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Why ‘But is it e-lit?’ Is a Ridiculous Question: The Case for Online Journals as Organic, Evolving Works of Digital Literature
Cordite Poetry Review, an Australian journal of poetry and poetics, was founded in 1997 as a print journal but since 2001 has appeared only online. Over the last ten years, as the magazine has grown in size and reach, the question of Cordite’s status as a journal has become more vexed. Can it be regarded as a ‘proper’ literary journal, in the way that other, offline journals are? Is it truly electronic, given the relative absence of works on the site that explore the possibilities of the online space? Or are these merely ridiculous questions, the posing of which reflects a pre-online hierarchy of prestige?
Eric Dean Rasmussen - 22.06.2012 - 16:37
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Performing the Digital Archive: Remediation, Emulation, Recreation
The aim of ‘PO.EX '70-80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This paper shows how the performativity of digital archiving and recoding is explored through the remediation, emulation and recreation of works in the PO.EX archive. Preservation, classification and networked distribution are also discussed as editorial and representational problems within the current database aesthetics in knowledge production. (Project reference: PTDC/CLE-LLI/098270/2008).
Eric Dean Rasmussen - 22.06.2012 - 16:42
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Post-Chapter Dialogue, Simanowski and Ricardo
Post-Chapter Dialogue, Simanowski and Ricardo
Eric Dean Rasmussen - 27.06.2012 - 11:33
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Post-Chapter Dialoge, Raley and Ricardo
Post-Chapter Dialoge, Raley and Ricardo
Eric Dean Rasmussen - 27.06.2012 - 11:38
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Post-Chapter Dialogue, Gendolla and Ricardo
Post-Chapter Dialogue, Gendolla and Ricardo
Eric Dean Rasmussen - 27.06.2012 - 14:44
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V sieti strednej Európy: nielen o elektronickej literatúre: /In Central European Network: not only about electronic literature:/
This international collective monograph brings an understanding of the problematic of changes in artistic communication in the context of the cultural practices of the post-digital era and simultaneously asks new questions about it. This book presents the keystones of electronic literature research that are based, among others, on the digital character of the text, on multisensory reading, playfulness, hypermediality, experimentation and Internet communication. Its aim is also to map digital literature in the cultural environment of Central Europe. Researchers from Slovakia, The Czech Republic, Poland, Slovenia and Croatia collaborated on the publication. The monograph is a printed textual tapestry of various approaches, theories and perspectives that communicate among themselves, react to each other and together clarify the structure that literature personifies in the new media realm.
Contributions by Zuzana Husárová, Jana Kuzmíková, Gabriela Magová, Mira Nabělková, Andrzej Pająk, Katarina Peović Vuković, Mariusz Pisarski, Michal Rehúš a Jaroslav Šrank, Janez Strehovec, Bogumiła Suwara, Jaroslav Švelch
Source: publisher's information
Zuzana Husarova - 21.09.2012 - 20:42
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A poesia (im)possível do século XXI
A poesia (im)possível do século XXI
Luciana Gattass - 10.10.2012 - 16:49
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Literatura digital: una nueva relación entre teoría y práctica experimental
Literatura digital: una nueva relación entre teoría y práctica experimental
Luciana Gattass - 23.10.2012 - 12:32
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Oltre i confini del libro. La letteratura italiana nell'era digitale
Beyond the boundaries of the book. The Italian literature in the digital age is the master thesis of Daniele Giampà, a student of Italian and Spanish philology at the university of Zurich. The analysis of the Italian digital literature is articulated in three main parts: history of the electronic literature, predecessors of electronic literature and the analysis of works of Italian digital literature written between 1997-2012. The selection of the works is based on a taxonomy elaborate in the introduction of the thesis.
The central arguments of the thesis are the creation of an analytical instrument for the digital context, that is the matrix composed of the dimension of narratology and the dimension of informatics, the demonstration of the analogies between print literature and electronic/digital literature and the innovations brought by new media to literature.
Daniele Giampà - 12.12.2012 - 18:23
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From Literary Digital Creative Writing to Digital Literature Teaching in France: A Preliminary Survey
From Literary Digital Creative Writing to Digital Literature Teaching in France: A Preliminary Survey
Maria Engberg - 03.03.2013 - 11:08
