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Patchwork Girl
Alternative Title: Patchwork girl, or, A modern monster by Mary/Shelley, & herself: a graveyard, a journal, a quilt, a story & broken accents
Publisher's blurb:
What if Mary Shelley's Frankenstein were true?
What if Mary Shelley herself made the monster -- not the fictional Dr. Frankenstein?
And what if the monster was a woman, and fell in love with Mary Shelley, and travelled to America?
This is their story.
(Source: Eastgate website)
A retelling of the Frankenstein story where a female monster is completed by Mary Shelley herself.
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Electronic Literature Directory entry:
Alternative Title: Patchwork girl, or, A modern monster by Mary/Shelley, & herself: a graveyard, a journal, a quilt, a story & broken accents
Shelley Jackson’s Patchwork Girl was created in Storyspace, is distributed by Eastgate Systems, Inc., and ranks among the most widely read, discussed, and taught works of early hyperfiction.
Jill Walker Rettberg - 05.01.2011 - 12:59
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Kind of Blue
An email novel that forms a sequel to Rob Wittig's Blue Company, originally sent out in emails to a small group of readers over the course of the summer of 2002, and later published on the web as an archive of emails in August 2003 by frAme Journal of Culture and Technology.
Jill Walker Rettberg - 02.02.2011 - 22:03
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my Molly (departed)
my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).
The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.
Eric Dean Rasmussen - 09.03.2011 - 14:52
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This Is Not A Poem
This work takes the poem "Trees" by Joyce Kilmer and, transcribing it onto a "scratchable" disk, makes it into a toy, a game, and a language engine.
(Source: Author's description)
Scott Rettberg - 20.05.2011 - 12:35
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Intermission
Intermission is a performative redadaction of the poetics of cinema. The performance and media platform utilizes René Clair’s short film Entr’acte (1924, a collaboration with Picabia and Erik Satie) as a starting point, reimagining cinema as if the Dadaist vision for the medium had become the prevalent form.
Talan Memmott - 17.06.2011 - 12:41
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remixthebook
A model of contemporary remixing and a groundbreaking reflection on digital media. Digital technology has transformed contemporary culture. New social media, hyperlinks, and cut-and-paste techniques have changed the way we write. E-books, which allow us to carry entire libraries with us, are bringing new browsing and reading habits. Digital editing and other on-the-fly postproduction processes have altered how we make music, films, and visual art. A key rhetorical trope employed in all aspects of digital media is the remix, the creation of innovative new works of visual, literary, and performance art through the mashup. In remixthebook, Mark Amerika explores the mashup as a defining cultural activity in the digital age. A pioneering media artist and acclaimed cultural theorist, Amerika offers a series of philosophical essays that trace the art of the remix to previous forms of avant-garde and modernist art through mashups of deftly sampled phrases and ideas from a wide range of visual artists, poets, novelists, musicians, comedians, and philosophers—among them Alfred North Whitehead, Guy Debord, William S. Burroughs, Kathy Acker, and Allen Ginsberg.
Eric Dean Rasmussen - 22.06.2011 - 11:51
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Bust Down the Door Again! Gates of Hell-Victoria Version
A remix of the original "Bust Down the Doors!" (2000) and exhibited in the Rodin Gallery at the Samsung Museum of Art in Seoul."Consisting of stacked refrigerators with monitors affixed on them, this work is a parody of Auguste Rodin’s monumental sculpture of the same title that is permanently installed in the space." (Description from the website of Artist Pension Trust)
Meri Alexandra Raita - 05.09.2011 - 15:17
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Uncreative Writing
Uncreative Writing
Eric Dean Rasmussen - 16.09.2011 - 15:20
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How Am I Not Myself
With Jason Huff's "How Am I Not Myself?" we have a play on biography and the refraction of the self as replicated within a Wikipedia entry by workers from Amazon's Mechanical Turk. As Huff tells us, this piece "aggregates information about all the Jason Huffs on the Internet [and] acts as an open-source platform for identity remix." That is, as long as Wikipedia doesn't find out about it.
(Source: Alan Bigelow in The New River)
Note: this page was deleted from Wikipedia.
Scott Rettberg - 11.10.2011 - 14:20
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Gorge
A gorge is a steep-sided canyon, a passage, a gullet. To gorge is to stuff with food, to devour greedily. Gorge is a poetry generator, a never-ending tract spewing verse approximations, poetic paroxysms on food, consumption, decadence and desire.
The source code for Gorge is a hack of Montfort’s elegant poetry generator Taroko Gorge.
Meri Alexandra Raita - 23.02.2012 - 14:13
