Search

The search found 12 results in 0.01 seconds.

Search results

1. Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film

   Hypertextual Criticism: Comparative Readings of Three Web Hypertexts About Literature and Film

   Jill Walker Rettberg - 15.10.2011 - 22:18

2. Hyperpoems and Hyperpossibilities

   Deena Larsen's M.A. Thesis, submitted to the University of Northern Colorado's Dept. of English.

   Scott Rettberg - 20.10.2012 - 22:17

3. Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City

   Chronotope and Cybertexts: Bakhtinian Theory for Tracing Sources of Narrative in Interactive Virtual Environments: From Naked Lunch to Fast City

   Patricia Tomaszek - 29.06.2013 - 10:23

4. Transdução: Processos de Transferência na Literatura e Arte Digitais

   Electronic Literature and Digital Art share many processes, themes, creative and theoretical guidelines. In this sense, I developed a critical framework that could resist to a hyperdisciplinary analysis and include one of the characteristics of this sharing pattern: the transfer and transformation processes. In order to recognize these processes I have done an approach of the transduction concept that could perform a theoretical migration on these aspects: the transducer function. Thus, the transducer function appears in the critical analysis of the works by Mark Z. Danielewski, Stuart Moulthrop, R. Luke DuBois and André Sier. The selected works are representative of the following genres: novel, hyperfiction, net.art and digital installation, drawing on phenomena and concerns resulting from the creative production within the digital culture. In this research I have enhanced mechanisms, patterns, languages and common grounds: authorship, user, cybertext, surface, hypertext, infoduct, interactivity, pixel, algorithm, code, programming, network, software and data. (Source: Author's abstract)

   Alvaro Seica - 15.08.2013 - 15:59

5. Writing Lives: Technology, Creativity, and Hypertext Fiction

   Writing Lives: Technology, Creativity, and Hypertext Fiction

   Patricia Tomaszek - 30.08.2013 - 18:18

6. “Som å lese en film”: Elevers lesing av elektronisk litteratur

   «Like Reading a Movie»: Students' Reading of Electronic Literature This thesis is an empirical investigation of students' reading of electronic literature. The main goal has been to study the skills required to get the most out of this kind of literature. Theoretical approaches include reader-oriented theories, where Jonathan Cullen and his concept of literary competence creates an overall basis, and media-specific theories, particularly parts of the multimodal theory derived from a social semiotic perspective. The theoretical framework also includes perspectives from researchers who have written about e- literary competence. The empirical evidence has been collected through qualitative research interviews with five 17-year-old students attending the branch of general studies performed after lessons. The students read episode 1 and 3 of Inanimate Alice by Kate Pullinger and Chris Joseph, and part 1 and 2 of Nightingale's Playground by Andy Campbell and Judi Alston. The theme of the interviews focused on how the respondents perceived these texts, and to what extent they benefited from them. The fact that the survey is carried out in a school context, is emphasized in the thesis.

   Patricia Tomaszek - 09.10.2013 - 17:46

7. 'Le Livre' e o 'Sintext:' A Simulação do Sonho de Mallarmé Através da Poética Digital de Pedro Barbosa

   O projeto de dissertação “Le Livre e o Sintext: A simulação do Sonho de Mallarmé através da Poética Digital de Pedro Barbosa" pretende evidenciar a relação existente entre duas obras distantes no tempo, porém íntimas em seus ideais poéticos. A obra inacabada de Mallarmé conhecida como Le Livre idealizada no século XIX e o sintetizador de textos em meio digital, o Sintext, projeto antológico da ciberliteratura, concebida por Pedro Barbosa e José Manuel Torres em 2001, protagonizam neste trabalho acadêmico um encontro simbólico entre a literatura e o computador, mais exatamente entre a poesia e o algoritmo .
   Apesar da grande obra de Mallarmé não ter sido concluída, acredita-se que seu poema “Um lance de dados”, uma verdadeira obra-prima reconhecida pelo caráter revolucionário na história da literatura tenha sido a experiência poética mais próxima do Livre realizada pelo poeta. Tal poema é, antes de tudo, um processo poético, no qual os versos, distantes uns dos outros e impressos com diversos estilos tipográficos sugerem uma leitura não-linear e infinita permitindo várias entradas e saídas para o leitor.
   

   Alvaro Seica - 28.11.2013 - 15:17

8. Lirismo Verbal e Virtual: Travessia de Sentidos

   The investigation subject of this dissertation is the configuration of erotic verbal lyrism and erotic virtual lyrism based on reflection sonnets by Florbela Espanca (1894 – 1930) and digital verses/poems by Rui Torres (1973). The sonnets were selected from Poemas Florbela Espanca, by Florbela Espanca and organization by Maria Lúcia Dal Farra and the digital verses/poems “Amor-mundo, ou a vida, esse sonho triste” from the electronic address www.telepoesis.net, by Rui Torres. Our purpose is to analyses the lyrism produced by both authors, indicating likeness and differences that the two lyrical forms manifests. The research problem-question was: is there a fusion between erotic verbal lyrism produced by Florbela Espanca and the erotic virtual lyrism produced by Rui Torres ? Or even better, assume that Florbela’s poetry produces a erotic lyrical voice, and the Rui Torre’s poetry, a virtual lyrical voice, we can tell that Torre’s poetry dialogues with the Florbela’s eroticism ?

   Alvaro Seica - 28.11.2013 - 18:29

9. A Interatividade na Poesia Digital

   This dissertation aims at comprehending interactivity in the digital work of art, through the perspective of Maurice Merleau-Ponty’s phenomenology. For such, I combine a general
   objective – that of mapping mechanisms and strategies of interactivity in digital poetry – and
   a specific objective – that of reading Rui Torres’ work Amor de Clarice – with the intention of better understanding both through their constant dialogue, on how they intercross, as to finally comprehend the process of interaction in digital work of art. For this purpose I return to
   

   Alvaro Seica - 29.11.2013 - 14:17

10. A Creature Made of Bits: Illusion and Materiality in the Hyperfiction Patchwork Girl by Shelley Jackson

    A Creature Made of Bits: Illusion and Materiality in the Hyperfiction Patchwork Girl by Shelley Jackson

    Daniela Côrtes Maduro - 05.02.2015 - 12:34

Pages