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PO.EX '70-80: The Electronic Multimodal Repository
Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.
Scott Rettberg - 20.05.2011 - 13:28
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Portuguese E-Lit Archive
Portuguese E-Lit Archive
Eric Dean Rasmussen - 19.08.2011 - 14:07
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Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental
Preservación y diseminación de la literatura electrónica: por un archivo digital de literatura experimental
Rui Torres - 04.12.2011 - 17:33
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The Routledge Companion to Experimental Literature
The Routledge Companion to Experimental Literature
Eric Dean Rasmussen - 09.05.2012 - 08:25
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Performing the Digital Archive: Remediation, Emulation, Recreation
The aim of ‘PO.EX '70-80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This paper shows how the performativity of digital archiving and recoding is explored through the remediation, emulation and recreation of works in the PO.EX archive. Preservation, classification and networked distribution are also discussed as editorial and representational problems within the current database aesthetics in knowledge production. (Project reference: PTDC/CLE-LLI/098270/2008).
Eric Dean Rasmussen - 22.06.2012 - 16:42
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V sieti strednej Európy: nielen o elektronickej literatúre: /In Central European Network: not only about electronic literature:/
This international collective monograph brings an understanding of the problematic of changes in artistic communication in the context of the cultural practices of the post-digital era and simultaneously asks new questions about it. This book presents the keystones of electronic literature research that are based, among others, on the digital character of the text, on multisensory reading, playfulness, hypermediality, experimentation and Internet communication. Its aim is also to map digital literature in the cultural environment of Central Europe. Researchers from Slovakia, The Czech Republic, Poland, Slovenia and Croatia collaborated on the publication. The monograph is a printed textual tapestry of various approaches, theories and perspectives that communicate among themselves, react to each other and together clarify the structure that literature personifies in the new media realm.
Contributions by Zuzana Husárová, Jana Kuzmíková, Gabriela Magová, Mira Nabělková, Andrzej Pająk, Katarina Peović Vuković, Mariusz Pisarski, Michal Rehúš a Jaroslav Šrank, Janez Strehovec, Bogumiła Suwara, Jaroslav Švelch
Source: publisher's information
Zuzana Husarova - 21.09.2012 - 20:42
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Cibertextualidades 5
The impact of hypertext and hypermedia on scholarly editing of our literary legacy, which is increasingly published in electronic formats, has fostered a conceptual shift from the archive as a classified hierarchical collection of texts to the archive as a decentred and reconfigurable network of texts. Another important set of questions concerns new methods for editing and organizing multimodal textualities resulting from combinations of materials and media (graphic, audio, video, digital). The convergent multimodality of digital textuality opens up a new editing and archival space for multimedia and intermedia forms of writing. In the current technological context, innovative and experimental literary forms become relevant, as many of the operations that the machine provides can be found in previous literary practices: from collages and automatic writing to narrative permutations and intermedia poetry. This issue of the journal addresses problems of representing, archiving, and publishing experimental literary forms in digital spaces.
Patricia Tomaszek - 02.07.2013 - 16:56
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Internet Hyperfiction: Can it ever Become a Widely Popular Artform?
Since 1982 multilinear and interactive literature has been written in the hypertext media. Until now the authors have been obsessed with traditional literary conventions, which has often made the hypertexts seem rather academic and pretentious. But that may change. During the last five years a new breed of writers have discovered the possibilities on the Internet. They address a wider audience than lecturers and very enthusiastic bibliophiles, in a form that finds a more popular balance between traditional storytelling virtues and the more avant-garde elements. This new tendency can be observed in hyperfictions like The Unknown and on the following pages I will establish how and why it should be possible to make hyperliterature more popular than it is at the present, if writers are willing to move a little further towards the more lay readers. As an example of how this could be happening the conclusion will list what seems to be the main reasons why The Unknown to a higher degree seems to succeed when it comes to capturing the reader without losing any of the experimental edge that is still a part of hypertext due to its modest age.
(Source: Thesis abstract)
Scott Rettberg - 16.07.2013 - 15:42
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Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos
Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos
Alvaro Seica - 28.11.2013 - 13:03
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Portuguese Experimental Poetry: Revisited and Recreated
Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.
(Source: Author's Introduction)
Alvaro Seica - 02.12.2013 - 15:14
