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Jim Andrews
Jim Andrews is a net artist, poet, programmer, visual and audio artist, mathematician and essayist. He has been publishing vispo.com since 1996. He completed a degree in English and Mathematics at the U of Victoria in Canada in 1983. He then produced a literary radio show called Fine Lines and, later, ?FRAME? for six years that he distributed each week to 15 campus/community stations in Canada.
Encountering the radio art and theoretical writing of Gregory Whitehead and the other 'audio writers', together with the work of McLuhan and a kind of mentorship from Seattle's Joe Keppler and margareta waterman, showed him the importance of understanding one's medium, understanding the artistic possibilities of the specific properties of one's media/um.
After producing the radio show, he went back to school and studied Computer Science and Mathematics. After that, it wasn't long before the web emerged, which Andrews saw as the perfect media/um for someone seeking to combine writing, programming, visual and audio art in an international scene of epistolary correspondence about the art and poetics and sharing online of the art itself.
Patricia Tomaszek - 24.02.2011 - 11:12
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Geniwate
Geniwate is the artist name of Jenny Weight, Australian artist and scholar. She publishes critical works as Jenny Weight.
Eric Dean Rasmussen - 24.02.2011 - 19:09
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Søren Bro Pold
Associate Professor of Digital Aesthetics at Digital Design, Dept. of Aesthetics and Communication, Aarhus University, Denmark.
Eric Dean Rasmussen - 01.03.2011 - 11:34
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Leonardo L. Flores
Leonardo Flores is an Associate Professor of English at the University of Puerto Rico: Mayagüez Campus and a 2012-2013 Fulbright Scholar in Digital Culture at the University of Bergen. His research areas are electronic literature, poetry, and digital preservation of first generation electronic objects. He is the writer and editor of a scholarly blogging project titled I ♥ E-Poetry (http://iloveepoetry.com) in which he has reviewed over 500 works of electronic literature. For more information on his current work, visit http://leonardoflores.net.
Jill Walker Rettberg - 04.03.2011 - 21:55
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Manuel Portela
Manuel Portela is Professor in Anglo-American Studies in the Department of Languages, Literatures and Cultures, University of Coimbra, Portugal, where he teaches courses on literature and new media. He is the author of O Comércio da Literatura: Mercado e Representação [The Commerce of Literature: Marketplace and Representation] (Lisbon: Antígona, 2003), a study of the English literary market in the 18th century, and Scripting Reading Motions: The Codex and the Computer as Self-reflexive Machines (MIT Press, 2013). He has translated fiction, poetry, and theatre, including works by Laurence Sterne, William Blake, and Samuel Beckett. He received the National Award for Translation for Tristram Shandy in 1998. He has published, exhibited, and performed his own sound, visual and digital works.
Scott Rettberg - 07.03.2011 - 22:56
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Jean-Hugues Réty
Jean-Hugues Réty
Eric Dean Rasmussen - 08.03.2011 - 16:24
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Ian Hatcher
Ian Hatcher is a writer, sound artist, and programmer whose work explores cognition in the context of digital systems. He is the author of a poetry collection, Prosthesis (Poor Claudia 2016); a forthcoming vinyl/mp3 record, Drone Pilot (cOsmOsmOse 2017); two chapbooks, Private (Inpatient 2016) and The All-New (Anomalous 2015); and numerous screen poems, including the iOS app Abra with Amaranth Borsuk and Kate Durbin. His code-inflected vocal performances have been widely presented in North America and Europe.
(Source: http://ianhatcher.net/#!/bio)
Eric Dean Rasmussen - 09.03.2011 - 15:43
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Judy Malloy
In the twenty-five years since she first wrote Uncle Roger on Art Com Electronic Network, Judy Malloy has created an innovative body of new media narrative poetry that in hypertextual structures explores the lives of artists. Beginning in the 1970's with a series of handmade visual books that sought to create a nonsequential reading experience, and including its name was Penelope, (Eastgate, 1993) her work has been featured in over one hundred curated exhibitions, invited readings and panels, and publiications including the San Francisco Art Institute; Tisch School of the Arts, NYU; Sao Paulo Biennial; Franklin Furnace; National Library of Madrid; the Los Angeles Institute for Contemporary Art; Target Video; SITE; Houston Center for Photography; The Walker Art Center; Visual Studies Workshop; Eastgate Systems; E-Poetry, Barcelona; Boston Cyberarts; Electronic Literature Organization; E.P.
Judy Malloy - 10.03.2011 - 20:10
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Gregory L. Ulmer
Gregory L. Ulmer is the author of Internet Invention: From Literacy to Electracy (Longman, 2003), Heuretics: The Logic of Invention (Johns Hopkins, 1994), Teletheory: Grammatology in the Age of Video (Routledge, 1989), and Applied Grammatology: Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Johns Hopkins, 1985). In addition to two other monographs and a textbook for writing about literature, Ulmer has authored numerous articles and chapters exploring the shift in the apparatus of language from literacy to electracy. His most recent book, Electronic Monumentality: Consulting Internet Memory, is forthcoming from the University of Minnesota Press.
Professor Ulmer’s media work includes two videos: “Telerevisioning Literacy” (Paper Tiger TV) and “The Mr. Mentality Show” (Critical Art Ensemble, Drift). He has given invited addresses at international media arts conferences in Helsinki, Sydney, and Hamburg, as well as at many sites in the United States.
Eric Dean Rasmussen - 11.03.2011 - 11:10
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Philippe Castellin
Philippe Castellin (1948, Isle sur-Sorgues, France) – poet, digital poet, artist, performer, critic. Graduated from the Rue D’Ulm Université (Paris), in 1991 received a doctorate degree (Aesthetics and Semiology) at the Université de Paris IV. He is the author of a number of poetry books and collections, including the following: Où il ne faut pas (Paris: Confidentielles Ed., 1976), Immalamour (in collab. with J.-Y. Bosseur,1982, a part was published in the Doc(k)s #50), Livre (Ajaccio: Akenaton Ed., 1984), Paesine (Paris: Ed. Evidant, 1989), L’Afrique (Ales: Aiou Ed., 1996), Travelling Slow (Marseille: Akenaton Editions, 1996), Khaki (Paris: Al Dante, 1999), Les_Grandes_Herbes (FidelAnthelmX ed., Marseille, 2011) and also of the visual poetry works, presented in the collection of the Galerie La Marge (Ajaccio) and published in various international magazines, catalogues, literary miscellanies and anthologies on the experimental poetry.
Eric Dean Rasmussen - 17.03.2011 - 13:16
