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1. Vive la Bagatelle

   Vive la Bagatelle is a short, kinetic digital poem in the Italian Futurist style, featuring the song "The Airplane" by Futurist composer George Anthiel. Through deft manipulation of Flash CS4 and Actionscript much of the prose seen is randomly selected and displayed on screen. The end result is a new poem with each viewing, every bit as mesmerizing as it is curious.

   (Source: description from the Electronic Literature Exhibition catalogue)

   Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

   Meri Alexandra Raita - 30.01.2012 - 21:50

2. Collection

   The Collection is a short, text driven video about the self-imposed loneliness of a man living behind his video camera. Though a technically simple piece made entirely in LiveType and Final Cut, this brief narrative exposes a raw, unwavering feeling of regret and helplessness.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

   Meri Alexandra Raita - 03.02.2012 - 15:18

3. Mapping

   Mapping is an interactive web-based text that addresses location, geographically, psychologically,
   and corporeally. By mousing through the text and exploring various options, users reveal layers, edit
   structure, and help create a unique piece with each iteration. Mapping was designed to be run in a
   browser and was created using HTML and JavaScript.

   (Source: description from the Electronic Literature Exhibition catalogue)

   Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

   Meri Alexandra Raita - 03.02.2012 - 15:25

4. Robohand

   Observing that Keats's poem “reads like a program written for human software,” Josh White
   reinterprets “The Living Hand” in the voice of an artificially intelligent robotic computer system.
   Notions of persistence and durability reappear here in the guise of digital emulation. The end result
   is a commented code poem in pseudo-C++ that changes the original “so as to produce an alternative
   that is different yet recognizably related to it.” [from an Introduction by Prof. Kari Kraus]

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

   Meri Alexandra Raita - 03.02.2012 - 15:30

5. No Country For Old Men

   No Country For Old Men is my attempt to create an interactive reading of well-known literary text
   using a .zlorb file and can be played in Gargoyle or Spatterlight. These interactive fiction files were
   created during the Spring 2010 semester.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop

   Meri Alexandra Raita - 03.02.2012 - 15:40

6. Immobilité

   Immobilité, the first feature-length film for a mobile device, is story of two women living in a dream-like state. The audio is that of great eeriness, but we are assured by the narration that the women are not here to haunt us. Soon after, we are presented with a very interesting question; a question that is left open to interpretation by an unknown being from the distant future. Annotated by Gary Nasca.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Meri Alexandra Raita - 03.02.2012 - 15:45

7. LAT 23

   Cartographies are alway imprecise.

   Meri Alexandra Raita - 03.02.2012 - 15:57

8. [Murmur]

   [Murmur], a documentary oral history, records aural stories and memories and geolocates  them exactly. Now in its ninth year, this ample, well-curated archive features stories from twelve cities on four continents and loads quickly on mobile device.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Meri Alexandra Raita - 03.02.2012 - 16:17

9. Shadows Never Sleep

   Shadows Never Sleep is a visual poem made for the Apple iPhone that can also be viewed on a web browser. The reader can move on to different pictures by clicking on certain points on the screen. The poem is non-linear and the stanzas can be read in any order on each picture. It describes different kinds of shadows using black and white text and images. Annotated by Kevin Chen.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Meri Alexandra Raita - 03.02.2012 - 16:26

10. P.o.E.M.M.

    A compilation of broken poems, P.o.E.M.M. Poems for Excitable [Mobile] Media is designed explicitly for mobile media. The poems cannot be read without touching the screen, an experience that creates excitable stimulation. The letters and words of the poems float in the background, waiting for the user to snatch them up with their fingers. One line at a time, the user can grab the words and align them on the screen. The lines can be arranged in any order, and so the user must piece together both their meaning and the structure. Lewis and Nadeau built the interface filled by these works and poets: “What They Speak When They Speak to Me” by Jason E. Lewis, “Character” by Jim Andrews, “Let Me Tell You What Happened This Week” by David Jhave Johnston, “Muddy Mouth” by JR Carpenter, “The Color of Your Hair Is Dangerous” by Aya Karpinska. Annotated by Greg Philbrook.

    (Source: Description from the Electronic Literature Exhibition catalogue)

    Meri Alexandra Raita - 05.02.2012 - 16:22

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