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1. @Tempspence

   This Twitter character came to life in the “Reality: Being @spenserpratt” netprov, was christened “Tempspence” by Pratt’s followers (as a “temporary” Spencer), and lives on in this Twitter account, along with a community called The Tempspence poets. Their symbiotic existence was sustained by social media interactions of a group of people that came together through this netprov, and extended the life of the performance beyond its metaphorical covers. When “Reality: Being @spencerpratt” ended and everything was revealed, Mark Marino and Rob Wittig did the Twitter equivalent of stepping from behind the curtain to bow and thank the audience, polling them for some of their favorite poetic constraints. The enthusiasm and pleasure in the interactions launched the Tempspence Poets and the poetry games continued in earnest for a while, with @Tempspence as moderator and communication bridge, but it has slowed down almost to a standstill.

   Hannelen Leirvåg - 07.05.2013 - 18:06

2. Reality: Being @SpencerPratt

   This Twitter fiction netprov is based on a simple enough premise: reality star Spencer Pratt lost his his cellphone while in London for Celebrity Big Brother, and it was found by a struggling poet who began to use it in whimsical ways to promote poetry. During the three-week performance, the poet prompted Pratt’s followers to write poems based on constraint he provided, was outed as an impostor, dubbed as Tempspence, continued to develop a relationship with his readers as he shared details of his life, and eventually migrated (reborn?) to a new account, @Tempspence, as Pratt regained control of the account. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 18:15

3. @Darius_at_GDC

   This bot is a stand-in for Kazemi at the Game Developer’s Conference happening at the time of this posting in San Francisco, because he will not be able to attend for the first time in 10 years. So instead of pining away on Twitter as #GDC tweets flood his stream, he created a bot so his friends could have the pleasure of his company in their own streams, which as we know, is almost as good as his being there. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 18:33

4. Sootfall

   This literary work created on Twitter could be labelled in different ways— twitfic (or twiction), alternate reality game, netprov, e-lit, e-poetry, or performance— and each label would contribute to an understanding of what this is without wholly capturing what it is. Launched on February 4, 2013, this month-long creative event is now complete. From what I can reconstruct, Gaines, Gass, and the rest of the development team conceptualized the setting, plotted out a timeline, created Twitter accounts for its main characters and launched “Sootfall.” As people found out about the event through social networks, they were able to follow its characters or read the stories as they unfolded around the #sootfall hashtag, a means to identify tweets used in many, but not all entries, because one of the challenges was to make the characters seem real— and why would someone randomly tag their Twitter entries without a plausible reason? Eventually the tag became a tacitly agreed upon way for the characters to refer to the event which was to change their lives so substantially.

   Hannelen Leirvåg - 09.05.2013 - 21:36

5. Reading Club

   Reading Club is a project started by Emmanuel Guez and Annie Abrahams in 2013. Eleven sessions were organized with more than 40 different “readers” in English and/or French based on text extracts from Raymond Queneau, from Mez and the ARPAnet dialogues to Marshall McLuhan, Michel Bauwens and McKenzie Wark. Guez and Abrahams experimented with different reading and writing constraints (color, duration, text-length, number of “readers”, etc.) and different performance conditions (online vs. live performance, with and without sound, etc.). In a session of the Reading Club, readers are invited to read a given text together. These readers simultaneously write their own words into this text given a previously fixed maximum number of characters. The Reading Club can be seen as an interpretive arena in which each reader plays and subverts the writing of others through this intertextual game.

   Scott Rettberg - 25.09.2013 - 11:21

6. Tournament of la Poéstry a netprov

   Tournament of la Poéstry is a netprov (networked improv narrative) that will be performed in multiple web and social media September 15 -27th 2013. We challenge the world to write complete(ment)ly bilingue(ual) poemes, intelligible dans.in both langue(age)s. The poemes will.vont communiquate par.by any moyeans necessaire. Recalling the chivalric jousts of the 12th century, when French was the court language of England,Tournament of la Poéstry is both a light-hearted poetry competition.festivale and a role-playing fiction in which those who so desire can take on larger-than-life personae as poéstry champions.

   (Source: GalleryDDDL description)

   Scott Rettberg - 14.11.2013 - 13:30

7. Cuando enciendas los párpados

   Los vídeos multimedia de Oscar Martín Centeno forman parte de la sección visual de los recitales multimedia. No son videopoemas, es decir, no están pensados para ser visionados de forma autónoma, sino para formar parte de un espectáculo donde la música en directo, la presencia escéncia y la interacción son elementos fundamentales. Aún así, el autor pretende que puedan acercar a los usuarios a la simbiosis de lenguajes artísticos que este género poético propicia. Cuando enciendas los párpardos es un poema multimedia que incluye música, poesía animada por ordenador, imágenes y la voz del poeta recitando el poema. Los versos, la música y el vídeo han sido creados por el propio autor. En el poema las palabras se mueven en forma de espiral y aparecen luces en las esquinas, hay sobras de personas que parecen la audiencia que está viendo la instalación como en una acción performativa. El poema trata del amor, la esperanza y el mar, aparecen peces danzando en el agua cuando el poeta menciona el mar. Este poema pertenece al libro de poemas Je suis le diable-Las Cántigas punlicado por la editorial Ya lo dijo Casimiro Parker (Maya Zalbidea Paniagua 2014).

   Maya Zalbidea - 25.07.2014 - 13:36

8. Motions

   Motions by Hazel Smith (text), Will Luers (image and coding), and Roger Dean (sound) is conceived as a multimedia web book, and optimized for swiping and scrolling on tablets and computers. It is also a performance piece. It is programmed in HTML 5/Javascript. Motions takes human trafficking and contemporary slavery as its focus. Human trafficking is an accelerating form of crime and is a world-wide problem. It is one of the darker outcomes of globalization, the breakdown of the nation-state, and increasing ease of travel. Static and moving, variable and sequential, the piece presents image and text fragments from different genres: documentary, journalism, poetry and narrative. These fragments are programmed to evoke the subjective experience of enslavement in motion. The sound is constructed as an interactive mosaic. It includes musical transformations of train and plane journeys. It also features two compositions that use instrumental, timbral, rhythmic and harmonic devices characteristic of very different parts of the world. These materials are compositionally transformed with electroacoustic music techniques, including a range of algorithmic compositional devices.

   Elias Mikkelsen - 05.02.2015 - 15:53

9. Huckleberry Finnegans Wake

   Huckleberry Finnegans Wake is a combinatoric performance work bringing together Mark Twain’s Adventures of Huckleberry Finn and James Joyce’s Finnegans Wake. With both texts based around river culture, contextual imbrications can be formed by folding one text into the other and through this combinatorial engines can be developed for the texts as well as implied visual and auditory material. Though both source texts are replete with exclusive language (regional dialects, neologisms, etc.) when brought together what emerges is a fantastical environment lacking specificity, but for the rivers (the Liffey and the Mississippi) that run through both. Imagine steamboats on River Liffey, the Pike County dialect being spoken in County Dublin, or Shem and Huck on the banks of the Mississippi.

   Talan Memmott - 06.09.2013 - 10:09