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1. Meditationer omkring et o ('Meditations around an o')

   Den norske digter Ottar Ormstads svevedikt er i sagens natur ikke for fastholdere. "Fnugget svæver i luften" står der i Nudansk Ordbog under ordet svæve. Eksemplet er i selskab med ord som "danserinde", "smil", "uunderbygget påstand" og "vag". Hvordan læser man overhovedet digte, der svæver? Når fnugget ikke kan fanges, danserindens bevægelse aldrig fikseres, smilet ikke afkodes. Digte, der bliver ved med at svæve, kompletteres aldrig. Enhver læsning må derfor også kuldsejle. Ligesom digtene kuldsejler. Men alligevel fortsætter. Som foranderlige former, lyde og betydninger. Ud i alle retninger.

   (Source: Karen Wagner, catalog text)

   Patricia Tomaszek - 21.02.2012 - 20:54

2. Remediating the Social introduction

   The proposition that Remediating the Social considers is whether creativity might be considered a property emergent from a multi-modal social apparatus rather than, as is more commonly assumed, an attribute of individual or collective human agency. This proposition has been formulated within the context of an expanded apprehension of individual and collective ontology that considers selfhood, at least in part, as a socially contingent construct and, in this sense, both fascinatingly and idiosyncratically, a creation of the social space from which it emerges and is sustained within. In this context creativity is apprehended as a reflexive property of the inter-agency of social interactions, rather than as an activity concerned with the origination of novel things or a capability invested in an individual or group of individuals.

   Remediating the Social seeks to explore this proposition through considering instances of practice that employ digital and networked systems, in their structure and function, and evidence these emergent characteristics in the processes involved in their making.

   Elisabeth Nesheim - 27.08.2012 - 12:52

3. ESTRanHO ERTHOS – POESIGNOS

   Jamais conheci um intelectual tão generoso como ele. Erthos Albino de Souza (1932-2000). Em ERRÂNCIAS, seu livro de memórias, prosa única, semiótico-futurista, publicado no ano em que Erthos falecera, Décio Pignatari deu-nos dele uma significativa e emocionante memorabilia. Carlos Ávila conseguiu arrancar-lhe uma rara entrevista, em 1983, e organizou uma primeira bibliografia de seus trabalhos, que veio a ser acrescida ao estudo “O engenheiro da poesia”, incluído no livro POESIA PENSADA (2004), que Carlos dedicou ao poeta mineiro-baiano. Faltava preencher o branco da obra desse estranho personagem que nos fascinou a todos, um albino “livro-livre” que esta exposição começa a preencher.

   Luciana Gattass - 02.12.2012 - 13:29

4. Introduction: The Body as a Writing Instrument

   Introduction: The Body as a Writing Instrument

   Pablo Uribe Valero - 17.09.2019 - 14:53