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1. The Poetry Beyond Text Project

   This presentation gives an overview on the research project "Poetry Beyond Text: Vision, Text and Cognition" (2009 – 2011), funded by the U.K. Arts and Humanities Research Council, emphasizing areas of potential connection with ELMCIP, and raising issues relevant to electronic literature.

   Patricia Tomaszek - 15.10.2010 - 16:52

2. Om Monica Aasprongs Soldatmarkedet

   A discussion of Monica Aasprong's series of works titled Soldatmarkedet, offering comparisons, descriptions of the various instantiations of Soldatmarkedet, and interpretations.

   Jill Walker Rettberg - 23.02.2011 - 21:50

3. The Reader, the Player and the Executable Poetics: Towards a Literature Beyond the Book

   Giselle Beiguelman underlines that it is essential to be aware of the historical continuities as well as of the discontinuities that materialize in electronic literature or art. This is particularly true in Brazil where multimedia poets combine videotext and video with their texts.The essay deals both with these historical continueties and more recent trends exhibited in a number of recent works of electronic literature.
   (Source: Beyond the Screen, introduction by Jörgen Schäfer and Peter Gendolla)

   Scott Rettberg - 24.05.2011 - 16:16

4. Third Hand Plays: "Repeat After Me" by joerg piringer

   Third Hand Plays: "Repeat After Me" by joerg piringer

   Eric Dean Rasmussen - 21.10.2011 - 10:33

5. Meditationer omkring et o ('Meditations around an o')

   Den norske digter Ottar Ormstads svevedikt er i sagens natur ikke for fastholdere. "Fnugget svæver i luften" står der i Nudansk Ordbog under ordet svæve. Eksemplet er i selskab med ord som "danserinde", "smil", "uunderbygget påstand" og "vag". Hvordan læser man overhovedet digte, der svæver? Når fnugget ikke kan fanges, danserindens bevægelse aldrig fikseres, smilet ikke afkodes. Digte, der bliver ved med at svæve, kompletteres aldrig. Enhver læsning må derfor også kuldsejle. Ligesom digtene kuldsejler. Men alligevel fortsætter. Som foranderlige former, lyde og betydninger. Ud i alle retninger.

   (Source: Karen Wagner, catalog text)

   Patricia Tomaszek - 21.02.2012 - 20:54

6. Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Visuality and Material Expressiveness in the Portuguese Experimental Poetry

   Rui Torres - 03.12.2013 - 23:37

7. Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa

   This article considers the intersection between African oral tradition and electronic literature by exploring the potential of Sankofa to interact with concrete poetry in an electronic space. Sankofa is an example of the Adinkra, a set of symbols that were originally created and used by the Akan in West Africa. These symbols have literary value which this article looks at in ways similar to concrete poetry; examining Sankofa as concrete poetry in an electronic context enables a simultaneous dovetailing with as well as convergence from oral and print based modes of engaging with the text: aspects of oral tradition influence this exploration.

   Elias Adanu - 07.06.2017 - 20:12

8. Ian Hamilton Finlay: the concrete poet as avant gardener

   Ian Hamilton Finlay: the concrete poet as avant gardener

   Ana Castello - 13.10.2018 - 16:06

9. Concrete & “What Looks Like Poetry

   Concrete & “What Looks Like Poetry

   Ana Castello - 13.10.2018 - 17:10

10. Interview David Daniels

    Interview David Daniels

    Ana Castello - 16.10.2018 - 16:46