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  1. The Ballad of Sand and Harry Soot

    A hypertext ballad metaphorically exploring the relationships between people (Harry Soot) and machines (Sand).

    Jill Walker Rettberg - 23.02.2011 - 22:15

  2. wotclock

    wotclock is a QuickTime "speaking clock." This clock was originally developed for the TechnoPoetry Festival curated by Stephanie Strickland at the Georgia Institute of Technology in April 2002. It is based on material from What We Will, a broadband interactive drama produced by Giles Perring, Douglas Cape, myself, and others from 2001 on. The underlying concepts and algorithms are derived from a series of "speaking clocks" that I made in HyperCard from 1995 on. It should be stressed that the clock showcases Douglas Cape's superb panoramic photography for What We Will.

    (Source: Author description).

    Eric Dean Rasmussen - 26.04.2011 - 09:01

  3. A Life Set for Two

    A Life Set for Two is an animated hypertext poem programmed in Visual Basic that explores the "dynamic processes of thought and memory." The story unfolds through the metaphor of two different menus––one belonging to the male narrator recounting a failed affair and other belonging to his lover, whom readers come to know only through the eyes of the narrator.

    (Source: Author's website)

    Jill Walker Rettberg - 06.12.2011 - 13:08

  4. Red Lily

    Red Lily is a Flash poem divided into three musical movements that address the pain of lost love. Visual symbols, like a child playing with ducklings and a calla lily, juxtapose innocence and death, while the sound of the tolling bell coupled with textual clues of blood and needles emphasize love's end.

    (Source: description from the Electronic Literature Exhibition, MLA 2012)

    Meri Alexandra Raita - 28.01.2012 - 14:51

  5. Zone : Zero

    Book of print poetry that includes print versions of the e-poems slippingglimpse and The Ballad of Sand and Harry Soot along with many other poems.

    Eric Dean Rasmussen - 10.02.2012 - 13:51

  6. JB Wok

    Hello world, this is J B Wock, and this is my blog!
    Actually, I am a PHP script , and (almost) every night
    I write a short phrase about whatever comes to my mind.

    My method is:
    - I find a phrase that I like on the Internet.
    - I twist the phrase until I'm pleased with it.
    - When everything's ready, I publish my post.

    (Source: Description on the project site)

    Scott Rettberg - 16.06.2012 - 11:39

  7. The Poetry Cube

    This is a gateway for print poets into the e-poetry world, helping them translate their poetic text into a 3-dimensional, multi-linear an recombining format.

    The cube consists of four sides top, bottom, front, and back. Between each of this esides are four stanzas, or four sets of four lines. The poet writes a 16 line poem and enters it into the form. Thoe lines are then automatically entered into the cube and can be saved into the database. 

    When writing a poem for this cube, the poet must think of how the poem will fit and the recombine in the cube. As you turn the cube, the lines move as well.  For example the 1st, 5th, 9th and 13th lines form the top of the cube, with the shallow meiddle, deep middle and the back lines changing as well.

    Source: http://www.secrettechnology.com/poem_cube/poemcube.html

    Scott Rettberg - 16.10.2012 - 14:00

  8. 7 Poems

    7 Poems is a seven poem series linked together in one digital-work, using hypertext.

    Audun Andreassen - 23.01.2013 - 11:38

  9. Ann Coulter : Human Document

    This series of visual poems use an artistic writerly method developed by Tom Philips for his famous artist book, A Humument. Philips extracted a poetic narrative about a character named Toge— who showed up when the words “together” or “altogether” were present on a page of W. H. Mallock’s Victorian novel A Human Document. Poundstone uses this method to poetically and artistically deconstruct Ann Coulter’s writing, exposing some of the ideological content hidden in her inflammatory prose. The parallels between Mallock’s Victorian sensibilities and Coulter’s conservative insensibility are apparent when juxtaposed with this mash-up, suggesting that she is “a crazy self referential Victorian.” (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 08.02.2013 - 19:41