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Yoko Engorged
This erotically charged generative poem imagines John Lennon and Yoko Ono engaging in endless sexual exploration. This famous couple was controversially open about sexuality, nudity, and used their celebrity to cut through bourgeois prudishness. After Lennon’s death, Yoko Ono continued with her artistic and musical career, with creative practices associated with the Fluxus movement. For example, this poem uses the “audience volunteer(s)” to reference her famous performance piece titled “Cut Piece” in which audience members cut her clothing with scissors until she was naked on stage. This poem is a bold remix of Nick Montfort’s “Taroko Gorge” code, which started as “began with the rather awful titular play on words and just evolved/devolved from there.” (Source: Leonardo Flores, I ♥ E-Poetry)
Meri Alexandra Raita - 23.02.2012 - 14:40
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The Click Poems
These are among David Knoebel's earliest e-poems, going back to 1997, but they're important because their conceptual compression and technical simplicity set the tone for Knoebel's subsequent poetry. Inspired by the haiku, they consist of three words or short phrases: a first line (which serves as a title) linking to the second line (which loads as an HTML page) and a third line which plays as an audio recording as soon as the sound file loads-- which is almost simultaneously.
These crisp little poems are built out of layering in virtual and computational space and time. As you read them, notice how just as your brain is making the conceptual connection between the first two lines it gets hit by the third, transforming your thought process. Between the three, Knoebel maps out little experiences that resonate with humor, wit, curiosity, and delight. The relationship between the lines vary as well: completing phrases, commenting on the previous pair of lines, or making a connection to nature (in good haiku tradition).
Leonardo Flores - 13.03.2012 - 11:54
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Alone Engaged
Alone Engaged is one of several works that uses Nick Montfort's code structure for Taroko Gorge. Alone Engaged was written during the fall 2011 in Atlanta, Georgia, USA.
Maria Engberg - 13.11.2012 - 16:01
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Aufschreibesysteme Green ghost echo
This piece is one of those rare examples of e-poems that exhibits the same textual behaviors as a print text— purely static— yet is created through such a creative engagement with the medium that it merits consideration as e-literature. Its visual design is evocative of both programming conventions (particularly the practice of numbering lines of code) and of green monochrome monitors. The numbering of its lines and stanzas, with two notable exceptions, obey a simple formal logic yet add programming texture and structure to the poem. The cluster of 10 lines beginning with “x01,” each of which is divided into four columns breaks the numbering pattern, simultaneously offering a visual structure that could be read as lines or columns. This is framed by two identically numbered 2-line stanzas (010801 & 010802) which contain different texts but are formatted on left and right hand margins of the window.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 10.02.2013 - 21:41
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Gorgeous Oaks
This poem’s title visually suggests a decayed sign that forms a new word from its remnants “GorOak,” echoing Tom Phillips’ title for A Humument. This is a key strategy for the poem, which sends a wandering eye through a dilapidated trailer park where empty spaces and gaps are as much a part of the text as what is overtly stated. The interface is an overhead map of a trailer park, with links mapped as hotspots that a reader can click on to bring up tercets which depict vignettes and images of life in this desolate place.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 10.02.2013 - 21:58
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Riddles
These three poems by Nick Montfort take an ancient literary and cultural tradition, the riddle, and brings them into the digital age by using CGI scripting to allow readers to guess the response without the riddler needing to be present. The poems provide a simple input cue: a text box where the reader can type in their guess and a button that submits that response to a script, which checks the answer for a match and sends a response, whether it was correct or not. This script was probably written in Perl, a programming language Montfort uses extensively, particularly in his “ppg256” series of poem generators. Part of the interest in this choice of scripting language is that he is able to keep the answer hidden from readers, even from those who like to take a peek at the source code (like me). It also means that he could design a riddle without a correct answer, enacting what Philippe Bootz calls “the Aesthetics of Frustration.”
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 19.02.2013 - 19:35
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Tacoma Grunge
Based on Scott Rettbergs remix of "Toroko Gorge" by Nick Montfort, called Tokyo Garage.
Hannelen Leirvåg - 28.02.2013 - 10:06
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The Dark Side of the Wall
This generative poem creates a mashup of lyrics from two famous Pink Floyd albums: The Wall and The Dark Side of the Moon. The poem is organized into tercets followed by a single line in which Waters or Gilmour “takes over,” signaling shifts in leading roles in the band, which has a history of turbulent power struggles. Each tercet is assembled from lines from each album, lending both coherence at the line level, and intriguing juxtapositions that reveal some of Pink Floyd’s poetics.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:12
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Scholars Contemplate the Irish Beer
This generative poem transports its readers to Ireland, and all the water, sunshine, green fields, agriculture, and magic that goes into brewing its world-famous beers. This work is populated by poets, scholars, musicians, the pooka— a mischievous, dark, shape-shifting fairy creature— fields, blue lakes, valleys, forests, and other shapes taken by the land. All the people, faerie, and personified landscapes consider, contemplate, and dream of how they all are a part of the real and mystical brew that flows from St. James Gate.
A peek into the source code reveals a key question by Malloy: “How would a poet drinking Guinness rewrite this work?” The work referred to is Nick Montfort’s “Taroko Gorge” which also produces an endless meditation of the components of a Chinese river gorge of the same name.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:17
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Tournedo Gorge
This generative poem folds in two distinctly different activities— cooking and coding— to create a mélange that harmoniously foregrounds their similarities. For example, declaring variables and establishing a data set in a program is conceptually equivalent to listing ingredients and measurements in a recipe. Both recipes and code are executed sequentially: one by a cook, and another by the computer to produce output. From this perspective, the food produced from a recipe is much like the poem generated by the execution of its source code.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:23
