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1. idearte

   idearte

   Alvaro Seica - 26.09.2014 - 11:58

2. 3:AM Magazine

   '3:AM has everything — fiction, flash fiction, poetry, interviews, criticism — but its sensibility is consistent throughout: blunt, funny, angrily academic. Their tagline says it best: "Whatever it is, we're against it."'

   Daniel Lefferts, January 5, 2014

   Source: http://mic.com/articles/78097/10-literary-blogs-every-20-something-shoul...

   J. R. Carpenter - 04.10.2014 - 12:37

3. Archaeologies of Media and Film

   University of Bradford and National Media Museum
   September 3, 2014 – September 5, 2014

   Keynote Speakers: Jussi Parikka, Thomas Elsaesser, Peter Buse

   An international conference on media archaeology organised and hosted by the University of Bradford and the National Media Museum in association with the Royal Television Society and Bradford City of Film.

   The aim of this conference is to bring together researchers, archivists, curators and artists working in the field that has become known as "media archaeology": an approach that examines or reconsiders historical media in order to illuminate, disrupt and challenge our understanding of the present and future.

   The conference is organised and supported by the University of Bradford, the National Media Museum and Bradford City of Film.

   J. R. Carpenter - 04.10.2014 - 13:02

4. H2PTM'09

   H2PTM'09

   Luc Dall'Armellina - 10.10.2014 - 15:12

5. Digital Humanities 2013 (DH2013)

   Digital Humanities 2013 (DH2013)

   Jill Walker Rettberg - 26.10.2014 - 05:30

6. OLE.01 Festival Internationale della Letteratura Elettronica

   OLE.01 Festival Internationale della Letteratura Elettronica

   Dene Grigar - 30.10.2014 - 03:34

7. Zer0 Books

   Zer0 Books

   Joe Milutis - 06.11.2014 - 10:22

8. VIS 2014

   The IEEE 2014 VIS Conference is held in Paris, France.

   Alvaro Seica - 11.11.2014 - 20:13

9. The Digital Subject 3: Temporalities

   Le temps du numérique est-il un présent continu sans mémoire ou presque, le sujet étant capté et contraint par l’affichage à l’écran ? Ou bien, si l’on creuse plus avant la question du rapport entre le sujet et le support, peut-on postuler qu’un tel présent sans mémoire serait l’avers d’une construction temporelle plus complexe, une forme de « multinaéité » où les temporalités propres à l’inscription et au déchiffrement du sens par le sujet se télescopent et se superposent avec celles d’autres utilisateurs et des supports connectés ? Quels en sont les effets sur l’identité narrative du sujet ? Si le numérique permet un changement de paradigme temporel, déployant différentes dimensions à partir de la ligne temporelle comme un origami, alors quels en sont les effets sur les modes de représentation littéraires et artistiques ?

   (Source: Programme's Abstract)

   Alvaro Seica - 13.11.2014 - 13:35

10. Text/ures: L’Objet-livre du Papier au Numérique

    This international and transdisciplinary project aims at exploring hybrid objects: pop-up books, artists books, sculpture-books or animated books and new digital books, in the shape of e-books and applications that, because they belong to both litterature and graphic culture, actually avoid preexisting categories.

    The idea is to work with the material to explore textual architextures as well as tactile possibilities, even kinetic ones. Book-bjects will be considered in their historical dimension — by retracing existing filiations between mechanical books and digital books — but also analyzed from the angle of materiality. We will try to understand the way these books, digital or not, stretch the limits or paper and operate on new types of surfaces to create innovative, playful, tactile and esthetic devices.

    J. R. Carpenter - 22.11.2014 - 10:49

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