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  1. 5 Haitis

    This multimedia work about the 2010 earthquake in Haiti breathes life into the disaster by allowing readers to explore the stories of three characters who experienced the disaster. The winner of the 2011 New Media Writing prize in the student category, this is a truly a work that arises from the logic of new media writing, seamlessly integrating elements of comics, narrative, cyberdrama, electronic literature, and videogames. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 12:00

  2. A Dialogue Between Two Eyeballs

    This kinetic poem is takes the ancient rhetorical and poetic device of the dialogue to investigate the virtual, conceptual, and perceptual spaces of programmable media. Inspired by theoretical writings by John Cayley and Jean-François Lyotard, this poem explores binaries between past and present, old and new, letter and word, simple and complex writing surfaces, and the right and left eye— each of which has a distinct voice and perspective on the topic. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 13:14

  3. Snowblind

    This collaborative poem was written for the CAVE at Brown University and is a relatively simple yet compelling argument for this kind of writing, initiated by Robert Coover in 2002. Other CAVE works reviewed in this blog have published video documentation of a performance, which is a far cry from the real deal, but considering it takes time and money to travel to Brown University to use their CAVE (and a prohibitive amount of money to build one), this will do. Soderman and Carter have gone a step further by providing access to the Cave Text Editor and the source files for readers to explore the work and run a preview of it.

    Hannelen Leirvåg - 28.02.2013 - 13:23

  4. Toward a Circulation of the Page

    This kinetic collage poem is built out of text by Soderman and quotes from eight pieces written by theorists and writers whose work reflects upon the nature of writing in spaces other than the printed page. Cut into lines and blocks of text, each of these textual portions are anchored or set adrift in a “page_space” designed by Soderman to allow them to move and rearrange themselves into new textual combinations. In addition to encouraging readers to click on texts to get other quotes from the same source, Soderman places several objects into the space that trigger different events, such as a book that stops the textual movement when clicked. The behaviors triggered by each of the objects remind the readers of how configurable the space for digital writing can be by enacting some of the concepts brought forth by the quoted writers. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 13:34

  5. The Winter House

    This multimedia narrative shortlisted for the 2010 New Media Writing Prize combines a variety of genres and forms to tell an engaging story. This murder mystery brings the protagonist back to a mansion and boarding school to investigate her father’s untimely demise. The narrative and graphic design of this linear hypertext borrows heavily from the detective board game Clue (aka Cluedo), yet its treatment of the material using videogame interfaces, e-poetic deployment of its language, and smartly integrated multimedia keeps it from seeming cliché. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 13:42

  6. Noiselines

    This collaborative poem is composed on a “page space” created by Valdeomillos to explore the signal-to-noise-ratio by placing interface, image, and text in a relation by which they create noise for each other.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 13:54

  7. Dibagan

    In this collaborative poem Geniwate takes a relatively simple interface and page space designed by Stefans and makes it powerfully political. The audio recording of a reporter telling the story of surviving an RPG attack in Iraq, along with a photograph with a large drop of blood on the lens, make for a chilling backdrop for the poem. With this frame of reference set, the poem is presented as a stack of words at the base of five columns, which the reader can position by placing the mouse on the base of a column until it reaches the desired height on the screen. It takes some time to place and read the words on each column (which are readable both vertically and horizontally), which allows the looping audio clip and changing hues on the image clip to sink in for a visceral experience.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 14:04

  8. untitled(to reconstruct)

    This collaborative poem places the same text Jody Zellen wrote for “Cut to the Flesh” into a page space designed by Jason Nelson (originally for “Branch/Branch” and “A Tree with Managers and Jittery Boats”). This tree structure is a fascinating way to organize lines of verse because it creates multiple possible readings as the reader opens up branches in the hierarchy.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 14:07

  9. Campbell's Soup Town

    This piece was commissioned as part of the Edge of Elsewhere project in 2010 and exhibited in January 2011 in the Campbelltown Arts Centre near Sydney, Australia. As part of the project, the Campbelltown City Council announced workshops with YHCHI as follows:

    In the iconic text animation style of Young-Hae Chang Heavy Industries, the finished work will tell a story of a futuristic city, dreamt up by participants using the animations they develop in the workshops.

    The resulting narrative is deliciously absurd story of a town taken over by Campbell’s soup company where”everything is made from soup and for soup.” The narrative that follows is a wicked critique of neoliberalism, factory towns, corporate appropriation of the world, pop and op art, with reverse Soylent Green undertones andcould be described as a kind of science fiction magical realism. The original electronica music is kitschy enough to be described as cheesy (pardon the pun, but this piece is full of them), enhancing its self aware campiness.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.02.2013 - 19:30

  10. Deseo - Desejo - Desire: 3 Erotic Anipoems

    Three short animated poems about desire, made in Flash.

    Hannelen Leirvåg - 28.02.2013 - 19:41

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