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1. The Posthuman Ethos in Cyberpunk Science Fiction

   The Posthuman Ethos in Cyberpunk Science Fiction

   Maria Goicoechea - 07.10.2013 - 13:35

2. INTERACTIVITY AND OPEN-ENDING (LITERARY WORKS)

   INTERACTIVITY AND OPEN-ENDING (LITERARY WORKS)

   Maria Goicoechea - 07.10.2013 - 13:54

3. The Mechanic Eye: North American Visual Poetry in the Digital Age

   The Mechanic Eye: North American Visual Poetry in the Digital Age

   Maria Goicoechea - 07.10.2013 - 14:09

4. Alice Through the Computer Screen: a Study of Literary Reading and Writing on Digital Displays

   Alice Through the Computer Screen: a Study of Literary Reading and Writing on Digital Displays

   Maria Goicoechea - 07.10.2013 - 14:13

5. Literary Reading Rituals and Practices on New Interfaces

   Literary Reading Rituals and Practices on New Interfaces

   Maria Goicoechea - 07.10.2013 - 14:34

6. Literatura digital en Español: miradas y perspectivas

   Literatura digital en Español: miradas y perspectivas

   Dolores Romero - 08.10.2013 - 22:55

7. Literatura digital en español: estado de la cuestión

   Literatura digital en español: estado de la cuestión

   Dolores Romero - 08.10.2013 - 23:01

8. The Marketization of Net Art

   The Marketization of Net Art

   Fredrik Sten - 17.10.2013 - 18:02

9. Controlled Consumption Interfaces - When digital culture becomes software business

   Controlled Consumption Interfaces - When digital culture becomes software business

   Fredrik Sten - 17.10.2013 - 18:09

10. Code Poetry

    Sampled from the various languages of computer programming and the WWW, ted warnell uses fragmented alphabets, numbers, and miscellaneous other characters to achieve his particular brand of code literature, and the poems he creates -- a selection of which he shares below -- read like contemporary remixes of Vorticism.1
    Like the Vorticists' myriad forms of visual, literary, and typographical audacity -- what "Manifesto - II" in BLAST I refers to as "insidious and volcanic chaos"2 (38) -- warnell's code poems concern themselves with dynamism, the modern world, and the machine age. Instead of automobiles, factories, and the tools of symmetrical warfare, though, warnell's "(vor)texts" focus on twenty-first century mechanisms: CPUs and the internet (img. 16), contemporary "digitality,"3 and the other information-distributing systems in our midst.

    Rebecca Lundal - 15.11.2013 - 20:11

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