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Voyage Into the Unknown
On May 25, 1869, you join the crew of one-armed Civil War veteran John Wesley Powell along with eight other fellow veterans, hunters and trappers, in an attempt to be the first to navigate the Colorado River through the vast unmapped maze of canyons in the heart of the Great American Desert. Playing the role of one of the crew members, you are well aware that no European-American has boated the formidable Colorado River -- not, at least, and written about it. Turning inward... this is, perhaps, the final American frontier, a terra incognita. This Flash-based interactive work is constructed using an innovative, sequentially loading horizontally scrolling format in which users travel across fiction and documentary artifact. You will travel across writing modes as well as spaces. Knowledge may lie in traveling among such modes. First comes the adventure, then comes its representation. Much later, comes critical examination, and, perhaps, as a whole, re-invention... The work uses the interactive format to bridge genres and modes of expression.
(Source: Author's description from Electronic Literature Collection, Volume Two)
Eric Dean Rasmussen - 18.02.2011 - 21:42
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a show of hands
Author description: a show of hands presents the story of the sisters de la Palma as their lives draw them into the Immigration Reform marches of 2006 in Los Angeles. Out of those spontaneous political demonstrations comes a tale of a Mexican American family wrestling with love, loss, and the possibilities of political engagement. a show of hands is an evolution of the long-form hypertext genre that began with Michael Joyce's afternoon: a story. The Literatronica storytelling engine that hosts the story answers several of the "grand challenges" of literary hypertext, namely the prevalence of dead branches on the forking tree and the inability for readers to locate themselves within the content of the story. In contrast, Literatronica adapts around the reader's choices, rearranging the content so the reader will always encounter all of the text in an order optimized for narrative coherence.
Eric Dean Rasmussen - 21.02.2011 - 09:52
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Reconstructing Mayakovsky
Inspired by the poet Vladimir Mayakovsky who killed himself in 1930 at the age of thirty-six, this hybrid media novel imagines a dystopia where uncertainty and discord have been eliminated through technology. The text employs storylines derived from lowbrow genre fiction: historical fiction, science fiction, the detective novel, and film. These kitsch narratives are then destabilized by combining idiosyncratic, lyrical poetic language with machine-driven forms of communication: hyperlinks, "cut-and-paste" appropriations, repetitions, and translations (OnewOrd language is English translated into French and back again using the Babelfish program.) In having to re-synthesize a coherent narrative, the reader is obliged to recognize herself as an accomplice in the creation of stories whether these be novels, histories, news accounts, or ideologies. The text is accessed through various mechanisms: a navigable soundscape of pod casts, an archive with real-time Google image search function, a manifesto, an animation and power point video, proposals for theatrical performances, and mechanism b which presents the novel in ten randomly chosen words with their frequencies.
Scott Rettberg - 15.04.2011 - 15:38
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The Purpling
The Purpling
Scott Rettberg - 16.06.2012 - 01:02
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Simultan
Simultan ist ein kollaboratives Hypertext-Projekt, das am Schweizerischen Literaturinstitut (SLI) der Hochschule der Künste Bern (HKB) mit Studierenden zwischen Herbst 2007 und Frühjahr 2012 durchgeführt wurde. Konzipiert und geleitet wurde das Projekt von Urs Richle.
Die vier Hauptprojekte : "Bielarium", "Alliance Abstract", "Le Carnet de rendez-vous" und "Ich bin ein ehrbarer Bürger/D'honnêtes citoyens" sind zum Teil untereinander durch Ereignisse und Figuren verbunden, bilden aber für sich je einen eigenen Erzählraum.
Urs Richle - 20.06.2012 - 19:29
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Datafeeds
Datafeeds is a short (21 node) exploration of a single incident in three universes (hearing, sight, and feeling). You can follow the story by clicking on the braid, the page numbers, or the connecting thoughts.
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Artist's statement:
Hypertext/new media writing/electronic literature is first and foremost an exploration into possibilities. What if links can hold meaning—from emphasizing the "anchor" word or image (the place to click on the link) to coloring the destination? (Of course, many systems held out for multiple types of links—where we see a difference in causal, direct, conditional, etc links—and what would happen if artists and writers got their hands on those kinds of links?) What would happen if text could move—even to surround the reader’s body? (Caves and other holographic technologies make this possible.) What would happen if text and sound and images were inextricably bound together in an orgy of meaning?
Scott Rettberg - 08.01.2013 - 11:04
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Pyxis Byzantium
Pyxis Byzantium is a hypermedia narrative investigation into the fall of Byzantium in 1453. Surrounded by enemy forces for decades, the final invasion of the city was widely anticipated by some of the populace, denied by others, and a focus of wonder and prayer. This piece imagines several different residents of the city, their fears and hopes, and their beliefs about the sources of destiny. The navigation includes maps of the city, sacred holidays, and the chronology of the destruction. Because of its extensive use of Flash, it is not currently playable in original form.
Artist's Statement:
Scott Rettberg - 09.01.2013 - 16:24
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The Wedding Celebration of Gunter and Gwen
Exploring connections between surveillance and interference in the lives of artists, "The Wedding Celebration of Gunter and Gwen" is a hyperlibretto where the experience of a wedding celebration is created with words, graphic icons, and glockenspiel intermezzi.
Artist Statement
"The Wedding Celebration of Gunter and Gwen" is informed by a strategy of following signs and signifiers that point to ancient systems of control of people's lives. It is a device used by Dan Brown in Angels & Demons and The Da Vinci Code, although actually it was through the performance artist's strategy of looking at hypertextual connections in my own eventful life that "Celebration" took on this aspect.
Scott Rettberg - 09.01.2013 - 16:29
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Definitions
Definitions
Dan Kvilhaug - 23.01.2013 - 20:15
