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HeartBeats
Many academics experience severe levels of stress and anxiety, but we do not address these issues in scholarly contexts. Instead, we cast stress as a personal matter, even though it is a shared experience in our profession. I would like to propose an installation for this year’s ELO Media Arts Festival that asks interactors to be mindful of the gap we have created between our academic lives and our mind-bodies. My installation, “HeartBeats,” prompts interactors to experiment with breathing techniques derived from Buddhist mindfulness mediation with a pulse sensor attached to their wrist. The sensor is connected to an Arduino Uno R3 board, which processes the analogue pulse signal to light up 60 NeoPixel LEDs based on the interactor’s heart rate. Depending on the frequency of the pulse, the LED lights blink in different colors. A color key allows interactors to interpret their heart rate. The installation displays instructions for breathing techniques alongside quotations taken from traditional Buddhist texts such as the Mediation Sutra.
Jane Lausten - 26.09.2018 - 14:53
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The Several Houses of ....
Author's reading from work for NaNoWriMo (National Novel Writing Mo) 2017 The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex.
The Several Houses of Brian, Spencer, Liam, Victoria, Brayden, Vincent, and Alex is 800-page novel generated by a Python script.
Jana Jankovska - 26.09.2018 - 14:56
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Cyborgs in the Mist
Cyborgs in the Mist is an enquiry which takes the form of a movie, a sound
installation, photo prints, and a book. The film presents the LOPH research lab
and its utopian proposals to struggle against the planned obsolescence of
humankind. Taking into account the development of robotics and artificial forms
of intelligence, the LOPH research lab experiments with ways to help humans
adapt to their new environment, and to put them in a position to fight against their planned obsolescence. How can we anticipate this shift in the logic of evolution?
How can we adapt to this change with a minimum of violence? Academic teams,
science-fiction writers, and new forms of artificial intelligence work together to
anticipate the most disastrous scenarios.(source: description from the schedule)
June Hovdenakk - 26.09.2018 - 14:58
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Dispersed Digital Poetry Project
The Dispersed Digital Poetry Project is a year-long endeavour to create a series of short one poem/screen/page interactive digital poems, with each of those digital poems hosted on a different website or portal. And then the entire series of interactive works inter-linked together, forming a larger collection, existing across the net.
For example: I will create a mouse-follower digital poem to be hosted by gallery’s website in Vancouver. And that work will link to 3D textual work hosted by a literary journal in Singapore. Add 24 others! In essence, the works will have dozens of different entry points and doorways, with the whole of the work forming a grid across the websites of places, institutions, people, publications and organizations around the world.
What is the overarching theme of this collection of works from the Dispersed Digital Poetry Project?
Nina Kolovic - 26.09.2018 - 14:59
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EMAJI NARATGEE MARAKKA. a Game and a Fable
Convinced that the civic life of my country has been usurped by a game of alternate reality, I respond with a counter-game (or simulation, or expiation), whose object is, however momentarily, to stint the spewings of the Troll so that a different story can emerge. This story concerns the arc of the moral universe and a woman who, with all the luck in the world, can bend it like a bow. It is a fable and perhaps a parable. Against the purulent babble of monsters from the id, it offers words of comfort and counteraction.
Instructions: Click to begin the Trollspiel. Observe the horror. Find the option that interrupts it. Read a bit of the story. Return to Trollspiel. Fight through and keep fighting until the end.Nina Kolovic - 26.09.2018 - 15:02
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Our Cupidity Coda
There’s an aspect of current Virtual reality that underplays an emphasis on the personal, the poetic, the introspective, and the spaces that exist in between. Our Cupidity Coda seeks to address this by creating (what I term) a MicroVR Experience: a poetic snapshot of the life span of a romantic relationship, bridging the gap between the impersonal and the intimate.
The meat of the project is a set of poetic texts interspersed with 360 illustrative stills. The work is deliberately designed to partially echo the conventions from early film-making days (including no audio), making a viewer focus on text inserts, which are contrasted with having to move (turn in the 360 VR space) and view the 360 tableaus (a reflection of the theme underlying the work) to engage fully with the 360 illustration sections.
Akvile Sinkeviciute - 26.09.2018 - 15:07
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Remixing Shakespeare : Witch Hunts! Power Plays! & Uses of Adversity. A Netprov in Three Acts
This project remixes video vignettes of the character contests from Shakespeare with the power-plays of our time. The work features multi-layered video and a crowd-sourced text feed, pulled from public domain and social media. Netprov players add their own words to the text flow, contributing to the politico/poetical drama.
“Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything.”Jane Lausten - 26.09.2018 - 15:11
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Fractalize 1: I've loved you from afar
FRACTALIZE is a hypermedia fiction project created by Tony Vieira, with Lesley Loksi Chan and Arthur Yeung. The first installment, ”I've loved you from Afar,” is a fractal reminiscence of a romance across space and time. Created for Supercrawl 2017, a four day art and indie music festival in Hamilton, Canada, Fractalize is intended to exist both inside a gallery space as much as within the audience member’s smartphone. Narrative “fractals” will be delivered over the course of the five day ELO Conference and Festival via email and social media, with intentional knowledge gaps that users fill in based on their own experience, anxieties, and desires. Users experience the project in the form of VR/360º video gallery exhibit, video walks, web videos, photographs, original music, text messages, sound art, Spotify playlists, and social media posts. Characters within the narrative have their own social media identities which are regularly updated over the course of the exhibition, creating a blurring of the lines that separate reality and virtuality.
Nina Kolovic - 26.09.2018 - 15:12
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OTTARAS: 2CONCRETE
In the autumn 2014 I was reading in the TARP festival in Vilnius and in the ZEBRA film poetry festival in Berlin. This was motivating for extending my project in the direction of sound poetry. Meeting the Russian composer Taras Mashtalir in e-Poetry2013 in London and later in Bergen, has resulted in a great collaboration. Together we are OTTARAS, and so far we have produced six sound poetry tracks based on my earlier works and with videos made by Alexander Vojjov and Yan Kalnberzin.
Source: http://yellowpoetry.com/sound-poetry-news/
Chiara Agostinelli - 26.09.2018 - 15:17
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Berlin Remix
"Berlin: Symphony of a Great City" by Walter Ruttman (1927) is the central work in the genre of "City Films" which thrived internationally in the 1920s and 1930s. "Berlin Remix" is a generative video installation based on this seminal work. The original film has been deconstructed into its individual shots, which are placed in a shots database. "Berlin Remix" investigates cinematic style and technique through the creation and presentation of an ongoing series of short films drawn from this database. Each of these short films reflects a different facet of the original work, and each film is unique - differing from the others in cinematic style, thematic content or both. The artist has defined a number of style templates through analysis of various documentary films, particularly those in the City Film genre. The templates incorporate different content themes (such as work, recreation, culture, class) and a variety of cinematic manipulations (such as sequencing pattern, editing pace, transition choice, and visual treatment). The templates will use real-time algorithmic operations to call up shots and apply the cinematic treatment.
Susanne Årflot Løtvedt - 26.09.2018 - 15:18
