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  1. PO.EX '70-­80: The Electronic Multimodal Repository

    Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

    Scott Rettberg - 20.05.2011 - 13:28

  2. Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental

    Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental

    Rui Torres - 04.12.2011 - 17:33

  3. Tecnopoeticas argentinas. Archivo blando de arte y tecnología

    Tecnopoeticas argentinas. Archivo blando de arte y tecnología

    Claudia Kozak - 16.10.2012 - 22:06

  4. Russian E-Lit 1.0 - 3.0

    Russian E-Lit 1.0 - 3.0

    Natalia Fedorova - 29.01.2013 - 02:46

  5. The .txtual Condition: Digital Humanities, Born-Digital Archives, and the Future Literary

    In 1995 in the midst of the first widespread wave of digitization, the Modern Language Association issued a Statement on the Significance of Primary Records in order to assert the importance of retaining books and other physical artifacts even after they have been microfilmed or scanned for general consumption. "A primary record," the MLA told us then, "can appropriately be defined as a physical object produced or used at the particular past time that one is concerned with in a given instance" (27). Today, the conceit of a "primary record" can no longer be assumed to be coterminous with that of a "physical object." Electronic texts, files, feeds, and transmissions of all sorts are also now, indisputably, primary records. In the specific domain of the literary, a writer working today will not and cannot be studied in the future in the same way as writers of the past, because the basic material evidence of their authorial activity — manuscripts and drafts, working notes, correspondence, journals — is, like all textual production, increasingly migrating to the electronic realm.

    Scott Rettberg - 03.07.2013 - 13:13

  6. Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos

    Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos

    Alvaro Seica - 28.11.2013 - 13:03

  7. New Textualities

    This article introduces EJES, vol. 11, issue 2, "New Textualities." It briefly outlines the relation between theoretical and technological changes that has led to a re-examination of textual forms in the digital age. Texts as both social text and technotext are tentatively explored in the context of remediation and proliferation of textual materialities that defines contemporary culture. The six articles contained in this issue deal with specific aspects of this linguistic and literary context, in which texts, metatexts and tools for analysing texts are fostering a new critical awareness of textual phenomena and textual representation.

    (Source: Author's Abstract)

    Alvaro Seica - 04.12.2013 - 15:11

  8. A New Companion to Digital Humanities

    This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship. 

    • A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline 
    • Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization 
    • Brings together a global team of authors who are pioneers of innovative research in the digital humanities 
    • Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities
    • Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities

      (Source: Publisher's website) 

     

    Alvaro Seica - 01.06.2016 - 11:35

  9. Building Community through a Digital Literature Archive: The Case of Ciberia Project

    Ciberia Project has emerged around the creation of Ciberia, a digital archive dedicated to digital literature in Spanish, with the purpose of making its contents more widely shared and fostering community building around digital literature. This project in-tends to function as a platform for a community interested and/or specialized in new creative forms of literary publishing, using the Ciberia database as the confluence point and origin of collective interaction, creation and reflection on digital literature and its ramifications in the field of literary publishing. This paper provides a descrip-tion of the digital library Ciberia, and its spin-off, the web platform Ciberia Project, offering a detailed account of their structure and potentialities.

    (Abstract article)

    Hannah Ackermans - 19.11.2018 - 10:03

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