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1. Histoire de la Femme aux Grosses Mains

   Une femme se réveille un matin avec une anomalie biologique : elle interprète le monde environnant au travers des sillons de ses doigts dès qu’elle touche un objet. La science et la médecine l’aident à s’adapter à cette nouvelle captation du monde, qu’elle vit comme une hypersensibilité continue. Ses mains grossissent : c’est la Femme Aux Grosses Mains, la FAGM. Le cédérom est accompagné d’un livre illustré, dont il constitue le dernier chapitre. [Source: http://www.agencetopo.qc.ca/blog/2002/11/12/histoire-de-la-femme-aux-gro... ]

   Dan Kvilhaug - 08.04.2013 - 14:07

2. Odyssée 3 min 50

   Le point de départ "d'Odyssée, 3mn50" est un film d'une traversée d'un pont d'une durée de 3mn50. A partir de ce point de départ l'espace cinématographique se déploie dans sa temporalité, offre des ouvertures. Ce film délivre bifurcations: il ouvre des cheminements vers une structure plus profonde, secrète, qui se révèle au spectateur.

   (Source: http://www.epoetry2007.net/)

   Marthin Frugaard - 11.04.2013 - 10:40

3. Feed

   Our deeply ingrained need to trust language enables Feed to generate an endless simulacrum of social commentary cum mythopoeic narrative spontaneously from largely random associations of charged words. It presents cultural observation through the blind eye of chance. The blank passing moment becomes the creator of mythos. It allows us the opportunity to turn ambiguity into poetry, absurdity into satire, unexpected fortuitous alignments into insight. Feed chronicles the mechanisms of the chronicle rather than its subjects. It removes “realism” from the equation, flirting with the meaningless and parading arbitrary associations before the reader under the banners of archetype and metaphor. Feed historicizes, editorializes, moralizes, sings, dances, and wears funny hats, all in the name of “analyzing” its own inventions.

   (Source: Author's description for ELO_AI Conference)

   Scott Rettberg - 11.04.2013 - 11:04

4. Ream

   A 500-page poem written in one day and printed on a ream of paper, which was adapted in a number of different analog and digital formats and translated into French.

   Marthin Frugaard - 11.04.2013 - 11:08

5. Family of silence

   "Family of silence" is the portrait of a Cambodian family, a couple and their daughter, exiled in France before the Civil War and the takeover of the Khmer Rouge the country in 1975. This film is a portrait of the daily life of this family of memory which emerges the deaf the buried memory of the war, exile, the painful feeling of being surviving when other members of the family disappeared.

   (Source: http://www.lindasuthirysuk.com/LindaSuthirySuk_book.pdf)

   Marthin Frugaard - 11.04.2013 - 17:50

6. Amoklæsning

   Syv deltagere med vidt forskellig faglig baggrund har fået chancen for at gå amok i Simon Grotrians seneste digtsamling, Risperdalsonetterne. De har hver især valgt en sonet at tage udgangspunkt i: undre sig over, give sig hen til, fare vild i, associere ud fra, fortolke, aktualisere, irriteres eller begejstres over. Videoer, udskrifter, citater, billeder og stills supplerer hinanden i en mosaik, hvor de syv stemmer kommenterer digtene og rækker ud efter andre værker og fortolkninger. Den grafiske præsentation bringer de enkelte stemmer i dialog. Sitets læser kan vælge sin egen rute gennem vildnisset: der er mulighed for at bevæge sig gennem hver enkelt læsning i den rækkefølge, den er blevet til i, eller man kan forfølge temaer og associationer og springe på kryds og tværs i tekstdiagrammet.

   Sissel Hegvik - 29.04.2013 - 12:29

7. #Carnivast

   #Carnivast is an interactive electronic literature application for desktop computers and Android devices that explores code poetry as a series of beautiful and complex 3D shapes and textures.

   Andy Campbell - 04.05.2013 - 14:46

8. Any Vision

   This work is published as a video documentation of a simultaneously analog and digital poem— an instance of extreme inscription as described by Matthew Kirschenbaum. Written on a semiconductor alloy with “a focus GA ion beam” at font sizes much smaller than a pixel, requiring an electron microscope with magnification “ranges from 400x all the way to 10000x.” The naked eye cannot read this poem unaided, so the video takes us through an edited journey into the poem’s text reminiscent of Prezi, but much cooler in its materiality. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 11:52

9. Walt Whitman

   “Walt Whitman” isn’t a bot, it is a constraint an anonymous scholar took on: to tweet a portion from the 1855 edition of Leaves of Grass (almost) every day, sequentially from beginning to end, over and over. I use the word “scholar” because of the foregrounding and choice of edition (which edition of Shakespeare is Strebel using?) and the method of the constraint which forces the scholar to read each line when cutting and pasting it. This discipline has the powerful impact of keeping the scholar’s mind focused on this poet’s work on a daily basis, re-discovering Whitman’s poetry over time, and gaining insight in the process. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 09.05.2013 - 23:24

10. A Travesty Generator for Micros

    Literary critical Hugh Kenner and computer scientist Joseph O'Rourke introduced their Perl text scrambler "Travesty" in an issue of BYTE magazine.

    Jill Walker Rettberg - 09.06.2013 - 23:48

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