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1. E-poetry: the Palpable Side of Signs

   In his famous essay entitles “Linguistics and Poetics” (1958) Roman Jakobson asserted that the “[poetic function] stresses the palpable side of signs”. Paul Valéry states that “a poem […] should create the illusion of an indissoluble compound of sound and sense”.

   We traditionally call poetry an artistic experience related to the word both in oral and written form, whose composition unity is the verse line (alexandrine verse, free verse, etc.). The oral medium should be normally richer. The written poetry, in fact, translated into the page only the segmental part of a text, but it is not able to show the over-segmental part as the tone, modulation, etc. However, we can say that this discrepancy has been cancelled: for instance, emphasis, oral procedure concerning duration, has its graphic form highlighted.

   Eric Dean Rasmussen - 27.01.2011 - 15:55

2. my Molly (departed)

   my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).

   The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.

   Eric Dean Rasmussen - 09.03.2011 - 14:52

3. ...Reusement

   ...Reusement

   Eric Dean Rasmussen - 10.03.2011 - 09:57

4. Opening Sources

   Opening Sources is a poem continuously written by anonymous online authors. In live performance, the poem is projected on a screen and the audience is invited to edit the text while the reading is underway. A loop of feedback forms as the audience takes uncertain control over its collective voice.

   Note: the text presented is often English, but could be in any language.

   (Source: Author's description from project site)

   Scott Rettberg - 28.03.2012 - 12:36

5. A History of the Future of Narrative

   A History of the Future of Narrative

   Scott Rettberg - 19.05.2012 - 01:51