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Dressage #7
Claude Maillard and Tibor Papp’s “Dressage no. 7” is glaring example of anthropophagic inflection in early digital poetry. The authors, continuing to use the same language and themes established in previous editions of Alire, cast familiar words and phrases amidst a wider span of new visual contexts. Alternating graphical pages, verbal pages, and pages that incorporate both propel the narrative. Works in Maillard and Papp’s “Dressage” series address the diminishing status of civil liberties in general, inscribing their views in a new media format that revives the aesthetics of an earlier era with new purpose.
(Source: Chris Funkhouser "Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry")
Scott Rettberg - 31.01.2013 - 19:33
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Super Mario Clouds
Super Mario Clouds is an old Mario Brothers NES cartridge which was modified by the artist, where everything but the clouds in the game is erased. In addition to the work itself, the artist also released a full instruction guide sharing the how-to for similar modifications as well as source code and relevant game files.
Elisabeth Nesheim - 15.02.2013 - 14:44
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Fr13th
Email sent to Eyebeam mailing list on Friday 13th of Feb, 1998, that appropriated the writings of many theorists and created a great deal of discussion.
Jill Walker Rettberg - 17.04.2014 - 15:56
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What I Am Wearing
What I Am Wearing is a web text that collages texts appropriated from contemporary web sites to create through recombination a text that reflects on the media image of women, in particular women in the Middle East. Text and images were appropriated from recent English-language media sources on the internet. When the reader mouses-over passages in text, the hypertext link to the original source texts are revealed.
Sumeya Hassan - 22.01.2015 - 15:35
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BDP: Big-Data Poetry
Big data is a buzzword, as is cloud computing. But the data science and network-clusters behind both of these terms present extraordinary viable unprecedented computationally-tractable opportunities for language processing and radical poetry generation. In the summer of 2014 I took an intensive 11-week course in data science programming using Python. Based upon this theoretical and practical coding knowledge, I produced http://bdp.glia.ca, research where I apply a combination of data visualization, language analytics, classification algorithms, entity recognition and part-of-speech replacement techniques to a corpus of 10,557 poems from the Poetry Foundation, 57,000+ hip-hop rap songs from Ohhla.com, and over 7,000 pop lyrics. Currently the poems generated lack thematic structure.
Hannah Ackermans - 30.11.2015 - 08:02
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They Have Large Eyes and Can See In All Directions
They Have Large Eyes and Can See In All Directions is a reinterpretation of texts mixed with extracts from books on psychometry written by William Denton and diaries written by his sons concerning their experiences in Melbourne in August 1882.
Sherman and Shelley went collecting skins in Panton Hill and Pheasant Creek while William remained in the city to speak at Spiritualist meetings.
(Source: https://thecodeofthings.com/poems/they-have-large-eyes)
Alvaro Seica - 08.04.2017 - 20:48
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Postmodern: An Anagrammatic Slideshow Fiction
Richard Holeton’s gleefully, not to say Gaudi-ly, illustrated glidepath through the remnants of language that trail beyond the (littoral, literal) “postmodern” like the tail of a forlorn freeform comix comet, manage—as the Oulipo poet Michelle Grangaud might have said in her own Formes de l’anagramme à faire plusieurs fois des Temps rondo, in an eschatological imagetext mashup of demon storm troops, pert rodents, and skidrow resident poets, porn purveyors, and sperm donors via Flickr borrowings, Wiki burrowings, and whole tons of homebrew images bluesily rendered ala twerk.
(Source: Vassar Review introduction)
Richard Holeton - 20.04.2018 - 09:17
