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  1. Radiophonic Laura: Voice, Song, Information, Intelligence

    Web essay with video content on the various permutations of _Laura_ story through multiple media.  _Laura_ is discussed as a parable of information exchange, with a focus on how sound is transmitted through and across multiple film texts, repetition and desire, noise and the cosmic.

    Joe Milutis - 20.01.2012 - 22:17

  2. F2F

    F2F might seem retro to you. It struck me as very 1991. The idea of a hypertext that is heavy on the text seemed to lose its charm as soon as images, moving animation, video and sound could also be included. One of the downsides to the speed of the evolution of hypertext, is that whole possible genres and subgenres were not given the chance to grow. What happened to the web-film-essay? Well, it never happened. Sure, there are some text-book-market CD-ROMs and the like that do something similar, but they use video more as mere illustration. What about a film essay that would incorporate the mystery the moving image rather than try to compete with it? What about utilizing images and sounds that potentially resist the text? What about playing with the clips like a video artist would?

    Joe Milutis - 20.01.2012 - 22:40

  3. Mythologies of Landforms and Little Girls

    When I began writing Mythologies in 1995 I was thinking about gender in language and, informed by a poststructuralist feminist critique of the representation of the female body as landscape, I set out to explode these stereotypes by using over-the-top geological metaphors. I wanted to convey a moment of realization, when a number of ideas come together at once. It mattered little to me what order the ideas came in, only that they came together in the end. The narrative structure of this non-linear HTML version was influenced by the Choose Your Own Adventure books. The interface was based on the placemats you get at many restaurants in Nova Scotia, which depict a map of Nova Scotia surrounded by icons of purported interest to tourists: lobsters, whales, lighthouses, beaches and the Bluenose. The found images and texts came from a geology course I took in university, a civil engineering manual from the 1920s and a random assortment of textbooks found in used bookstores. The deadpan technical descriptions of dikes, groins and mattress work add perverse sexual overtones to the otherwise quite chaste first-person narrative.

    J. R. Carpenter - 28.01.2012 - 23:17

  4. Blueberries

    Blueberries is a piece that I wrote shortly have spending over three months writing a new short story in hypertext every day. The form is one that I find so suitable to the open flow of narrative not only for the writer in the creative process but for the reader in choosing the paths that open up throughout the story. Blueberries is more than just the story of an artist putting together a show, as it brings the past confronting the present in her preparation and the hypertext form allows that interplay with time.

    (Source: Artist Statement by Susan Gibb)

    Patricia Tomaszek - 02.02.2012 - 21:01

  5. Czarne Jagody

    Czarne Jagody

    Patricia Tomaszek - 02.02.2012 - 21:11

  6. popołudnie, pewna historia

    Jeśli wybitne narracje poznaje się po tym, że są dramatyzacją swojego działania, to popołudnie, pewna historia wzorowo wypełnia ten postulat. W labiryntowym świecie paranoi bohater, niczym Edyp, poszukuje odpowiedzi na pytanie „kto zabił?”. Czytelnik, który za nim podąża, wciągnięty zostaje przez tekst w ślepe odnogi, fabularne pętle i światy możliwe. Powieść staje się alegorią swojej własnej lektury, a jej nierozstrzygalność sprawia, że powraca się do niej latami.

    Patricia Tomaszek - 03.02.2012 - 01:37

  7. The Pines at Walden Pond

    This lyric hypertext poem is based on a speaker’s thoughts and observations centered upon the pines at Walden Pond, a space celebrated in American literature thanks to Henry David Thoreau’s book Walden, his experiment in self-reliance and Transcendental song.

    Larsen’s hypertext is mapped upon an image of a pine branch, in which several nodes are connected by spindly linear trails. Each trail of links can be interpreted as a line of thought, starting with four nodes that focus on the pines, the speaker’s perception of them, Thoreau, and the speaker herself. Following the link trails lead to nodes that hold together well, though there are both physical and conceptual branchings. Clicking on links as they appear within each text also creates thematic associations. Both ways navigating this poem lead to a powerfully associative coherence in a piece that engages the beauty of the place while questioning some of Thoreau’s politics.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Scott Rettberg - 03.02.2012 - 15:45

  8. Fotomo Blues

    Fotomo Blues is a work of hyperpoetry and images. It's been available online since 1997 [at www.ellipsis.net/fotomo/].

    It was made for fun in the pioneering days of the web - in 1997- in order to explore new narrative possibilities offered by online publication and a screen-based environment.

    Fotomo Blues offers a satire on urban grunge and media-obsession. It's an interactive visual-verbal rap on a world of electrified air, digital melancholia, meet-them-in-the-flesh nostalgia, sound bites fights, soap star charisma, geek-speak freaks, feelgood factors contractors, hairsplitting graffiti, tabloid tyranny, toxic tranquillity, revved-up redundancy, sex, lies and a whole lot more.

    When it first appeared it was described as "a timely zeit through the urban geist."
     

    Eric Dean Rasmussen - 05.02.2012 - 11:08

  9. Same Day Test

    A hypertext where the reader chooses which actions the protagonist should follow, and thus affects the outcome of the story. The main event choice is whether or not the protagonist should get an HIV test.

    The date of publication is not stated on the website, and is an estimate based on the first record of the site at archive.org.

    Jill Walker Rettberg - 26.03.2012 - 13:44

  10. Signal to Noise

    "Signal to Noise" is a web-native hypertext designed for concurrent navigations by multiple readers, whose interactions with the text subtly influence one another's parallel readings in realtime. 

    Artist Statement:

    "Signal to Noise" is a web-native hypertext designed to be read by multiple people simultaneously. 

    The interface is linked to a database via Ajax. A PHP engine tracks the parallel navigations and behavior of active users and responds by broadcasting relevant fragments, subtext, and other ephemera to all readers in realtime. Readers' concurrent movements through the narrative have subtle effects on one another's experiences. While readers are unable to directly communicate among themselves or evoke representative avatars in the virtual environment (with one clear exception), echoes and ripples are unavoidably left on the surface of the global text with every followed link. In time, these ripples subside and disappear. 

    Scott Rettberg - 28.03.2012 - 12:28

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