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1. Hazel Smith

    

   Hazel Smith is a poet, performer, new media artist and academic. She has published extensively in national and international literary magazines including The Age Monthly Review, Australian Poetry Journal, Brisbane Review, Cordite, Crayon (US),  Cyphers (UK) , Figs (UK), First Offense (UK), Heat, How2 (US), Jacket, Mascara Literary Review, Meanjin, Milk (US) Molly Bloom (UK), Otoliths, Outlet (US), Overland, Pages (UK), Poetry New Zealand, Poetry Salzburg,Pores (UK), Reality Studios (UK),  Seizure, Shampoo, Shearsman (UK), Slope, Southerly, Southern Review, Strange Mathematics (UK), Stilts, Stride (UK), Stylus Lit, Sugar Mule (US), Tears in the Fence (UK), Text, Thylazine  Tinfish (US), W/Edge.  Her poetry has been included in many anthologies such as An Educated Desire (UK), Ashbery Mode (US), Australian Mosaic, Floating Capital: New Poets from London (UK), Homo Sonorus (Russia), The Material Poem, The Other Room Anthologies 5 and 7 (UK), Shuffle, Women, Poetry and Migration, (US). 

    

   Eric Dean Rasmussen - 26.04.2012 - 16:24

2. Network Archaeology

   The Network Archaeology conference at Miami University, co-convened by cris cheek and Nicole Starosielski, brought together scholars and practitioners to explore the resonances between digital networks and “older” (perhaps still emergent) systems of circulation; from roads to cables, from letter-writing networks to digital ink. Drawing on recent research in media archaeology, network archaeology may be seen as a method for re-orienting the temporality and spatiality of network studies. Network archaeology might pay attention to the history of distribution technologies, location and control of geographical resources, the emergence of circulatory models, proximity and morphology, network politics and power, and the transmission properties of media. What can we learn about contemporary cultural production and circulation from the examination of network histories? How can we conceptualize the polychronic developments of networks, including their growth, adaptation, and resistances?

   J. R. Carpenter - 01.05.2012 - 11:18

3. Helen Varley Jamieson

   Helen Varley Jamieson is a writer, theatre practitioner and digital artist; she has worked in digital media and the internet since 1996. She is the project manager of UpStage, a web-based platform for cyberformance (live online performance) and is a founding member of the globally dispersed cyberformance troupe Avatar Body Collision. Helen holds a Master of Arts (Research) incyberformance from Queensland University of Technology and currently resides in Munich, Germany.

   (Source: Furtherfield.org).

   Eric Dean Rasmussen - 02.05.2012 - 11:05

4. David S. Miall

   Professor, Department of English and Film Studies, University of Alberta.

   Eric Dean Rasmussen - 10.05.2012 - 14:39

5. Teresa Dobson

   Associate Professor of Language and Literacy Education and Director, Digital Literacy Centre at the University of British Columbia.

   Eric Dean Rasmussen - 10.05.2012 - 14:50

6. A Night at the Cybertexts

   This electronic literary reading was arranged as short films are on a festival reel. Each of the works briefly presented in this "reel-time" event was written since DAC 2000. The authors reading came from diverse backgrounds, having begun their electronic writing endeavors in StorySpace (Jackson, Moulthrop, Strickland), on the Web (Coverley, Gillespie, Memmott, Rettberg), in cybertext poetry using HyperCard (Cayley), in commercial gaming (Swigart), and in interactive fiction forms (Montfort).

   Eric Dean Rasmussen - 10.05.2012 - 17:03

7. Alessandro Ludovico

   Alessandro Ludovico is a media critic and editor in chief of Neural magazine (www.neural.it) since 1993. He is one of the founders of Mag.Net, an organization for electronic cultural publishing and served as an advisor for the magazine project of Documenta 12. He teaches at the Academy of Art in Carrara and has been a fellow in the research program Communication in a Digital Age of the Piet Zwart Institute and Willem de Kooning Academie (now research center Creating 010 of Hogeschool Rotterdam).

   (Source: www.protoptyingfutures.net)

   Eric Dean Rasmussen - 22.05.2012 - 14:57

8. &Now 2012: New Writing in Paris: Exchanges and Cross-Fertilizations

   &NOW is a festival of fiction, poetry, and staged play readings; literary rituals, performance pieces (digital, sound, and otherwise), electronic and multimedia projects; and intergenre literary work of all kinds, including criti-fictional presentations and creatively critical papers. We particularly encourage pieces that promote linguistic and genre transgressions, along with literary artworks that promote interdisciplinary explorations and conversations with past, present, or future literary concerns and movements.

   Eric Dean Rasmussen - 01.06.2012 - 12:12

9. Translating E-Literature

   The first international conference on translating E-literature will take place from 12 to 14 June at the Universities of Paris 8 Vincennes-Saint-Denis and Paris 7 Diderot Denis. The conference is organized by OTNI: Objets textuels non identifiés (UTO: Unidentified Textual Objects), a research project into the evolution of textuality in the digital age. It is supported by the Electronic Literature Organization.

   Eric Dean Rasmussen - 01.06.2012 - 12:18

10. Electronic Literature Organization Conferences

    Electronic Literature Organization Conferences

    Scott Rettberg - 02.06.2012 - 16:28

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