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  1. Alchemy

    interactive laser disc installation with animated text and image

    Simon Biggs - 21.09.2010 - 11:46

  2. 10 Poemes en 4 Dimensions

    10 POEMES EN 4 DIMENSIONS a été créé sur et pour PC, sous Internet Explorer.

    Son point de départ est un dialogue platonicien, "Le Cratyle", dans lequel Socrate débat avec Cratyle et Hermogène de l'origine des noms.

    Sont-ils, comme le pense Cratyle, formés de l'essence des choses. Ou bien sont-ils, comme l'avance Hermogène, pure convention?

    En mêlant textes, graphismes et animations, l'écriture en langage HTML permet d'aborder ce débat, et de lui apporter sinon des éléments, du moins des échos.

    Un clic sur le côté gauche de la bannière fait apparaître une barre de navigation. Un double clic la fait disparaître. Un clic sur le côté droit de la bannière fait progresser jusqu'à la page suivante.

    En haut et à gauche de chaque page, un autre lien vous est proposé, qui donne un autre de lecture différent.

    D'une façon générale, cet ensemble se découvre autant avec les yeux qu'avec les mains. Cliquez et doublecliquez partout sur la page où un lien apparaît: chaque page recèle de nombreuses surprises.

    La lecture est une exploration.

    (Source: Author's description from the project site)

    Eric Dean Rasmussen - 23.03.2011 - 14:42

  3. Dandelion Chance

    Dandelion Chance

    Scott Rettberg - 20.10.2012 - 15:41

  4. Trilogy

    My work with visual narrative has included installation form, book works, diptychs and billboard presentations. Using the web has allowed me to continue to expand my preoccupations with constructing rules for reading, methods of pacing and continue to explore image/text relationships. I am interested in the space between language and image.

    Trilogy is comprised of 3 image/text narratives whose themes are concerned with survival. Locale and characters are suggested by cropped fragments from mass media imagery as well as map fragments. While the images may allude to time period by photographic style or content, their function (protagonist, action, location) is directed by the text.

    Trilogy is a collaboration with Los Angeles fiction writers Rod Moore and Katherine Haake, both of whom have allowed me to reconfigure their texts.

    (Source: 2002 ELO State of the Arts gallery)

    Scott Rettberg - 13.01.2013 - 21:10

  5. Formes libres flottant sur les ondes

    As a writer, I've always had a deep interest in the relations between words, and images. To me, they are the two members of an original sign which by itself was able to give things their meaning. Using the web authoring tools that makes mixing words and images easy, we can try to find this first means of representation again. But quickly this reasoning becomes invalid. We will never find this original sign again. We are, on the contrary, living in a world where words have been deprived of their power to name things by the abundance of images. This generates a misfortune that can be read in my Formes libres flottant sur les ondes.

    (Source: 2002 ELO State of the Arts gallery)

    Scott Rettberg - 15.01.2013 - 20:48

  6. Scriptpoemas

    Scriptpoemas (2005-) is a collection of poems or “poemas” which is still being written by Antero de Alda. He was described by Rui Torres as an explorer of “new paths for computer-animated poetry” (Torres, 2008). These short and (apparently) ready-to-consume poems were created using Flash, Javascript and ActionScript and they often enact the activity or attribute described in their title. Each poem seems to convey the literal meaning of the words used to describe them: the “poem in prison” is presented behind bars, the “spherical poem” can be described as a round object. However, as soon as the poems are activated by the reader, new details begin to surface. Antero de Alda makes use of the digital environment to uncover the many faces of a poem and the evasiveness of language. The arbitrariness of signs is, after all, widely explored by Alda in each poem. Nothing is what it seems and icons, concepts or famous photographs are defamiliarized and turned into traps designed to betray the reader’s senses.

    Daniela Côrtes Maduro - 06.02.2015 - 23:57