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Textmaschinen- Kinetische Poesie- Interaktive Installation: Studien zu einer Hermeneutik digitaler Kunst
From the publisher: Die digitalen Medien führen Experimente der klassischen Avantgarde weiter und bringen neue künstlerische Ausdrucksformen hervor. Doch wie begegnet man diesen ästhetischen Phänomenen? Soll man sich ganz auf die Materialität der Zeichen konzentrieren, auf die Intensität des Erlebens im Rahmen einer »Kultur der Präsenz«? Soll man das Erlebte der Interpretation unterziehen, im Rahmen einer »Kultur des Sinns«, die im Deutungsprozess auch Verunsicherung riskiert?Dieses Buch – eine theoretische Einführung ins Feld digitaler Kunst – diskutiert beide Optionen anhand ausführlicher Fallstudien zu interaktiven Installationen, kinetisch-konkreter Poesie, computergenerierten Texten und Mapping-Kunst.
Patricia Tomaszek - 25.08.2011 - 22:38
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Another Kind of Language
Interactive piece made in Adobe Flash, it consists of three different layers: the user can travel from one surface to another by clicking on the buttons: A (for Arabic), C (for Chinese) and E (for English). When choosing the languages, I was interested in the differences of their visual element, reading patterns (right to left, left to right, top to bottom) and linear and non-linear qualities. Notions analysed in Visual and avant-garde poetics. Each surface is blank until the user rolls the mouse over it, revealing still and moving images, which appear and fade away, and triggering phonetic sounds from each respective language.
The images are related to the visual representation and cultural background of each language. The sound layers are formed by the 'meaningless' phonetic sounds of the three different languages. They were created by speakers of these languages, who sang and pronounced combinations of phonetic sounds commonly used in each linguistic system.
Scott Rettberg - 22.09.2011 - 15:20
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Generative Poems
This work is part of an ongoing series of interactive, experimental and generative poetic texts using Processing to generate visual compositions which fill the viewable space in time, with a growing pattern triggered by sound and silence.These particular poems developed with Szekely were inspired by Hansjorg Mayer’s alphabetenquadratbuch poem (alphabetsquarebook). In all the experiments, three communication systems are coming together: image, writing and code.
It is my aim to stretch the possibilities of programming to produce generative texts activated by sound and rooted in the tradition of concrete poetry, its formal representation, production processes and progression with technological advances. As a research project, the work will have a valuable input in provoking discourses and bringing knowledge and understanding into the different explored disciplines.
(Source: Author's description on her website)
Scott Rettberg - 22.09.2011 - 15:44
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Enter:in' Wodies
Enter:in' Wodies is the intermedial installation, where the person interacts with the work via motion sensing input device Kinect. The main idea is to imagine the person, whose interiour you would desire to read. You can choose from two models – man or woman. After the first text that explains the initiation to enter other person, you interact with the work by choosing the body parts by touching with your hands the imaginary being. The body parts refer to seven organ systems. To reveal the poems connected with the particular human biological systems, you have to make movements with your hands to uncover the words (interaction area is defined by your physical distance of hand from the sensor). The revelation of each part brings about the biological image of its cell textures, of the music (which has its unique corresponding sound that goes with the main melody) and of the poetic text about the system's exceptionality. After having read all the pieces, the final text appears that informs about your leaving the other person's body.
Zuzana Husarova - 30.09.2011 - 17:04
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Kac, Cayley, and Kargl on Translation
Kac, Cayley, and Kargl on Translation
J. R. Carpenter - 25.11.2011 - 13:19
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Earthbound: Surfing the Apocalypse
A transmedial project centered around a novel originally published chapter by chapter on a blog, and later published as a Kindle book for sale on Amazon. A number of other elements make part of the story, including a CD soundtrack, an unmarked vinyl album, art installations in galleries and a series of stickers implemented in London.
Jill Walker Rettberg - 02.12.2011 - 11:38
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The Torrent
Based on a damaged BitTorrent file of Jean Rollin's erotic horror film The Night of the Hunted (1980), The Torrent translates cross-cultural file error into new narrative configuration. It has appeared in book, installation, internet, and performance incarnations. Unauthorized versions include: Le Torrent: La Fiancee de Wittgenstein Par Jo Maludies, by John Roland; The Torrent {by Joe Milutis} by Roxanne Carter; I Wrote the Torrent by L. J. Housley; The Torrent Milutis by Giardia Fuemte Jones; Doubts and Obscenities. "Electron is practically inexhaustible" V. I. Lenin ANARCHY IS LIFE by A.O.; The Night of Deception by Joe Milutis translated by Danny Snelson
Joe Milutis - 21.01.2012 - 04:17
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Erica T. Carter: The Collected Works
“Erica T. Carter: The Collected Works," a haphazard vault installation of poetry generated under the pen name Erica T. Carter by Jim Carpenter's Electronic Text Composition (ETC) project.
The installation features around 18,000 pages of poetry generated by three automated poetry stations. A selection of around 2,500 pages has been randomly arranged about the vault floor and is downloadable, link attached to this entry.
Source: Slought Foundation
Patricia Tomaszek - 03.02.2012 - 12:58
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Public Override Void
A vault installation featuring Jim Carpenter's Electronic Text Composition (ETC). The installation includes automated as well as self-service poetry stations and wall panels of code.
Information on the exhibition "Public Override Void," an overview of the project with examples of the code, and an audio recording of 49 poems generated by the poetry engine and edited by Jim Carpenter, has been made availabe online: http://slought.org/content/11207/
A recording of the public conversation between Bob Perelman, Nick Montfort, and Jean-Michel Rabaté is available: http://slought.org/content/11199/
Patricia Tomaszek - 03.02.2012 - 13:32
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Imposition
imposition was presented in an installation version at e-poetry 2007 in Paris. imposition was set up in amphiX of Université Paris VIII during the lunch-time intermission of the e-poetry symposium on 22 May from about 11.30 am until 2.00 pm.
Those visiting the installation were invited to take along a QuickTime and wireless-enabled laptop. They downloaded a 'listening' movie of their choice - one of the 'demons of imposition' - that was networked with the main installation. The main installation ran continuously at the venue and the viewer-participants played their downloaded movies and so, together, constituted a distributed, extensible, networked installation, manifested in literal and sound art, with some correlative imagery.
Simon Biggs, who participated in e-poetry 2007, wrote the following notice of the imposition installation:
Scott Rettberg - 03.02.2012 - 13:44
