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1. On Reading 300 Works of Electronic Literature: Preliminary Reflections

   Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"

   Eric Dean Rasmussen - 31.08.2011 - 15:55

2. Seven Types of Interface in the Electronic Literature Collection Volume Two

   Seven Types of Interface in the Electronic Literature Collection Volume Two

   Eric Dean Rasmussen - 05.10.2011 - 10:16

3. Electronic Literature Reading at the Richard Hugo House

   An evening of e-lit readings and performances at the Richard Hugo House in Seattle, Washington. The event was organized as part of the Electronic Literature Exhibition at the 2012 MLA Conference.

   Note: The actual line-up at the event different slightly from both the online description of "Readings & Performances" and that in the PDF/printed catalog for the Electronic Literature Exhibition.

   Content of 1st video: 1:50 Jason Nelson with PLAY with the last days of DRAG RACING PUPPETS, 8:11 John Cayley with Pentameters for the Disillusion of the Vectoralists, 19:30 Jim Andrews with Seattle Drift, 25:55 Erin Costello & Aaron Angello with Poemedia, 36:38 Ian Bogost with A Slow Year: Game Poems.

   Content of 2nd video: 0:01 The Good Fortune Land, 10:45 Stephanie Strickland with The Ballad of Sand and Harry Soot, 19:58 Stephanie Strickland and Nick Montfort with Sea and Spar Between, 26:00 Nick Montfort with Taroko Gorge, 29:10 Mark Sample with Takei, George, 31:00 Flourish Klink with Fred & George.

   Eric Dean Rasmussen - 23.11.2011 - 11:57

4. The Book of Kells

   From Samantha Gorman's artist statement for The Book of Kells: "Deconstruction is a weaving of historical study, literary theory, travel narrative, meditative prose, mystical contemplation, and academic inquiry. All elements are united by research and reflection on The Book of Kells, an illuminated Latin version of the Bible circa 800 AD, and the techniques that produced it. The prose of Deconstruction is informed by my travel and close survey of The Book of Kells at Trinity College Dublin. Additionally, Deconstruction touches upon the evolution of how writing is disseminated from manuscript culture to Gutenberg and the Internet, as well as how these media are implicated in the increasing liberation of the reader, both in terms of social access and the reading practice itself ... Reflecting on the original manuscript's hypertextual melding of text and image, the icons of The Book prompt the texts of Deconstruction: lexias emerge from and are symbolized by designs on the manuscript's folios. Overall, the work is a study on the original manuscript within the scriptorium of electronic media and methods."

   Chiara Agostinelli - 20.11.2018 - 16:56