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1. Egoscope

   Egoscope was a teleintervention that happened in August, 2002 and allowed anyone to send, through egoscope web site, other sites to two commercial electronic billboards located in a movimented avenue of São Paulo (Faria Lima), used for veiculation of advertisings of many companies. By that time, the audience was invited to participate in an action that purposed to map a fluid character named egoscope, submitting URLs that were displayed in the panels (from 10h30 to 3h00 (GET), in intervals of 3' between other ads) and also on line by the panel webcam. Combining Internet and Intranet resources, egoscope configured a successful experience of open public streaming that received more than 2200 contributions, generating an interesting database of the multiple identities of our disembodied character. egoscope discussed not only new subjectivities formats, but also networked practices of authorship and reception intercepted by entropy and acceleration processes. (Source: author website)

   Jill Walker Rettberg - 10.06.2013 - 00:09

2. Poem of the Masses

   Poem of the Masses

   Jill Walker Rettberg - 10.06.2013 - 00:12

3. Un roman inachevé

   Note: Réalisation du roman génératif Un roman inachevé pour le stand du Ministère de la Culture au MILIA, janvier 1995 et le MIM à Montréal, mars 1995.

   Scott Rettberg - 26.06.2013 - 08:58

4. BRUTUS

   A story generator where stories centre around betrayal, as the title BRUTUS suggests.

   The date may be wrong - I can't find a clear date, but it was definitely around in 2000, maybe earlier.

   Jill Walker Rettberg - 03.07.2013 - 09:35

5. Lyrikmaschine

   Lyrikmaschine

   Jill Walker Rettberg - 04.07.2013 - 13:09

6. Une chanson pour Don Juan

   Une chanson pour Don Juan

   Jill Walker Rettberg - 29.08.2013 - 16:35

7. Evolution

   Evolution is a online artwork that emulates the writing and compositions of poet and artist Johannes Heldén. The application analyzes a set of all published text- and sound-work by the artist and generates a continuously evolving poem that simulates Heldéns style : in vocabulary, the spacing in-between words, syntax. In this performance, the digital version of artist meets the original. The aim is to raise questions about authenticity, about the future, about physics and science fiction.

   (Source: http://chercherletexte.org/en/performance/evo-lution/)

   Alvaro Seica - 25.09.2013 - 12:22

8. Random Access Memory

   Random Access Memory is a "dyslexic" text generator that sources its information from the Web. There is an English and a French version.

   Jill Walker Rettberg - 22.04.2014 - 19:25

9. DataFiction v0.1

   We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel – that most personal and intimate of artforms – as private lives are increasingly turned into public data?

   DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback.

   Jill Walker Rettberg - 20.06.2014 - 00:09

10. The ChessBard Plays

    In short, the ChessBard inputs the algebraic notation for a chess game in .PGN format (digital file format for archived chess games) and outputs a poem. The poems are based on 12 source poems I wrote, 6 poems for the white pieces, 6 poems for the black pieces: there is a 64 word poem for each colour’s pawns, knights, rooks, bishop, queen and king. When a piece lands on a square it triggers a word from the source poems and the translator compiles them together and outputs a poem. For more, see http://chesspoetry.com/about/about/. The site itself includes a translator capable of inputting any chess game in .pgn format as well as a playable version that combines the translator with a chess-playing AI. In my performance I play a game versus the ChessBard on chesspoetry.com and project it and the subsequent poems that are translated in real-time.

    Hannah Ackermans - 05.09.2015 - 11:53

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