Search

The search found 83 results in 0.01 seconds.

Search results

1. Amoklæsning

   Syv deltagere med vidt forskellig faglig baggrund har fået chancen for at gå amok i Simon Grotrians seneste digtsamling, Risperdalsonetterne. De har hver især valgt en sonet at tage udgangspunkt i: undre sig over, give sig hen til, fare vild i, associere ud fra, fortolke, aktualisere, irriteres eller begejstres over. Videoer, udskrifter, citater, billeder og stills supplerer hinanden i en mosaik, hvor de syv stemmer kommenterer digtene og rækker ud efter andre værker og fortolkninger. Den grafiske præsentation bringer de enkelte stemmer i dialog. Sitets læser kan vælge sin egen rute gennem vildnisset: der er mulighed for at bevæge sig gennem hver enkelt læsning i den rækkefølge, den er blevet til i, eller man kan forfølge temaer og associationer og springe på kryds og tværs i tekstdiagrammet.

   Sissel Hegvik - 29.04.2013 - 12:29

2. Apartment

   From Marie-Laure Ryan's article "Cyberspace, Cybertexts, Cybermaps":

   Jill Walker Rettberg - 28.06.2013 - 15:17

3. Exhale

   To read this poem - which begins with a description of a corpse - in its entirety, the reader must “breathe life into it". As the reader blows gently into the microphone, the words float around and assemble with the flow of the reader's breath.

   Jill Walker Rettberg - 29.06.2013 - 09:09

4. Penelope Trunk: Advice at the Intersection of Work and Life

   A startlingly personal and very controversial career advice blog that weaves personal narratives from the author's life into general advice columns. Uses a lot of cross-linking back to older posts that describe other parts of the author's life.

   Jill Walker Rettberg - 02.07.2013 - 14:34

5. code.poetry.executables

   A series of executable code poems originally published on the webartery mailing list.

   Scott Rettberg - 08.07.2013 - 12:22

6. Beyond Manzanar

   Within an enclosed darkened room, the image of Beyond Manzanar's 3-dimensional space is projected onto a large, wall-sized screen. The life-sized image fills your field of view and gives you a feeling of immersion within the virtual space. A joystick mounted on a pedestal in the middle of the room allows you to move your viewpoint at will through the virtual space. Speakers mounted on either side of the screen provide stereo sound. Although only one person at a time can control movement in the space, others can watch and share the experience. We have combined techniques of computer games and theater design to create a highly symbolic, often surreal environment with a poetic reality stronger than photorealism. The mountain panorama that defines the Manzanar site forms a constant backdrop for shifting layers of superimposed context. Open doors lead viewers through spaces that react to their presence, shifting between home and prison, between paradise and wasteland, to investigate Manzanar as a layering of contradictory and complementary images and emotions for two groups of immigrants.

   Anders Fagerjord - 20.08.2013 - 11:19

7. See/Saw

   see/saw is an interactive installation in which visitors’ manipulations of a real see-saw control the fluctuation of power and emotion in the story of an intimate relationship. A pair of words are projected on the walls behind the people on the see-saw—one word from each pair on the wall behind each person. As visitors see-saw up and down, new pairs fade in and out based on the angle of the see-saw. Participants’ motion also causes an audio track heard through speakers embedded in the see-saw to advance. When participants stop moving, the audio fragments into an ‘up’ and ‘down’ segment heard by the ‘up’ and ‘down’ participant respectively. The audio clips relate to the projected word that each person can see, and the ‘up’ or ‘down’ position in the narrated relationship. This piece, along with Come to Pieces—an interactive video portrait, were created during Chapman and Utterback’s month long residency at Grand Central Art Center in 2001.

   (Source: author website)

   Jill Walker Rettberg - 27.08.2013 - 14:46

8. Un relato de amor desamor

   Esta es una historia en la que se habla de amor. Pero también cuenta qué pasa cuando ese amor se acaba. Un chico y una chica eran muy felices hasta que dejaron de serlo. ¿Qué pasa entonces? Para explicarlo, en este relato se dan las dos versiones: la de la época feliz y la de la época del desamor. En ambas el lector podrá seguir el hilo de los recuerdos del chico, que es el ha sido abandonado. Pero este no es un relato tradicional. Los poemas de amor del chileno Pablo Neruda servirán de hilo conductor de esta narración.

   Maya Zalbidea - 02.05.2014 - 18:33

9. Todas las historias

   In the Website the author comments that once a man or a woman has read aloud the stories published there he or she will have read all the stories in the world. It is interesting because the stories, which are only two lines stories, a sort of Flash fiction, are very familiar to anyone, realistic, humoristic and sometimes dark stories.

   Maya Zalbidea - 04.08.2014 - 13:26

10. Insertos en tiempo real

    The series of projects called Insertados en Tiempo real (Inserted in Real Time), began in 2001. These projects raise the question of the definition of art and the limits between a performance and a real-life situation. The name "inserted" translates the intention these works have of interrupting, questioning or twisting real situations in real time. All inserted were played by actors (professional or non-professional, actors in the sense that they act following certain instructions) and function in several contexts, not necessarily art exhibition contexts (Source: Collection FracLorraine).

    Maya Zalbidea - 04.08.2014 - 13:34

Pages