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Evan Raskob
A University Lecturer and practicing artist whose works span the mediums of moving image, sound, installation, performance, and interactive art. Exhibitions include Waving / Drowning, a gallery show of human movements crystallized into a series of digital prints, sculptures, and interactive software, and Drawn Together, an interactive installation project exploring creative crowd sourcing in hand drawn music videos. He is an active member of both the open source and visual performance communities in London, New York, and world-wide. Evan also organizes Openlap Workshops , a regular series of workshops in free, Open Source creative technologies. Over the past year and a half, Openlab Workshops ran over 14 workshops, including regular workshops at SPACE Studios in London, a “One Button Challenge” workshop in Arduino and Processing at the AND Festival in Manchester, and an Advanced Processing workshop at the Centre for Advanced Spatial Analysis at UCL..
Scott Rettberg - 30.01.2011 - 17:39
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Monique Maza
Monique Maza
Scott Rettberg - 30.01.2011 - 17:57
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Daniel C. Howe
Daniel C Howe is an artist and critical technologist whose work focuses on the relationships between networks, language, and politics. His hybrid practice explores the impact of networked, computational technologies on human values such as diversity, privacy and freedom. He has been an open-source advocate and contributor to dozens of socially-engaged software projects over the past two decades. His outputs include software interventions, art installations, algorithmically-generated text and sound, and tools for artists.
Scott Rettberg - 30.01.2011 - 20:09
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Francisco J. Ricardo
"Francisco J. Ricardo Ph.D. is media and contemporary art theorist. A Research Associate at the University Professors Program and co-director of the Digital Video Research Archive at Boston University, he also teaches digital media theory at the Rhode Island School of Design. He has degrees from Thomas Edison College,Harvard University and Boston University. His research examines historical, conceptual, and computational intersections between contemporary art and architecture, on one hand,and new media art and literature, on the other. He has presented in ACM, Digital Arts and Culture, CAA, and Cyberculture conferences.Recent publications include Cyberculture and New Media (Rodopi, 2009) and Literary Art in Digital Performance (Continuum, 2009). His vocations include music composition and performance, yoga, fencing, astrology, and other radical geographies of the self."
Eric Dean Rasmussen - 31.01.2011 - 09:43
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Rita Raley
Rita Raley is Associate Professor of English, with courtesy appointments in Film and Media Studies, Comparative Literature, and Global Studies at the University of California, Santa Barbara (UCSB). Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language (codework, machine translation, electronic literature, and electronic English). Her book, Tactical Media, a study of new media art in relation to neoliberal globalization, has been published by the University of Minnesota Press in its “Electronic Mediations” series. Her most recent publications include the co-edited Electronic Literature Collection, Volume 2, as well as articles on poetic and narratological uses of mobile and locative media and text-based media arts installations.
Eric Dean Rasmussen - 31.01.2011 - 11:59
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N. Katherine Hayles
Katherine Hayles is Distinguished Professor of English and media studies at the University of California, Los Angeles. Her research interests concern topics related to literature and science in the 20th and 21st century; 20th and 21st century American fiction; electronic textuality, hypertext fiction and theory; science fiction; literary theory; and media theory. With degrees in both chemistry and English literature, Hayles is one of the foremost scholars of the relationship between literature and science in the late twentieth century. She is the author six books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (1999), which won the Rene Wellek Prize for the Best Book in Literary Theory for 1998-1999; and Writing Machines (2001), which won the Suzanne Langer Award for Outstanding Scholarship. Her most recent book is Electronic Literature: New Horizons for the Literary (2007).
Eric Dean Rasmussen - 31.01.2011 - 12:55
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Stephanie Strickland
Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.
Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.
Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.
Eric Dean Rasmussen - 31.01.2011 - 13:12
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Cynthia Lawson Jaramillo
Also known as Cynthia Lawson.
"Cynthia Lawson Jaramillo is a digital artist, technologist and educator. She is particularly interested in reconfigurations and representations of time and space through media. Her artwork has been internationally exhibited and performed, including at Giacobetti Paul Gallery, Exit Art and HERE Arts (NYC), UCLA Hammer Museum (LA), Point Éphémère (Paris) and the Museums of Modern Art in Bogotá and Medellín (Colombia). She recently self-published “Of and In Cities,” an academically framed art book about five of her photographic projects, and “Cross Urban,” which documents the first two years of an ongoing collaboration with Klaus Fruchtnis. Cynthia has a B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Masters in Interactive Telecommunications (ITP) from New York University. She is currently Assistant Professor of Integrated Design in the School of Design Strategies at Parsons The New School for Design and an active member of Madarts, an arts collective in Brooklyn, NY" (www.cynthia.lawson.com(Eric Dean Rasmussen - 31.01.2011 - 13:17
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Camille Utterback
Camille Utterback
Eric Dean Rasmussen - 31.01.2011 - 13:19
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Romy Achituv
Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of spectatorship and interaction. His projects often employ the language and formal attributes of his media to fabricate structural and visual metaphors. His work in new media has focused on digital expressions of time and space, experiments in nonlinear cinematic narrative, and the exploration of non‐linear linguistic structures. In recent years he has developed a particular interest in projects that explore the manifestation of digitally inspired paradigms in physical environments. Romy Achituv’s work has been widely exhibited and has been acquired by major international public and private collections. He is a member of the International Academy for Digital Arts and Sciences, and a founding member of ARTEAM Interdisciplinary Art, a non‐for‐profit art collective based in Israel.
Eric Dean Rasmussen - 31.01.2011 - 13:31