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  1. Electronic Literature Organization 2002: State of the Arts Symposium

    On April 4-6, 2002, many of the leading writers, critics, publishers and readers working in the field of electronic literature gathered in Los Angeles for the first Electronic Literature Organization Symposium. Titled "State of the Arts," the symposium featured three nights and two days of readings, demonstrations, and concentrated discussions on the state of the arts of electronic literature. Major Sponsorship of the State of the Arts Symposium was provided by the Ford Foundation. Keynote speakers for the event included novelist Robert Coover, critic Katherine Hayles, and author and publisher Jason Epstein. The event was a "Symposium" in the truest sense of the word: each panel featured experts engaging in a lively interchange of ideas. These moderated discussions allowed the panelists to share their insights and engage in dialogue about their specific topic.

    (Source: Conference website, archived by the Electronic Literature Organization).

    Eric Dean Rasmussen - 10.03.2011 - 10:28

  2. ELMCIP Conference on Remediating the Social

    The Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) research project invited scholars, artists, researchers and performers to its final conference and exhibition. The event, running from Nov. 1-3, 2012, was hosted by Edinburgh College of Art in collaboration with New Media Scotland and University College Falmouth within the framework of the ELMCIP research project. The event was held at Inspace, a purpose-built research and exhibition facility at the University of Edinburgh, fully instrumented to facilitate engagement with developments in new technologies, scientific research and creative practice.

    Eric Dean Rasmussen - 05.09.2011 - 12:06

  3. Salette Tavares – Desalinho das Linhas

    Salette Tavares – Desalinho das Linhas

    Rui Torres - 25.11.2011 - 23:14

  4. Electronic Literature Exhibit at the 2012 MLA Convention

    A special exhibit of electronic literature at the 2012 Modern Langague Association (MLA) Convention, curated by Dene Grigar, Lori Emerson, and Kathi Inman Berens. "Electronic Literature" features over 160 works by artists who create literary works involving various forms and combinations of digital media, such as video, animation, sound, virtual environments, and multimedia installations, for desktop computers, mobile devices, and live performance. The works presented at this exhibit have been carefully selected by the curators because they represent a cross-section of born digital—that is, works created on and meaningfully experience through a computing device—from countries like Brazil, Canada, Australia, Sweden, the UK, the US, and Spain, and highlight literary art produced from the late 1980s to the present. Thus, the exhibit aims to provide humanities scholars with the opportunity to experience, first-hand, this emergent form of literature, one that we see as an important form of expression in, as Jay David Bolter calls it, this "late age of print."

    Eric Dean Rasmussen - 15.01.2012 - 12:03

  5. Electronic Literature Organization 2012 Media Art Show: Electrifying Literature: Affordances and Constraints

    “Electrifying Literature: Affordances and Constraints” is the Electronic Literature Organization’s 2012 Media Art Show that takes place in conjunction with the ELO’s conference held in Morgantown, WV, from 20-23 June 2012. Curated by Dene Grigar & Sandy Baldwin, it is comprised of five venues across the city: The Monongalia Arts Center (MAC), the Arts Monongahela Gallery, West Virginia Univeristy (WVU), Downtown Library, the Art Museum of WVU, & the Hazel Ruby McQuain Amphitheater & features the art of 55 artists from nine countries; a retrospective of artists Alan Bigelow, J. R. Carpenter, M.D. Coverley, Judy Malloy, and Jason Nelson; a special commissioned geo-locative work by Jeremy Hight; artist talks; and performances.

    (Source: Exhibition website.)

    Eric Dean Rasmussen - 23.03.2012 - 22:00

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    A group-curated exhibition of Electronic Literature associated with the Version>02 Festival focused on the digital commons, held in Chicago in 2002.

    Scott Rettberg - 03.06.2012 - 12:16

  7. Attention à la marche! Mind the Gap!

    Attention à la marche! Mind the Gap! questions the place of electronic literature in a digital culture. Present since the 1980s, electronic literary practices must now adapt and renew themselves in light of the proliferation and massive use of digital devices in our lives. How do they make us think about literature in its broadest sense and its current occurrences? What forms do they take in public and urban spaces? How do they articulate our relationships to the body, to culture, to our representations of ourselves and the world?

    Jane Lausten - 26.09.2018 - 14:26

  8. afterflash: Showcasing Flash Fiction, Poetry, and Essays from The NEXT

    On December 31, 2020 Adobe dropped support of Flash software, a premier platform for net art popular in the late 20th century to first decade of the 21st. Within weeks, born-digital literature created with the software was no longer accessible to the public––including the 447 the Electronic Literature Organization (ELO) had collected for its repository. By the end of January 2021 the Electronic Literature Lab’s efforts to restore ELO’s Flash archives began in earnest with a variety of methods: Ruffle.rs, Conifer, Webrecorder, and video recordings attained with the Pale Moon browser and the Wayback Machine.

    This exhibition, featuring 48 works the lab selected from the online journals and anthologies held in the ELO’s archives, lays bare both the importance of Flash as a platform for conveying highly experimental and compelling literary art and the challenges artists and preservationists face in keeping the art produced with it accessible to the public.

    List of Artists and Works:

    Dene Grigar - 30.05.2021 - 23:18