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1. Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

   Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis

   Eric Dean Rasmussen - 14.03.2011 - 20:44

2. False Pretenses, Parasites, and Monsters

   A meditation on parasites and montrosity in American novels and hypertext fictions.

   Eric Dean Rasmussen - 15.03.2011 - 15:57

3. A Cyborg Manifesto

   A Cyborg Manifesto

   Scott Rettberg - 25.03.2011 - 11:21

4. Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Eric Dean Rasmussen - 08.07.2011 - 10:53

5. Zeros and Ones: Digital Women and the New Cyberculture

   Zeros and Ones: Digital Women and the New Cyberculture

   Eric Dean Rasmussen - 08.07.2011 - 11:32

6. Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace

   Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace

   Eric Dean Rasmussen - 30.08.2011 - 12:36

7. Towards a Multimodal Analysis of da Rimini's Dollspace

   From the publication:

   In her article "Towards a Multimodal Analysis of da Rimini's Dollspace" Maya Zalbidea
   Paniagua analyzes Francesca da Rimini's Dollspace <http://dollyoko.thing.net/> (1997-2001). By analyzing Dollspace Zalbidea Paniagua reinforces the proposition that studies on material aesthetics and intermediality encompass a process of rethinking the notion of boundaries across material structures. This is clearly shown in da Rimini's Dollspace, where ambivalence cuts across discursive genres and distinct material formats of image, text, and audio. Hypertext engages the user/participant in a dialogue with the machine and, in the case of Dollspace, across people's sexual attitudes. Dollspace seeks to do more than to just shock the user: it wants to haunt its user to become an intersubjectively embodied act.

   Patricia Tomaszek - 21.09.2011 - 13:15

8. Writing as a Woman: Annie Abrahams' e-writing

   Is there such a thing as womens' writing? Or, for that matter, womens' media? Elisabeth Joyce moves through the work of Annie Abrahams and writes against restrictive domestications of electronic media.

   (Source: journal abstract)

   Eric Dean Rasmussen - 08.11.2011 - 10:28

9. Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together

   "Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together" was commissioned for xxxboîte, an artifact produced in celebration of the first ten years of Studio XX, a Feminist art centre for technological exploration, creation, and critique, founded in Montreal in 1996. 

   J. R. Carpenter - 29.07.2012 - 13:13

10. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

    Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

    Scott Rettberg - 30.06.2013 - 21:45

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