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1. Russian Electronic Literature Collection

   This is a collection of the emerging Russian electronic literature. Mainly the collection focuses on digital writing in Russian produced since 1990s up to the present moment. The collection also mentions Russian converted into digital domain, avant-garde, kinetic, concrete and conceptual poetry. Being widely inclusive, It still distinguishes linguistic digital art from non-linguistic digital art practices. https://mapsengine.google.com/map/edit?mid=ztk_7SCmpYT0.kRkmuHKfmhYA

   Natalia Fedorova - 17.01.2013 - 16:15

2. Bots!

   This research collection links to bots documented in the ELMCIP KB, most of which are reviewed in I ♥ E-Poetry.

   Read the I ♥ E-Poetry entry on this e-lit genre: http://iloveepoetry.com/?p=5427

   Leonardo Flores - 13.03.2013 - 12:07

3. E-books vs E-literature on iPad

   E-books vs E-literature on iPad

   Sunniva Berg - 13.03.2013 - 13:37

4. Social Media

   This research collection is an overview over work that either use social media as an platform for electronic work or been influenced by social media.

   Ingrid Dyrkolbotn - 17.03.2013 - 13:09

5. Randomization i generative works (Working title)

   Randomization i generative works (Working title)

   Stian Jarness - 19.03.2013 - 09:37

6. Tines research collection

   Tines research collection

   Tine Hjelmervik - 19.03.2013 - 10:48

7. The human aspect in digital media esthetics

   In literary science there is little interest of how a human uses the technology. How many different uses exist for a book? But new forms of digital arts give users mulitple ways of interacting with the media. Digital arts follow in the footsteps of the humanities when it comes to research methods, and is to a large degree neglegticting to gather empirical data from interviews or observations that are common methods from the social sciences. My claim is that through observations I can gather information about how different users navigate in a artpiece that gives the user freedom of interaction (examples: A duck has an adventure), but ). With qualitative interviews we can reveal not only what choices the user does, but why they do the choices they do. And also what they feel about these works

   Stian Jarness - 20.03.2013 - 10:09

8. Embodiment

   The aim of the embodiment research collection is to give the reader an introduction to relevant researchers, artists, creative works and scholarly works exploring the concept of embodiment and technology, in the hopes that such a framework can inspire the further investigation of works related to the field of electronic literature. Considering the current selection of creative works of electronic literature recorded in the ELMCIP knowledge base, one notes the shift from audiovisual screen-based works where navigation is centered around mouse-clicks to an increase in multimodal works realized on smart devices equipped with haptic and sensor technologies. Works where movement, touch, gestures, location and position are central to the reading and experience of the artwork.

   Elisabeth Nesheim - 15.05.2013 - 12:25

9. Collection of Lost E-Lit Works

   This collection is dedicated to inaccessible works of electronic literature, creative works and other resources that are no longer online, or inactive. If you encounter a work with a broken link, add the work to this collection and provide all data (description and images, most preferably a screenshot of the opening page+ screenshots from within the work) you have at hand in the record of the creative work. Ideally, make a note underneath the works description when you have encountered a "work's death".

   Also, please provide URLs of works that are lost on the live Web but retrievable from the Internet Archive and provide the link in the field "Archive URL". As this collection will grow, I will evaluate if the works that are accessible through the Internet Archive should belong here, for now, they do.

   Patricia Tomaszek - 02.07.2013 - 12:56

10. Digital Letterisms

    Letter in Letterism Research Collection is regarded in Lacanian sense as “a material medium each concrete discourse borrows from the language”(Lacan, 1997), thus letterism is viewed on as an attempt to define a minimal unit of a text-based piece of digital or contemporary art. Roland Barthes defined minimal unit of reading, as lexia “a series of brief, contiguous fragments, which we shall call lexias, since they are units of reading . . . . The lexia will include sometimes a few words, sometimes several sentences; it will be a matter of convenience: it will suffice that the lexia be the best possible space in which we can observe meanings . . . .” (Barthes, 1974). Following Velimir Khlebnikov, who states in Nasha osnova (1920), that it is possible to find a common meaning of a sound, if one collects all the words containing it “all the remaining sounds will multiply each other, and the common meaning these words have, will be the meaining of Ч”(Хлебников, 1999) Jerald Janecek singles out phonetic zaum as a minimal combinatorial block of a poetic work. According to N.

    Natalia Fedorova - 16.08.2013 - 12:41

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