Search

Search content of the knowledge base.

The search found 6 results in 0.012 seconds.

Search results

  1. svevedikt ("poetry floating in the air")

    "svevedikt" ("poetry floating in the air") consists of seven parts, each in a loop. Every poem is created out of Norwegian words, fixed in the same position all through the animation, but exposed in different degrees. Each poem starts up exposing a few letters. The number of letters is increasing until all of them are seen. Then the number of letters is reduced in a new way. The words are selected in a non-semantic way, and each viewer will experience this differently. Both the images and the sound of the letters when read are important for the experience. The positions of the words have much in common with how the poet made concrete poetry in the sixties.

    (Source: Author's description)

    In “svevedikt” he [Ormstad] goes further on with an animation of a poem that moves continuously and will never stay still for its reader. In her extensive catalogtext on “svevedikt” Karen Wagner presents the poem in context of Ormstads authorship. (Source: Hans Kristian Rustad, ELINOR)

    David Prater - 09.11.2011 - 13:38

  2. Concrete Poetry: An International Debate

    Among others, featuring articles by recognized e-lit scholars covering international perspectives on concrete poetry and new media in Portugal, Brasil, Sweden, and Denmark.

    Patricia Tomaszek - 03.02.2012 - 15:45

  3. Questions to Augusto de Campos

    An interview with Augusto de Campos on concrete poetry as international movement.

    Patricia Tomaszek - 03.02.2012 - 15:56

  4. Concrete Poetry as an International Movement viewed by Augusto de Campos: An Interview

    An interview along with a discussion on digital concrete poetry and its reception.

    Patricia Tomaszek - 03.02.2012 - 16:08

  5. Meditationer omkring et o ('Meditations around an o')

    Den norske digter Ottar Ormstads svevedikt er i sagens natur ikke for fastholdere. "Fnugget svæver i luften" står der i Nudansk Ordbog under ordet svæve. Eksemplet er i selskab med ord som "danserinde", "smil", "uunderbygget påstand" og "vag". Hvordan læser man overhovedet digte, der svæver? Når fnugget ikke kan fanges, danserindens bevægelse aldrig fikseres, smilet ikke afkodes. Digte, der bliver ved med at svæve, kompletteres aldrig. Enhver læsning må derfor også kuldsejle. Ligesom digtene kuldsejler. Men alligevel fortsætter. Som foranderlige former, lyde og betydninger. Ud i alle retninger.

    (Source: Karen Wagner, catalog text)

    Patricia Tomaszek - 21.02.2012 - 20:54

  6. Bridle Your Tongue

    Poetry, and the imagery found therein, has long been one of the foundations of literature across the globe. Our ability to decipher the imagery and symbols in poetic verse has long been a daunting and rewarding task for those individuals who enjoy reading and hearing verse. Bridle Your Tongue is an animated poem with a concentration on the power and longevity of destructive language. (Source: ELO Conference 2014)

    Thor Baukhol Madsen - 12.02.2015 - 14:08