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slippingglimpse
In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.
Eric Dean Rasmussen - 31.01.2011 - 13:07
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Universo Molécula
Author description: Written in Spanish, Universo molécula is a work that links the molecular structure of matter (made by two or three atoms united by a force of electrical origin called link), with the working of the literary language (and, more specifically, poetic language). This molecular universe is inhabited by some different textual typologies (images, sounds and words), and we can go through different kinds of navigation, reader immersion and interaction. It is a rich and complex poetic system that, like molecules, uses different forms of representation to adjust to various complexities: from the most simple to three-dimensional models.
Eric Dean Rasmussen - 23.02.2011 - 15:27
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The Last Performance
Author description: The Last Performance [dot org] is a constraint-based collaborative writing, archiving and text-visualization project responding to the theme of lastness in relation to architectural forms, acts of building, a final performance, and the interruption (that becomes the promise) of community. The visual architecture of The Last Performance [dot org] is based on research into "double buildings," a phrase used here to describe spaces that have housed multiple historical identities, with a specific concern for the Hagia Sophia and its varied functions of church, mosque, and museum. The project uses architectural forms as a contextual framework for collaborative authorship. Source texts submitted to the project become raw material for a constantly evolving textual landscape.
Eric Dean Rasmussen - 24.02.2011 - 08:10
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about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek in a cut and mixed poem-dialogue
Patricia Tomaszek - 04.03.2011 - 22:24
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Planting Trees Out of the Grief: In Memoriam Robert Creeley
"Planting Trees out of the Grief" is a lyrical essay, or work of creative non-fiction about mourning. "Planting Trees out of the Grief. In Memoriam Robert Creeley" is a ficticious story that mirrors the psychological processes of coping with mourning described in the essay.
The hypertext will lead you through both texts as same as one goes through the process of mourning. You will go further and sometimes you realize you just stepped backwards finding yourself at the same point you were once before.
Being at the same point (textpassage) you were once before you'll have the choice to follow new paths - or you have to go through the same until a new path (link) reveals. Sometimes people forget they were in grief and then, suddenly, they face their loss again. Therefore, I am dealing with intendend moments of recurrence. By this, you are forced to find new paths and follow other links.
Mark Marino - 27.03.2011 - 17:52
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No matter
No matter
Giovanna Di Rosario - 22.09.2011 - 17:21
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Poem for 莫海伦 (Mo Hailun)
Poem for 莫海伦 is computational visual poem contemplating transience of things and relationships.
As a Firfeox add-on it adds a toolbar to the browser. Poem for 莫海伦 can be triggered on any web page. If so the page will slowly, element by element fade to white until whole page is completely white. (Process might take up to 2 or 3 minutes per page.)
Jaka Železnikar - 30.09.2011 - 21:03
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To Be or Not To Be Mouchette
Me, Mouchette, the online virtual character, I have an unusual status of existence. Regarding the art of my website (www.mouchette.org) I am the author and the creation at the same time, and yet through my remote internet life I remain invisible, anonymous, genderless, untouchable, neither alive or dead. Therefore participants of my interactive website confide in me in the most intimate way, as if were an imaginary being, living in their own head. Inside their own thoughts, no subject is taboo, fear, pain, life and death or even the temptation of suicide, and with me people feel free to talk about everything. With the reactions of the participants to my website I have composed animation films displaying many of the texts I received, spoken out by pixellated characters who tell their most private thoughts about their experience of surviving suicide, their own or someone else’s. My personality embraces all of my participant’s minds and together we form a collective consciousness pondering over questions of life and death in the digital era.
David Prater - 24.10.2011 - 10:40
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Radio Salience
"Radio Salience" is an image-text-sound instrument with certain game-like features. The player (user? listener? reader?) watches an array of four image panels, showing component slices from various larger images. When any two slices match, slot-machine style, a click will initiate a poetastic moment. There is no score, so no way to win, lose, or escape. Radio is all.
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"I have known that which the Greeks do not know -- uncertainty" (Borges).
Just another entry in the Babylon Lottery, this project explores indeterminacy, accident, and resonance, taking as its muse the breathless voice of the airwaves, or radio. What did those Greeks know, anyway?
Some may ask, are we yet reading? Well, somebody had to, but in most cases they weren't human. No sirens were harmed, and no one is like to drown. Also, this is once again not a game. Though what you will see is certainly playable, there is no real contest, no score, no leveling. Let's play Twister, let's play Risk.
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Stuart Moulthrop - 20.06.2012 - 19:10
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Lord's Prayer, The
"Lord's Prayer, The" (2007) takes the original English version of "The Lord's Prayer" (in this case, a variation of the King James Version) and, using the same words, creates an entirely new poem.
(Source: Artist's description, 2008 ELO Media Arts show)
eabigelow - 28.06.2012 - 03:31
