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  1. Mind Machine

    In this performance, an intersemiotic translation occurs between the visual artist’s demoscene videos and the performer’s live text generation. The performance continues the tradition of looking at electronic literature as something that is also created in front of a live, physically present audience. It challenges the notion of digitally native writing in that, as long as the writing is being performed by a human and not by a machine, there is always an organic, bodily dimension to everything natively digital. How can human writing then be born digital, if we are to take the term literally? In this sense, the performance re-situates the human performer. In another version of the performance, shown earlier in 2017, a robot writes in parallel and on stage with the human performer. In Porto, though, we'll leave the robot at home or have it only telepresent to bring attention to the contrast of human and machine embodiment in electronic writing.

    Filip Falk - 06.09.2017 - 19:13

  2. Gdzie w tym wszystkim jest Bóg ? / Where is God in all of this?

    Work was a part of the conference paper prepared with Aleksandra Małecka. Abstract:

    Piotr Marecki - 27.04.2018 - 13:53

  3. Nine Billion Branches

    Nine Billion Branches is an interactive digital poem and fiction hybrid. It explores the unexpected beauty hidden in the seemingly mundane objects and places around us. And the desires is for this digital poem to open a curious hope in the reader, that in our local and immediate worlds there are wondrous and interesting narratives and poetics, streaming out from and around us.

    Note: Nine Billion Branches refers to a hypothetical number of the narratives within reach of all of us. And to experience it is to experience a book of poetry if that book was mutated and recreated as wondrous interactive creatures! Each section is different, each section is its own creation.

    This digital poem won the inaugural digital writing prize at the Queensland Literary Awards. The prize of $10,000 is the largest of its kind internationally.

    w: http://media.hyperrhiz.io/hyperrhiz17/gallery/nelson/index.html

    Jason Nelson - 27.04.2018 - 14:19

  4. Our Cupidity Coda

    This VR Literature work is an allegorical poem deliberately designed to emulate conventions established in early cinematographic days (the silent soundtrack, white on black intertitle-like text, parallels to Kinetoscope viewing) so as to echo a similar sense of creative pioneering/exploration. Our Cupidity Coda is designed for read through multiple times in order to unstitch its poetic denseness. It’s a slow burn work for those that click with it.

    Instructions and Navigation: Our Cupidity Coda is designed for viewing via an internet browser using a VR headset – no hand controllers are necessary. The work is designed for (initial) quick sharp consumption, then repeat plays for those with which it resonates. It is also viewable using only a desktop browser/monitor, but the recommended setup is a HTC Vive using the latest version of the Mozilla Firefox browser.

    mez breeze - 01.06.2018 - 23:03