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1. Pressing the ‘Reveal Code’ Key

   Pressing the ‘Reveal Code’ Key

   Patricia Tomaszek - 16.03.2012 - 23:52

2. Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst

   Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst

   Johannes Auer - 06.11.2012 - 12:39

3. The History of Communications Media

   The History of Communications Media

   Scott Rettberg - 29.06.2013 - 13:37

4. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Scott Rettberg - 30.06.2013 - 21:45

5. Tracing the Growth of a New Literature

   Michael Shumate has been charting hypertext fiction activity on the Web at his site, Hyperizons, for more than two years. In this article, he surveys and critiques the state of hypertext fiction on the Web.

    

   Source: CMC

   Patricia Tomaszek - 30.08.2013 - 18:23

6. Wild Ambitions

   David Cassuto reviews Wild Ideas, a collection of ecocritical essays.

   I want to like Wild Ideas. And I do like large segments of it. Compiled and edited by David Rothenberg, a professor of philosophy at the New Jersey Institute of Technology, this collection of essays arose from a symposium on the “wild” and “wilderness” at the fifth World Wilderness Congress in 1993. It takes on several of the major bugaboos of the environmental movement, among them the difference between “wildness” as Thoreau uses the term in his famously misquoted adage, “In wildness is the preservation of the world,” and “wilderness,” a term whose meaning has changed more often than Boris Yeltsin’s Cabinet.

   tye042 - 26.09.2017 - 12:20

7. Writing the Paradigm

   An overview of Gregory Ulmer’s thought by Victor Vitanza.

   1. How do we not know we think, yet think?

   Gregory Ulmer (a.k.a. ‘Glue’) has been for some time developing a theory of invention that would be appropriate and productive for those cultural theorists who have an interest in electronic media. (Invention, classically defined in oral and print culture, is the art of recalling and discovering what it is that one would think or say about a given subject. In electronic culture, invention takes on new ramifications). In his Applied Grammatology (1985), Ulmer moves from Derridean deconstruction (a mode of analysis that concentrates on inventive reading) to grammatology (a mode of composition that concentrates on inventive writing); that is, he moves towards exploring “the nondiscursive levels - images and puns, or models and homophones - as an alternative mode of composition and thought applicable to academic work, or rather, play.

   tye042 - 26.09.2017 - 13:01

8. The Revolution May Not Be Computerized

   The Revolution May Not Be Computerized

   tye042 - 26.09.2017 - 14:41

9. Stanley Fish and the Place of Criticism

   Christopher Knight on Stanley Fish’s Professional Correctness.

   In Representations of the Intellectual (New York, 1994), Edward Said writes,

   The particular threat to the intellectual today, whether in the West or the non-Western world, is not the academy, nor the suburbs, nor the appalling commercialism of journalism and publishing houses, but rather an attitude that I will call professionalism. By professional I mean thinking of your own work as an intellectual as something you do for a living, between the hours of nine and five with one ear cocked at what is considered to be proper, professional behavior - not rocking the boat, not straying outside the accepted paradigms or limits, making yourself marketable and above all presentable, hence uncontroversial and unpolitical and “objective.” 

   tye042 - 05.10.2017 - 11:25

10. Cyborg Anthropology

    Matthew Fuller on The Cyborg Handbook.

    The Cyborg Handbook tells the story of how one particular model, or one cluster of models grouped under the term cyborg (cybernetic organism), has come to occupy a key place as a meaning-making apparatus that either actually or rhetorically involves such disparate areas as: the invention of new emotions; self-directed evolution; combat and medical augmentation; the prediction, monitoring, and control of body movement; farming; automatism; remote or prosthetic operations; reproductive technology. Culling material from a wide variety of academic sources, The Cyborg Handbook follows the lead of Donna Haraway, who adds an image-rich foreword to the book, in putting cyborgs on the map of cultural criticism.

    tye042 - 05.10.2017 - 11:38

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