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1. Releituras de obras de Abílio-José Santos: 'era uma vez uma gata' e 'interrogações'

   Combinatória textual programada a partir de textos de Abílio-José Santos, com som.

   Rui Torres - 21.02.2021 - 18:45

2. a separação:: a(n)estesia

   por rt para pt, com propaganda soundbites discursos +- slogans advertisements jingles. constelação ?! Combinatória

   Rui Torres - 21.02.2021 - 21:05

3. Cushioned Fakescripts

   Code snippets from several programming languages, appropriated and adapted for the inclusion of poetry.

   Rui Torres - 21.02.2021 - 21:53

4. Retextualização de "Oceanografias (a memória da água)", de Antero de Alda

   Re-reading of «Oceanographies (the memory of water)», programmed by Antero de Alda on a Sinclair ZX Spectrum microcomputer, Sever do Vouga, 1/1/1986.

   Rui Torres - 21.02.2021 - 21:57

5. Autography

   Autography is an interactive artwork, in the form of a software application, that automatically generates evolving 3D graphic characters that resemble human hand-writing. The intention is to create a form of automatic writing made by a machine (instead of by a human). Automatic writing is commonly understood to be a form of unconscious expression, where a human in a fugue or similar state writes automatically. The writing often resembles hand-writing but tends to look more like scribble. The perceived value of automatic writing is dependent on the apprehension that human beings possess a subconscious (or unconscious) that can be interpreted through the act of automatic writing. The technique was popular amongst early 20th Century aficionados of theosophy and early psychology. Surrealist artists such as Andre Masson used the technique to develop semi-abstract artworks, whilst later authors and artists, such as Henri Michaux and Cy Twombly, employed the technique to develop highly sophisticated paintings and 'writings' that questioned both the authenticity of the artist's mark-making and the semiotic potential of writing.

   Cecilie Klingenberg - 26.02.2021 - 18:53

6. Unerasable Characters II

   The project explores the politics of erasure and the temporality of voices within the context of digital authoritarianism. Unerasable Characters II presents the sheer scale of unheard voices by technically examining and culturally reflecting the endlessness, and its wider consequences, of censorship that is implemented through technological platforms and infrastructure.

   The project collects unheard voices in the form of censored/erased (permission denied status via the official API) text, including emojis, symbols, English and Chinese characters, which is based on one of the biggest social media platform in China called Weibo. A daily scraping script is used to fetch those text via Weiboscope, a data collection and visualization project, developed by Dr. Fu King Wa from The University of Hong Kong, in which the system has been regularly sampling timelines of a set of selected Chinese microbloggers who have more than 1,000 followers or whose posts are frequently censored.

   Cecilie Klingenberg - 27.02.2021 - 12:39

7. Turing's Assembly Line

   Turing's Assembly Line is a cross between a gameart/artgame and an elearning (automatic learning) project. It was simultaneously developed for the amazing plato systems (automatic learning, 1960+) and for the web. It has been created by the Swiss artgroup AND-OR.ch (René Bauer and Beat Suter) in 2020.

   As player you are not a user of the universal machine, you are Alan Turing‘s universal machine yourself. Please, sit down and begin to work!

   You will receive task after task. You have to decide if you want to execute a task or if you don‘t. Of course you will also encounter some errors among the tasks. No program and no coder is perfect! You may even be confronted with exceptions, forkbombs ... and more.

   Will you be fast enough? How many operations are you able to execute per minute? How long can you keep up the assembly line?

   Cecilie Klingenberg - 27.02.2021 - 12:58

8. Meet Me At The Station

   Meet Me At The Station is a surreal and lyrical 10 minute experience for for 360 cinemas, domes, virtual reality headsets. A scientist is trapped in the future due to a time-travel accident. His only hope is to travel through dreams, but dreams can also turn into nightmares.

    

   Cecilie Klingenberg - 27.02.2021 - 14:55

9. Distant Affinities

   Distant Affinities is a work of recombinant cinema about machine intelligence attempting to process, narrate and mimic sentient being. Through subtitles, the omniscient AI narrator cycles through media that has been captured from the network and attempts a narrative interpretation of the patterns of human behavior. Disparate data points and discontinuous video loops resist being systematized or narrativized. The distances or gaps between the text and video fragments suggest what remains outside the domains of surveillance and narrative. An allegory of the vagaries of networked life existing within larger webs of living and non-living systems, the work shows a world coming apart, but also transforming into a more spacious mode of being made of errant language, creaturely life, isolated gestures and mutating interfaces.

   Cecilie Klingenberg - 27.02.2021 - 15:01

10. A.I. Seems to Be a Verb

    “I live on Earth at the present, and I don't know what I am. I know that I am not a category. I am not a thing –a noun. I seem to be a verb, an evolutionary process– an integral function of the universe.”

    – Buckminster Fuller, I Seem to Be a Verb, 1970

     

    ‘Bucky’ Fuller’s well-known quote, originally published in his book I Seem to Be a Verb (1970) contrasts human participation in the material world (which Fuller suggests can be described with nouns) and the ongoing evolutionary processes which influence and shape that world (which Fuller suggests can be described with verbs).

    Cecilie Klingenberg - 27.02.2021 - 15:23

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