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1. False Pretenses, Parasites, and Monsters

   A meditation on parasites and montrosity in American novels and hypertext fictions.

   Eric Dean Rasmussen - 15.03.2011 - 15:57

2. A Cyborg Manifesto

   A Cyborg Manifesto

   Scott Rettberg - 25.03.2011 - 11:21

3. Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Eric Dean Rasmussen - 08.07.2011 - 10:53

4. Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace

   Comparative Analysis of the Cyberfeminist Hyperfiction and New Media Art work: Francesca da Rimini’s Dollspace

   Eric Dean Rasmussen - 30.08.2011 - 12:36

5. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Scott Rettberg - 30.06.2013 - 21:45

6. Bookish Electronic Literature: Remediating the Paper Arts through a Feminist Perspective

   An exploration of bookishness (book fetishism, book porn, books as physical aesthetic objects that we adore) and in particular the way in which paper arts and bookishness, and the "cute", are used in a feminist and thereby political aesthetics.

   Electronic literature is awash with paper. In particular, the paper arts of scrapbooking, paper dress-up dolls, paper-doll theater, postcards, and stitch patterns have found a resurgence in recent works of electronic literature by women writers. In very different ways but with meaningful connections, Caitlin Fisher, Travis Alber, J.R. Carpenter, and Juliet Davis all purposefully remediate these paper arts associated with female domestic crafts in ways that both archive and reinvigorate them. Moreover, as I will argue in this talk, these writers use digital poetics to reconsider these feminized forms from a feminist perspective. They insist on the significance of materiality, both the materiality of bodies of humans and of texts, in ways that subtly transform and update older feminist discourses and artistic practices for a new medium and moment.

   (Source: Author's Description)

   Jill Walker Rettberg - 20.06.2014 - 18:06

7. Code Before Content? Brogrammer Culture in Games and Electronic Literature

   Code Before Content? Brogrammer Culture in Games and Electronic Literature

   Alvaro Seica - 10.06.2016 - 20:02

8. Circle-ing Back to What Matters: Electronic Literature as Material Feminism

   Oculus Rift virtual reality headgear is usually donned to kill dragons or multitudes of soldiers, to explore far off places and feel superhuman. But Pressman argues that the VR and augment reality [AR} work of Canadian digital artist Caitlin Fisher confronts expectations about digital media, games, and electronic literature by employing such technology to tell women’s stories and to pursue feminist storytelling. Pressman examines how Fisher’s AR work Circle (2012) embeds multimodal vignettes about three generations of women onto little domestic objects, which Pressman designates “feminism in action,” specifically in the aesthetic enactment of its female-centered subject matter and its formal glitch aesthetics. More specifically, Pressman aims to show how Circle performs the central concerns of Material Feminism: an investment in illuminating how materiality and context-based relationality are central elements of experience and meaning-making. This short work about women and things insists on the relationality of animate and inanimate objects and, in so doing, it provides an opportunity to critique such philosophical movements as Object-Oriented Ontology.

   Hannah Ackermans - 06.02.2017 - 15:46

9. Contexts of Digital Literature Criticism: Feminist, Queer, Materialist

   Contexts of Digital Literature Criticism: Feminist, Queer, Materialist

   Alvaro Seica - 11.05.2017 - 11:31