Search

The search found 8 results in 0.01 seconds.

Search results

1. Evolution

   Evolution is a online artwork that emulates the writing and compositions of poet and artist Johannes Heldén. The application analyzes a set of all published text- and sound-work by the artist and generates a continuously evolving poem that simulates Heldéns style : in vocabulary, the spacing in-between words, syntax. In this performance, the digital version of artist meets the original. The aim is to raise questions about authenticity, about the future, about physics and science fiction.

   (Source: http://chercherletexte.org/en/performance/evo-lution/)

   Alvaro Seica - 25.09.2013 - 12:22

2. Lectures assistées par ordinateur

   Le duo Akenaton a été créé en 1984, en Corse (Ajaccio) par Philippe Castellin, poète proche des courants des poésies expérimentales et Jean Torregrosa, plasticien. La performance proposée s’appuiera sur la lecture d’une centaine de textes au choix tirés au sort par une machine, qui les déclamera par voix synthétique. Ces choix seront opérés sur le clavier et lanceront parfois des vidéos préenregistrées, toujours tirées au sort par la machine. Opérant en duo, chacun des artistes peut tour à tour monter sur scène, lire en live et accompagner par la lecture de la machine manipulée par le second artiste.

   (Source: http://chercherletexte.org/fr/performance/lectures-assistees-par-ordinat...)

   Scott Rettberg - 25.09.2013 - 12:58

3. Nothing You Have Done Deserves Such Praise

   Nothing You Have Done Deserves Such Praise is an art/ poetry/ adventuring game, a playland for exploring our ever-present desire for constant and over-blown rewards. Our worlds (digital and breathing) are filled with needless and unearned praise, we are built to love exploding trophies for fifth place. This art/poetry game satisfies your compliment addiction by celebrating your walking/ jumping/ falling through strange and wondrous anatomical lands.

   Nothing You Have Done Deserves Such Praise is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the National Endowment for the Arts.

   (Source: Turbulence)

   Scott Rettberg - 25.09.2013 - 15:47

4. Sim/Oui

   Sim/Oui

   Scott Rettberg - 25.09.2013 - 16:57

5. Code Kandy

   Code Kandy

   Scott Rettberg - 29.09.2013 - 09:43

6. çacocophonie

   Çacocophonie is built with Processing and was published at DOC(K)S homepage in July 2013. On September 23, 2013, during the first debate of the ELO 2013 conference "Chercher le Texte," Castellin presented at Le Centre Pompidou auditorium in Paris three different versions of the poem: a plain and static text version, written on a word processor, and two animated versions, both built with Processing, but having slow and quick juxtapositions of animated text.

   Alvaro Seica - 20.10.2013 - 20:26

7. A Modern Harvest

   Drive a thousand miles from the left/right coasts and you reach the sporadically populated plains, the supposed heart of the United States. But this flatland organ is sick and leaking, the young are fleeing, and consumerism, the addiction to purchase, has replaced the pride of working the land, growing crops and communities. And exploring these small American towns, reaching into the houses and malls and streets, is a modern harvest. This interactive digital poem harvest those objects from the living room gardens, the acres of shopping centers, picks the gaudy attachments of our lived environments. Through five sections, the living room, the bedroom, the kitchen, the garage and the mall, readers can harvest these modern croplands, the trinkets and objects filling our surroundings. And in the heart of the US, “to purchase” replaces “to create”, a crippling harvest of plastic and ceramic. (Source: GalleryDDDL description)

   Alex Belov - 18.11.2013 - 14:03

8. 11 Ways to Escape the Symbolic Field

   11 Ways to escape the Symbolic Field is a hybrid work consisting of various Internet accessible pieces in which texts found on the Internet are combined with original digital art works. The texts are presented on the screen in different, mostly hermetic ways, to emphasize the eroding effects the internet has on the literacy of the ‘general audience’. The author intends to question the ‘authority’ of the found texts by deforming them and to render them illegible. Together with each – projected–piece is a sound track with recordings of spoken poetry in English and Dutch from the artist. The poems juxtapose each piece with political driven subjectivities. This series of work is building upon previously created works such as Semantic Disturbances (2005) and La Resocialista Internacional (2011) by the same author. (Source: GalleryDDDL description)

   Alex Belov - 18.11.2013 - 15:12