Search

Search content of the knowledge base.

The search found 51 results in 0.011 seconds.

Search results

  1. This is Not a Hypertext

    Web based interactive generative language artwork

    Simon Biggs - 21.09.2010 - 11:40

  2. Stream

    Stream deals with issues concerning presence, both physical and remote (virtual), and asks "what if" we all lost the ability to differentiate ourselves and our sense of singularity in the world? What would it be like if we could all see what everybody else can see, from their point of view, and how would we perceive ourselves to "be" as a "stream of conciousness" amongst all the other "streams"? The title also evokes other connotations of the word "stream", such as streaming (downloading) data over the web and the temporality of streams of water and such-like.

    Simon Biggs - 21.09.2010 - 12:02

  3. Stagno

    Il lavoro interattivo e multimediale Stagno è il risultato di una esperienza di scrittura che l’autrice ha  avuto con una amica. Come il proprio padre, quello della amica era morto per una grave malattia. Per diverse settimane, si sono incontrate per parlare delle loro esperienze. Attraverso brevi testi che ruotano attorno a diversi temi, si cercano di riprodurre le reciproche esperienze. Questi testi sono stati pubblicati sulla rivista Lieu-dit 19 e  hanno ispirato un primo lavoro animato, anche se non interattivo, ospitato sul sito web di Mandelbrot, che è stato poi rimosso e distrutto dagli autori.

    Patricia Tomaszek - 13.01.2011 - 17:30

  4. AlletSator

    “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

    Scott Rettberg - 30.01.2011 - 18:22

  5. MIDIPoet

    In its current version (which was released in 2002), MIDIPoet consists of two applications: MIDIPoet Composer and MIDIPoet Player. As their names suggest, Composer contains a set of tools for creating MIDIPoet pieces, and Player performs them. The MIDIPoet environment has its own programming language, made up from relatively complex text commands. In order to make things easier (and allow other people to approach the tool with relatively little pain), MIDIPoet Composer offers a visual way of creating MIDIPoet pieces, so there is no need to write code. MIDIPoet itself was written in a combination of C++ and Visual Basic, and only runs under Windows.

    Patricia Tomaszek - 04.03.2011 - 23:13

  6. degenerativa

    A web page that slowly becomes corrupted. each time the page is visited, one of its characters is either destroyed or replaced.

    (Source: Author's description)

    The site includes an archive documenting the site's degeneration. After four days it had become unreadable. After four months, it had disappeared.

    Eric Dean Rasmussen - 23.03.2011 - 13:27

  7. Hundekopf

    In Berlin, the S41 and S42 routes of the S-Bahn train are known as the "Ringbahn" because they encircle the central city. From an aerial view the Ringbahn has the shape of a dog's head, and so it is colloquially known as "Hundekopf", German for "dog's head". The Ringbahn is an integral component of the city's transportation network, and its restoration into a complete circle after the fall of the Berlin Wall has given it symbolic significance among Berliners. From the Ringbahn windows riders can gain an incomplete perspective of the city as a whole, and Berlin's TV tower (the city's most iconic landmark) is always within sight.

    Scott Rettberg - 18.04.2011 - 12:23

  8. Cyberpoetry Underground

    A set of interactive Flash poems exploring different aspects of interface, recombination, and intermediality.

    Published in 2003 State of the Arts anthology CD. Published online in 2005 by The Other Voices Poetry Project.

    Scott Rettberg - 28.05.2011 - 13:18

  9. Wasting Time

    Wasting Time, a story about three characters, is told simultaneously from separate but parallel points of view--using three columns of text in a series of 25 computer monitor screens. The story takes place on a January evening in a house in the Rocky Mountain foothills. (100)
    Wasting Time takes advantage of the computer as a temporal text processor. The dialogue appears on screen at the point when each character would speak. The reader may hit the return key when she is prepared to continue. The reader may not vary the linear progression of text, but may control the speed at which it unfolds. The text is, nonetheless, an "active book." It borrows techniques from film, such as shot-reverse-shot, to control the reader's experience of the text. See also the graphic novel.

    The text for Wasting Time is simple and unadorned. One interesting feature of the program is that the snow falls upwards.

    Source: http://www2.iath.virginia.edu/elab/hfl0195.html

    Jill Walker Rettberg - 27.07.2011 - 22:54

  10. Sans Titre

    "Anonymes version 1.0 is an online fiction made of twenty-four scenes that can be accessed sequentially or nonsequentially. Each scene deals with the theme of anonymity and the building of identity, an each scene is interactive: it is through the gesture of the reader/interactor that the scene can unfold." (Bouchardon 2014, 167)

    (Source: Bouchardon, Serge. 2014. "Figures of Gestural Manipulation in Digital Fictions." In Analyzing Digital Fiction, edited by Alice Bell, Astrid Ensslin and Hans Rustad, 159-75. Routledge.)

    Scott Rettberg - 06.10.2011 - 11:12

Pages