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1. Writing on Complex Surfaces

   Writing in programmable media is theorized in relation to the surface of writing.[1] Within the framework of currently dominant cultural and technological formations, the surface of writing is conceptually simple, and this overdetermines practices of writing. As it is typically conceived, the surface of writing is a flatland plane, a 3rd-dimensionless scroll (however segmented or, indeed, fragmented) on which linguistic symbols, similarly dimensionless, are arrayed. Once language has come to rest on this simple surface, any qualities it may possess of temporality or material depth are bracketed. Programmable media problematize this dominant but simple model, and yet, arguably, its depthless, timeless surface misdirects the composition and publication of writing, even writing that is instantiated in programmable media. In the field of poetics, there are traditions for which the surface of writing is complex. Although rarely made explicit, such approaches to the writing surface have enriched the practices of important writers, particularly poetic writers.

   Patricia Tomaszek - 14.09.2010 - 17:21

2. Stream

   Stream deals with issues concerning presence, both physical and remote (virtual), and asks "what if" we all lost the ability to differentiate ourselves and our sense of singularity in the world? What would it be like if we could all see what everybody else can see, from their point of view, and how would we perceive ourselves to "be" as a "stream of conciousness" amongst all the other "streams"? The title also evokes other connotations of the word "stream", such as streaming (downloading) data over the web and the temporality of streams of water and such-like.

   Simon Biggs - 21.09.2010 - 12:02

3. AlletSator

   “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

   Scott Rettberg - 30.01.2011 - 18:22

4. Word Museum

   Word Museum

   Rita Raley - 05.05.2011 - 15:02

5. five by five

   This series of spatially combinatorial poems are built by arranging words on a five by five three-dimensional grid, using the same engine as in “I, You, We.” Readers can manipulate the object in several ways, zooming in and out and rotating the cube to allow certain phrases to come to the foreground and be read. There is always a word around which the rest of the cube rotates, giving it special meaning within the potential phrases the cube can produce.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Rita Raley - 05.05.2011 - 15:12

6. An Interview with David Knoebel on "Heart Pole"

   An Interview with David Knoebel on "Heart Pole"

   Patricia Tomaszek - 05.05.2011 - 16:07

7. Interview with Dan Waber: “Digital Writing and Writing 3D"

   Interview with Dan Waber: “Digital Writing and Writing 3D"

   Fabio De Vivo - 22.10.2011 - 11:16

8. human-mind-machine

   human-mind-machine

   Scott Rettberg - 16.06.2012 - 02:13

9. The Poetry Cube

   This is a gateway for print poets into the e-poetry world, helping them translate their poetic text into a 3-dimensional, multi-linear an recombining format.

   The cube consists of four sides top, bottom, front, and back. Between each of this esides are four stanzas, or four sets of four lines. The poet writes a 16 line poem and enters it into the form. Thoe lines are then automatically entered into the cube and can be saved into the database. 

   When writing a poem for this cube, the poet must think of how the poem will fit and the recombine in the cube. As you turn the cube, the lines move as well.  For example the 1st, 5th, 9th and 13th lines form the top of the cube, with the shallow meiddle, deep middle and the back lines changing as well.

   Source: http://www.secrettechnology.com/poem_cube/poemcube.html

   Scott Rettberg - 16.10.2012 - 14:00

10. Inside Blackwell Mansion

    "Inside Blackwell Mansion" is a historical-fiction digital narrative based on the life story of Sarah Pardee Winchester, the eccentric "haunted" widow of the heir to the Winchester Repeating Arms fortune. On advice from a psychic, Sarah Winchester built a sprawling mansion in San Jose, California, allegedly to avoid the vengeful spirits of the countless many who had been killed by the Winchester rifle. Building went on continuously for 38 years, without plan, and often without apparent purpose, until her death in 1922. Sarah Winchester's story is especially interesting, because it can be considered on so many different levels: spiritualism, skepticism, mythology, tourism, and feminism.

    Scott Rettberg - 19.01.2013 - 14:29

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