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  1. Mechanisms: New Media and the Forensic Imagination

    In Mechanisms, Matthew Kirschenbaum examines new media and electronic writing against the textual and technological primitives that govern writing, inscription, and textual transmission in all media: erasure, variability, repeatability, and survivability. Mechanisms is the first book in its field to devote significant attention to storage—the hard drive in particular—arguing that understanding the affordances of storage devices is essential to understanding new media. Drawing a distinction between "forensic materiality" and "formal materiality," Kirschenbaum uses applied computer forensics techniques in his study of new media works. Just as the humanities discipline of textual studies examines books as physical objects and traces different variants of texts, computer forensics encourage us to perceive new media in terms of specific versions, platforms, systems, and devices.

    Eric Dean Rasmussen - 13.09.2011 - 14:38

  2. The Ecological Thought

    In this passionate, lucid, and surprising book, Timothy Morton argues that all forms of life are connected in a vast, entangling mesh. This interconnectedness penetrates all dimensions of life. No being, construct, or object can exist independently from the ecological entanglement, Morton contends, nor does “Nature” exist as an entity separate from the uglier or more synthetic elements of life. Realizing this interconnectedness is what Morton calls the ecological thought.

    In three concise chapters, Morton investigates the profound philosophical, political, and aesthetic implications of the fact that all life forms are interconnected. As a work of environmental philosophy and theory, The Ecological Thought explores an emerging awareness of ecological reality in an age of global warming. Using Darwin and contemporary discoveries in life sciences as root texts, Morton describes a mesh of deeply interconnected life forms—intimate, strange, and lacking fixed identity.

    Eric Dean Rasmussen - 17.01.2012 - 15:15

  3. New Directions in Digital Poetry

    As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.

    Scott Rettberg - 24.01.2012 - 13:52

  4. Cybertext Poetics: The Critical Landscape of New Media Literary Theory

    Equally interested in what is and what could be, Cybertext Poetics combines ludology and cybertext theory to solve persistent problems and introduce paradigm changes in the fields of literary theory, narratology, game studies, and digital media. The book first integrates theories of print and digital literature within a more comprehensive theory capable of coming to terms with the ever-widening media varieties of literary expression, and then expands narratology far beyond its current confines resulting in multiple new possibilities for both interactive and non-interactive narratives. By focusing on a cultural mode of expression that is formally, cognitively, affectively, socially, aesthetically, ethically and rhetorically different from narratives and stories, Cybertext Poetics constructs a ludological basis for comparative game studies, shows the importance of game studies to the understanding of digital media, and argues for a plurality of transmedial ecologies.

    (Source: Continuum online catalog.)

    Jörgen Schäfer - 16.03.2012 - 14:52

  5. Digital Prohibition Piracy and Authorship in New Media Art

    The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials.

    Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (à la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality.

    (Source: Continuum online catalog)

    Eric Dean Rasmussen - 28.03.2012 - 09:48

  6. Digital Litteratur: En innføring

    De siste tiårene har det oppstått en ny type litterære tekster, skrevet for skjerm og ikke papir. Ved siden av skrift tar tekstene i bruk modaliteter som bilder, verbalspråk, lyd, musikk og bevegelse, og de involverer leseren og kanskje også datamaskinen i tekstskapingen gjennom organiseringsprinsipper som hypertekst og kybertekst. Boka gir en oversikt over digital litteratur med vekt på skandinaviske eksempler, og diskuterer hvordan den digitale litteraturen gir et bilde av vår tid og utfordrer vårt litteraturbegrep.

    Noen spørsmål i boka:

    • Hva skjer når litterære tekster må leses på en skjerm?
    • Kan litteratur generert av en datamaskin være kunst?
    • Hvordan kan sosiale medier legge til rette for litteratur?

    Digital litteratur er aktuell for alle som arbeider med eller studerer litteratur og formidling av litteratur, for eksempel studenter og lærere i ulike litteratur- og mediefag.

    Eric Dean Rasmussen - 18.04.2012 - 14:14

  7. Deutschsprachige Literaturmagazine im Internet: Ein Handbuch

    Deutschsprachige Literaturmagazine im Internet: Ein Handbuch

    Jörgen Schäfer - 04.05.2012 - 13:57

  8. Tecnopoeticas argentinas. Archivo blando de arte y tecnología

    Tecnopoeticas argentinas. Archivo blando de arte y tecnología

    Claudia Kozak - 16.10.2012 - 22:06

  9. Creating Interactive Fiction with Inform 7

    CREATING INTERACTIVE FICTION WITH INFORM 7 is a jargon-free, step-by-step guide to mastering the basics of creating dynamic, text-based story worlds. Inform 7 is a free multiplatform interactive fiction authoring environment that uses an intuitive natural language syntax. A tool focused on writers, not programmers, Inform allows users construct complex, rich storytelling worlds by writing sentences as simple as "Tom is a person," or as complicated as "Instead of attacking Tom when something lethal is held, now every nearby watchdog owned by Tom hates the player." No prior programming experience is required. Throughout the book, readers develop a full-length, release-quality example game, exploring the real-world issues involved in authoring participatory narratives and gaining skills that can be applied to the creation of future games and stories.

    (Publisher's copy)

    Scott Rettberg - 09.01.2013 - 00:14

  10. (Polska) poezja cybernetyczna. Konteksty i charakterystyka

    (Polska) poezja cybernetyczna. Konteksty i charakterystyka

    Patricia Tomaszek - 15.02.2013 - 13:46

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