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  1. Wild Ambitions

    David Cassuto reviews Wild Ideas, a collection of ecocritical essays.

    I want to like Wild Ideas. And I do like large segments of it. Compiled and edited by David Rothenberg, a professor of philosophy at the New Jersey Institute of Technology, this collection of essays arose from a symposium on the “wild” and “wilderness” at the fifth World Wilderness Congress in 1993. It takes on several of the major bugaboos of the environmental movement, among them the difference between “wildness” as Thoreau uses the term in his famously misquoted adage, “In wildness is the preservation of the world,” and “wilderness,” a term whose meaning has changed more often than Boris Yeltsin’s Cabinet.

    tye042 - 26.09.2017 - 12:20

  2. Writing the Paradigm

    An overview of Gregory Ulmer’s thought by Victor Vitanza.

    1. How do we not know we think, yet think?

    Gregory Ulmer (a.k.a. ‘Glue’) has been for some time developing a theory of invention that would be appropriate and productive for those cultural theorists who have an interest in electronic media. (Invention, classically defined in oral and print culture, is the art of recalling and discovering what it is that one would think or say about a given subject. In electronic culture, invention takes on new ramifications). In his Applied Grammatology (1985), Ulmer moves from Derridean deconstruction (a mode of analysis that concentrates on inventive reading) to grammatology (a mode of composition that concentrates on inventive writing); that is, he moves towards exploring “the nondiscursive levels - images and puns, or models and homophones - as an alternative mode of composition and thought applicable to academic work, or rather, play.

    tye042 - 26.09.2017 - 13:01

  3. The Revolution May Not Be Computerized

    The Revolution May Not Be Computerized

    tye042 - 26.09.2017 - 14:41

  4. Stanley Fish and the Place of Criticism

    Christopher Knight on Stanley Fish’s Professional Correctness.

    In Representations of the Intellectual (New York, 1994), Edward Said writes,

    The particular threat to the intellectual today, whether in the West or the non-Western world, is not the academy, nor the suburbs, nor the appalling commercialism of journalism and publishing houses, but rather an attitude that I will call professionalism. By professional I mean thinking of your own work as an intellectual as something you do for a living, between the hours of nine and five with one ear cocked at what is considered to be proper, professional behavior - not rocking the boat, not straying outside the accepted paradigms or limits, making yourself marketable and above all presentable, hence uncontroversial and unpolitical and “objective.” 

    tye042 - 05.10.2017 - 11:25

  5. Cyborg Anthropology

    Matthew Fuller on The Cyborg Handbook.

    The Cyborg Handbook tells the story of how one particular model, or one cluster of models grouped under the term cyborg (cybernetic organism), has come to occupy a key place as a meaning-making apparatus that either actually or rhetorically involves such disparate areas as: the invention of new emotions; self-directed evolution; combat and medical augmentation; the prediction, monitoring, and control of body movement; farming; automatism; remote or prosthetic operations; reproductive technology. Culling material from a wide variety of academic sources, The Cyborg Handbook follows the lead of Donna Haraway, who adds an image-rich foreword to the book, in putting cyborgs on the map of cultural criticism.

    tye042 - 05.10.2017 - 11:38

  6. Observing the Observers of Systems and Environments

    Linda Brigham reviews the Spring and Fall 1995 issues of Cultural Critique.

    Where is the real you? Behind the eyeballs, right; the center of a panoptical cinema, your virtual head spinning around like Linda Blair’s in The Exorcist. Watching the world go by.

    tye042 - 05.10.2017 - 13:24

  7. Ecotourism: Notes on Con-temporary Travel

    Thomas Cohen on ecotourism in Bolivia and discovering the post-humans of the past.

    What does it mean to tour, today, the outer reaches of the empire - which is an unnamed empire (America will not do, nor the West, and so on - as if some programming encompasses, now, this series of terms and its one-time others) legislating time and fashion as well as economy? When we go, say, as pleasuring witnesses to whatever still bears the trace of a certain otherness: a cultural imprint (Andean natives), the laws of a climate (tundra), a history so marked by recent disfiguration that we, today, seem to find comfort in the commodity of a readable catastrophe. Unlike several decades if not years ago (but what, now, is a “year”?), it is so easy to travel, to transfer oneself for brief episodes to distant points - which, in turn, appear woven, then, more firmly, as the mock-aura of a frontier of any sort recedes. What does it mean to write travel, today - and is not every genre of such invoked, every narrative twitch (anecdote, observation, description, rumination) mobilized, as obstacle, at the first rustling of intent?

    tye042 - 05.10.2017 - 13:48

  8. HYPER-LEX: A Technographical Dictionary

    Paul Harris hybridizes the terms of hypertextual discourse and takes it to a higher power.

    The spirit or at least pervasive desire of our age revolves around a sort of transparency: a desire to project ourselves as a surface of permeable traces, to exfoliate, let the inside become the outside, to become fully visible like the meat and bones of a Cronenberg character, while remaining invisible like the little hacker ghost (Turing’s Demon?) that tracks text in the Random Access Memory banks of the machine onto whose screen we splash words. In large part, the attractive force that transparency exerts is an effect of media culture; simultaneously, however, transparency marks a limit of im-mediacy - an unmediated, collapsed sensation where we can see the neurophysiology of our brains or the shapes of and linkages among our words. This is an immediacy of the sensory that never shades into the tactile - it is rather the immediacy of sensing the medium itself, of clicking tracks around the computer screen or dredging up hidden treasures on the Netscape of our lives.

    tye042 - 05.10.2017 - 13:57

  9. Anti-Negroponte: Cybernetic Subjectivity in Digital Being and Time

    Timothy Luke reviews Nicholas Negroponte and takes a second look at ‘digital subjectivity.’

    tye042 - 05.10.2017 - 14:09

  10. From Virtual Reality to Phantomatics and Back

    Paisley Livingston on Stanislaw Lem and the history and philosphy of Virtual Reality.

    tye042 - 05.10.2017 - 14:20

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