen menschenverachtende humangenetische Experimente betreiben lässt. Ein mysteriöser Todesfall und ein todgeglaubter Störenfried geben Rätsel auf, und der Leser wird mehr und mehr in ein bedrohliches Spiel verwickelt. Ob er da heil rauskommt, hängt nicht zuletzt von seinem kriminalistischen Gespür ab...
Dan Kvilhaug - 06.03.2013 - 14:19
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parlør
"Til hvert ord leverer bidragyderne en "ordforklaring" i en blanding af tekst, billede, lyd, video, animation og interaktivitet. (...) Sprogkurset strækker sig indholdsmæssigt fra det dybsindige til det revyagtige. (...) Det er er vores håb, at Afsnit Ps nye Parlør kan medvirke til at nuancere den efter vores opfattelse noget monotone kulturelle hjemlige debat, som virker fastlåst i en mediebestemt og merkantil diskurs, og levere et reelt og intelligent modspil til den udbredte forskrækkelse over for det poetiske, kunstneriske og intellektuelle udtryk, for ikke at sige over for alt ukendt og anderledes." -Afsnit P beskrivelse.
Sissel Hegvik - 07.03.2013 - 16:02
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Otte forsøk på at forstå hvad en bog er
Eight attempts in understanding what a book is.
Sissel Hegvik - 07.03.2013 - 16:40
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Internal Damage Data
“Internal Damage Data” uses the structure of a multiple choice questionnaire for self assessment of internal damage to shape the first part of the poem. For each question, Mez uses option C (maybe, unsure, other…) to develop her poem, seeking to transcend the traditional yes/no binaries in such questionnaires. In the part depicted above, she uses algorithms to structure her poem: using the logic and language of programming to guide the reader’s experience of the poem. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 12.03.2013 - 23:56
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Unravelled
This hypertext poem tells the story of a young man whose life unravels because of “one bad day.” The hypertext is structured to display four aspects of his life—love, health, finance, and residence— at different stages of deterioration. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 13.03.2013 - 00:41
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Chasing Pandora
This hypertext poem included in the 2011 New Media Writing Prize Shortlist (in the Student category) tells the story of a stalker and his victim. The speaker is the stalker who opens a Facebook account under the pseudonym “David Mills” (after typing and deleting “Micheal” from the name field) to be better able to stalk the subject of his obsession, a young Canadian woman called Pandora Oaklear. The stalker is not much of a poet, writing in more or less iambic tetrameter and dimeter, rhyming words like “distance” with “persistence,” and using a rhyme scheme so irregular that it is surely a reflection of his perturbed thought process. He is smart enough to open accounts under multiple pseudonyms and in different cloud-based content hosting services, such as Webnode, Flickr (a Yahoo! service), Facebook, and YouTube (a Google service). Only this disturbing bit of center-justified verse and the focus on the victim weave all these photos, accounts, and videos together, including a newspaper clipping that chillingly gestures towards a blurred boundary between fiction and reality.
Hannelen Leirvåg - 13.03.2013 - 00:54
