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1. Critical Ecologies: Ten Years Later

   Andrew McMurry looks back on ten years of ecocriticism and identifies
   a “new physiocracy,” whose exclusive interest in technology is no better than the exclusive valuation of property that typified physiocrats of the Nineteenth-Century.

   (source: http://electronicbookreview.com/thread/criticalecologies/ecocritical)

   Malene Fonnes - 16.10.2017 - 10:31

2. WordHack Anthology: 2014-2019

   WordHack Anthology brings together projects and documentation presented during the first five years of WordHack, a monthly presentation series at Babycastles in NYC centered around the intersection of language and technology. WordHack is designed to be an open meeting space for people across disciplines to see what each other are working on and thinking about, from coders interested in the creative side, to writers interested in new forms writing can take, to game makers looking for new ways to play with words, to academics researching the newly possible. 

   (Source: https://toddwords.itch.io/wordhack-anthology)

   Stian Hansen - 19.08.2019 - 13:12

3. Electronic Literature, or Whatever It’s Called Now: the Archive and the Field

   The umbrella term ‘electronic literature’ arches broadly over a multitude of digital art forms, so long as they satisfy the criteria ‘electronic’, and ‘literature’. However, it is this paper’s primary contention that the extent of the term’s coverage is delimited by whatever has already been archived. Understandings of what constitute ‘literature’ and the ‘literary’ are manifold and include concepts of the letterary (also as in ‘belles lettres’), the poetic, the lyrical – but also, the canonical, and the institutional. This paper will argue that that which can now be pointed to by literary and digital humanities scholars, and called ‘electronic literature’, is in large part only recognisable because archivisation has been used in its regard as an instrument for institutionalisation and canon-creation. This body of work is also only findable because archivisation has preserved it, faced as it is with the constant threats of platform erosion, and obsolescence sooner rather than later. Archivisation is therefore both a problem of media, and a problem of selection.

   Vian Rasheed - 12.11.2019 - 03:35

4. Refashioning the Print Literature: Internet Literature in China

   Over the past decade, Internet literature has indeed accomplished remarkable achievements. Internet literature has garnered a readership of 202.67 million, amounting to 39.5 percent of all netizens in mainland China now. That 55.5 percent of these netizens are between the ages of twenty and forty indicates that Internet literature is clearly very popular with young people, which is surprising nowadays considering that there are so many forms of entertainment available to them. Although Internet literature has developed rapidly, it is not only accepted as a part of mainstream contemporary literature but also plays an increasingly important role in literary creation, theory, and criticism in mainland China

   Ole Samdal - 24.11.2019 - 23:19

5. Hypermedia and Literary Studies

   The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.

   Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts. They range from the theory and design of literary hypermedia to reports of actual hypermedia projects from secondary school to university and from educational and scholarly to creative applications in poetry and fiction.

    

   Kine-Lise Madsen Skjeldal - 03.10.2021 - 21:10

6. Fall 2020 Editors' Note

   Last March, halfway through assembling the Spring 2020 issue of The New River, we had to adjust to a fully online mode of collaboration. Between then and now, though a tremendous amount has changed, our mission has remained the same. Since its foundation, The New River has devoted its platform to emerging and established artists exploring the intersection of digital art and literature. The COVID-19 pandemic has shed new light on what it means to run a digital journal, especially at a time when so many of our daily interactions and responsibilities have, by necessity, shifted to the digital realm.

   The work we have selected for our Fall 2020 issue helps us come into a deeper understanding of how this current period of crisis strips bare long-standing inequities and injustices, calling us to exercise a cache of empathy and compassion we might have never known before. These pieces demonstrate how art can be a guiding force through even the most turbulent times, pushing us beyond our private quarantine bubbles and back into the world, where art and creativity persist.

   Amanda Hodes - 07.06.2022 - 20:46

7. Thirteen Ways of Looking at Electronic Literature, or, A Print Essai on Tone in Electronic Literature, 1.0

   This experimental essai is written in performative awareness of the challenges of tone in electronic literature. It is a developing piece and will appear in writethroughs, readthroughs, playthroughs (the sous rature mark seems appropriate) elsewhere.2

   Shanmuga Priya - 28.06.2022 - 00:18

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