Search

Search content of the knowledge base.

The search found 8 results in 0.009 seconds.

Search results

  1. From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research

    From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research

    Scott Rettberg - 17.06.2011 - 12:04

  2. Following Paths of Electronic Literature

    Easy manipulation, playfulness, creative and active participation in the progress of society and culture by the development of various (art) projects are essential for the ideal of contemporary culture and society. The aim of the article is to look at the phenomena that play an important role in the field of electronic literature – interaction, materiality, performativity and the dynamics of hic et nunc, playfulness, ludification and the innovative use of platforms. The article follows contemporary trends in the field of electronic literature and simultaneously tries to outline some possible directions that electronic literature could take in the near future. (Source: author's abstract)

    Eric Dean Rasmussen - 01.09.2011 - 11:24

  3. Basquiat meets Mario Brothers? Digital poet Jason Nelson on the meaning of art games

    An interview with the self-described digital poet Jason Nelson on the semiotic pleasures of playing and creating "art-games," indie works produced outside corporate game studios, which, Nelson predicts, will eventually be recognized as the most significant art movement of the 21st century. While explaining how he came to be a digital author, Nelson addresses topics such as his continued love of Flash as a production tool, despite its likely obsolesence, his appreciation for gamescapes that allow for aimless wandering, and the intense reactions his art-games provoke in players. Alluding to the fact that Digital Poet is not the most lucrative of professions, Nelson signals his desire to design "big budget console games," provided he could do so on his terms. 

    (Source: Eric Dean Rasmussen)

    Eric Dean Rasmussen - 28.09.2011 - 12:44

  4. Third Hand Plays: "Scrape Scraperteeth" by Jason Nelson

    Third Hand Plays: "Scrape Scraperteeth" by Jason Nelson

    Eric Dean Rasmussen - 21.10.2011 - 10:27

  5. Third Hand Plays: "Repeat After Me" by joerg piringer

    Third Hand Plays: "Repeat After Me" by joerg piringer

    Eric Dean Rasmussen - 21.10.2011 - 10:33

  6. Seeing through the Blue Nowhere: On Narrative Transparency and New Media

    A wide-ranging literary essay, what Joyce dubs a "theoretical narrative," surveying the desire for media "transparency," an ideal that retains its allure even after philosophers and theorists have revealed its illusoriness.

    Eric Dean Rasmussen - 08.04.2012 - 09:22

  7. Interface Criticism : Aesthetics Beyond Buttons.

    Interface Criticism : Aesthetics Beyond Buttons.

    Søren Pold - 12.06.2012 - 13:45

  8. Writing the Ephemeral […] and Re-Enchanting the Remnants: The Lability of the Digital Device in Literary Practice

    Whenever the program of a work is run by a computer, the digital device necessarily plays a role in its updating process: because of the operating systems, the software and the ever changing speed of computers, it may sometimes affect the author’s artistic project, or even make it unreadable on screen. Thus, authors lose control over the evolution of their work and the many updates it undergoes. Thus, the artist is given four options when dealing with the lability of the electronic device: (1) she demands the ‘right’context of reception for his work – a requirement which, over time, will be confronted with the impossibility to preserve obsolete machines, software and operating systems; (2) she ‘re-enchants’ the lability of the electronic device and ascribes a ‘technological sublime’ to it; (3) she simply ignores the lability of the digital device and creates at once, as if the digital framework was immutable; (4) she is fully aware of the instable environment in which his digital creation will be updated; he even considers the ephemeral and uncontrollable nature of his work as its fundamental aesthetic principle.

    Patricia Tomaszek - 12.12.2012 - 14:21