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  1. Ocotillo

    This is an artist's talk about "Ocotillo." It is a textual and visual work. The basic idea is to read from generated arrangements of textual strings, performing real-time versions of poetic works. These are not generator works but deliberate modifications within textual fields, a continuing stage in the evolution of this particular, and literary rooted form of practice. The objective of this creative work is to push these kinds of concentrated poetic textuality further, offering it as one possible direction in the field. (Source: Author's abstract, 2012 ELO Conference site)

    Eric Dean Rasmussen - 30.05.2012 - 11:27

  2. Das Cantigas como Processos Combinatórios: Protótipo de um Trabalho de Geração Textual e Intertextual a Partir da Poesia dos Cancioneiros e de Releitura de Salette Tavares

    O objectivo deste trabalho, provisoriamente intitulado "Cantiga", é lançar as bases de um projecto que possa apresentar, comparar e agenciar, por via da intertexualidade e da participação, um diálogo entre cantigas medievais (a poesia do trovadorismo) e algumas releituras que delas foram feitas por poetas portugueses contemporâneos (no âmbito do experimentalismo literário português, neste caso, um poema de Salette Tavares). Trata-se portanto de um protótipo, mais do que um trabalho finalizado. Como em outros trabalhos de investigação criativa que tenho feito, pretendo aqui fazer uso das potencialidades do computador como máquina criativa, como gestor e manipulador de símbolos numéricos.

    (Source: Author's Abstract)

    Alvaro Seica - 28.11.2013 - 12:29

  3. “The Dead Must be Killed Once Again”: Plagiotropia as Critical Literary Practice

    Húmus by Herberto Helder (1967) is recognized for its direct quotation from Raul Brandão’s 1921 poem of the same name. However, Helder’s work is more than the simple intertextual suggestion of a text: it transforms it, putting into motion its latent power, reviving it. As may be read in the epigraph of this work, the "words, sentences, fragments, images" from Húmus are used by Helder in order to achieve, through re-writing, a full reading of the text by Brandão. Such reading multiplies and transforms the meanings that are crystalized in the work by Brandão, thus articulating the scope the poet refers: "freedoms, freedom."

    Alvaro Seica - 28.11.2013 - 15:04