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1. Writing

   Writing (2012) was inspired by and built with Joe Davis’s Telescopic Text, pairing the possibilities of expanding, effacing essay with the musings of a Monson or a Mezzanine. An introspective, interactive non-fiction, the work unfurls, an exploration of the processes of composition as much as a finished literary product. As the piece grew to dozens of junctions and thousand of words, the editing interface slowed dramatically, each erasure oredit taking a minute or more. This in turn forced an accountability to first thought – it became easier to publically ‘rewrite’ mistakes, misspeaks and infelicitous phrases than to invisibly edit them away. The result is a thinking aloud on the (web)page, a map to the writer’s trains of thought for the reader to unfold and explore. Writing featured in the 2013 electronic poetry edition of Australian literary journal Overland.

   (Source: ELO Conference 2014)

   Scott Rettberg - 19.06.2014 - 03:01

2. And the Robot Horse You Rode In On

   The post-apocalypse is a uniquely queer setting: a future where the institutions that keep queer banditas from screaming across the desert with their rayguns drawn and robot horses vibrating between their legs are ash and dust. And the Robot Horse You Rode In On is a breakup story set in the Old West of the Far Future.

   (Source: ELO Conference 2014)

   Thor Baukhol Madsen - 29.01.2015 - 15:48

3. Eight Short Talks About Islands ...and by islands I mean paragraphs

   Flocks of books open and close, winging their way web-ward. A reader is cast adrift in a sea of white space veined blue by lines of longitude, of latitude, of graph, of paper. The horizon extends far beyond the bounds of the browser window, to the north, south, east and west. Navigating this space (with track pad, touch screen, mouse or arrow keys) reveals that this sea is dotted with islands… and by islands I mean paragraphs. These fluid texts are continuously recomposed by JavaScript files calling upon variable strings containing words and phrases collected from a vast literary corpus – Deleuze’s Desert Islands (2004), Shakespeare’s The Tempest (1610–11), Defoe’s Robinson Crusoe (1719), Bishop’s Crusoe in England (1971), Coetzee’s Foe (1966), Ballard’s Concrete Island (1973), Hakluyt’s Voyages and Discoveries (1598–1600), Darwin’s Voyages of the Beagle (1838), and many other lesser-known sources including an out-of-date guidebook to the Scottish Isles, and an amalgam of accounts of the classical and quite possibly fictional island of Thule. Individually, each of these textual islands represents a topic – from the Greek topos, meaning place.

   J. R. Carpenter - 10.03.2016 - 09:42

4. Tiny Star Fields

   Every three hours, this bot tweets a generated text field composed of blank spaces and unicode characters that can be interpreted as stars or other celestial bodies, particularly when conceptually framed by the account’s title. Its artistic output has become very popular, rapidly attracting over 70,000 followers and with each tweet being favorited and shared over 300 times. While this project would seem to be more of a visual art than literary bot, consider that it is not generating images, but sequences of characters, spaces, and carriage returns. It is using the materials of writing in the tradition of ascii art and its results are so evocative that it has even inspired a spinoff bot @tiny_astro_naut. Follow this bot to become to explore its tiny endless expanses. (Source: Editorial Statement from the works collection site)

   Sebastian Cortes - 18.10.2016 - 15:58

5. Shan Shui

   Shan Shui generates landscape paintings and corresponding texts, parts of which are glossed in English when the user mouses over them. The English-language reader gains a perspective on the text, but (as if reading through intense fog) can make out only one or two characters at time, losing the forest through the trees. One relationship is to work that pairs landscapes and poems, such as Ed Falco and Mary Pinto's Chemical Landscapes Digital Tales; another is to systems that generates paired images and texts, such as Talan Memmont’s Self Portraits(s) [as Other(s)]. Also relevant are John Cayley’s literary texts, some in Chinese, that provide glosses and translations.

   Magnus Knustad - 08.11.2016 - 17:48