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l0ve0ne
L0ve0ne (Eastgate Web Workshop) was first told as an additive social networked story, on the Interactive Conference on Arts Wire, beginning in the fall of 1994. Each lexia was posted as a separate entry on the conferencing system. Portions of L0ve0ne were ported in different forms in servers all over the country, including the Arts Conference on The WELL. The story integrates hacker culture, early Internet technologies, a German "road trip"; and a love story that continues in Malloy's The Roar of Destiny. The first person is used, as it is in many of Malloy's other works, as a narrative device that not only effects the telling, in that it allows the writer to disclose the details of the main character's life in an intimate way, but also effects the reading, in that it situates the reader directly in the main character's life and environment.
Eric Dean Rasmussen - 14.03.2011 - 11:37
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"Of Dolls and Monsters": An Interview with Shelley Jackson
"Of Dolls and Monsters": An Interview with Shelley Jackson
Eric Dean Rasmussen - 14.03.2011 - 20:09
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Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis
Flickering Connectivities in Shelley Jackson's Patchwork Girl: The Importance of Media-Specific Analysis
Eric Dean Rasmussen - 14.03.2011 - 20:44
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Stitch Bitch: the Patchwork Girl
It has come to my attention that a young woman claiming to be the author of my being has been making appearances under the name of Shelley Jackson. It seems you have even invited her to speak tonight, under the misapprehension that she exists, that she is something besides a parasite, a sort of engorged and loathsome tick hanging off my side. May I say that I find this an extraordinary impertinence, and that if she would like to come forward, we shall soon see who is the author of whom.
Well? Well?
Very well.
I expect there are some of you who still think I am Shelley Jackson, author of a hypertext about an imaginary monster, the patchwork girl Mary Shelley made after her first-born ran amok. No, I am the monster herself, and it is Shelley Jackson who is imaginary, or so it would appear, since she always vanishes when I turn up. You can call me Shelley Shelley if you like, daughter of Mary Shelley, author of the following, entitled: Stitch Bitch: or, Shelley Jackson, that imposter, I'm going to get her.
Eric Dean Rasmussen - 14.03.2011 - 20:58
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Stravinsky's Muse
"Stravinsky's Muse" is a flash-based hypertext that offers a lexical sphere as a set of dials for accessing the narrative via the semantic constructs in the mind of its protagonist, Stravinsky Jones. Each segment of narrative is complemented by a definition of one of the chosen terms in the form it takes in Jones' lexicon.
Mark Marino - 14.03.2011 - 22:49
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False Pretenses, Parasites, and Monsters
A meditation on parasites and montrosity in American novels and hypertext fictions.
Eric Dean Rasmussen - 15.03.2011 - 15:57
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Scholarly Publishing of Hypertext, the Case of "The Victorian Web"
George Landow discussed the development of The Victorian Web, an online resource hosted by Brown University, for the study of Victorian literature, and its relation to his scholarship on hypertext.
Eric Dean Rasmussen - 16.03.2011 - 11:50
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These Waves of Memories: A Hyperfiction by Caitlin Fisher
The web-based ‘hypermedia novella’ These Waves of Girls by Caitlin Fisher won the first prize in the fiction category awarded by the Electronic Literature Organization in 2001. In this article I’ll take a closer look on some of the aspects of this work, a confessional autobiography about a girl coming to terms with her lesbian identity. The article is structured around a set of relations: the relation between the critic and the work; textual and audio-visual representation; personal and social relations; hypertextual structure and autobiographical, unreliable narration. These Waves is a class-room example of the so-called associative hypertext. The hypertextual structure is also closely linked to the problematics of autobiographical narration.. As readers we get to ponder about the nature of remembering, of telling stories about one’s life. One of the genuine accomplishments of Fisher’s work is to bring forth these questions in a tangible, and still discreet, way.
(Source: author's abstract).
Eric Dean Rasmussen - 20.03.2011 - 09:58
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Langweekend
Launched November 21, 2005.
Eric Dean Rasmussen - 23.03.2011 - 12:30
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Speak, "Memory": Simulation and Satire in Reagan Library
Speak, "Memory": Simulation and Satire in Reagan Library
Eric Dean Rasmussen - 23.03.2011 - 13:43
